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New! Translated from the Spanish by Cole Heinowitz. A stated First Edition, first printing. 8 vo. -measuring 5 in. -8 in. 159 pp. // 'Over the last several years, the majority of Pizarnik's poetry has been translated into English, garnering enormous acclaim in the U.S. and abroad, yet her extraordinary critical writings-including commentaries on figures such as Artaud, Borges, Breton, Michaux, and Pessoa, as well as intimate accounts of her own working methods-remain almost entirely unknown outside the Spanish-speaking world. A Tradition of Rupture makes these writings available to English-speaking readers for the first time, offering indispensable insight into the range of Pizarnik's reading and the principle influences on her poetics. ' ~ Publisher.

Grand in-8° broché - Claude ESTEBAN, de père espagnol et de mère française, partagé entre deux idiomes, ,est le fondateur de la revue Argile aux éditions Maeght, il fut aussi l'auteur de nombreux écrits sur l'art et sur la poésie, ainsi qu'un des grands intercesseurs de la culture espagnole, il a fait connaitre notamment Jorge Guillén, Octavio Paz, Borges, García Lorca, Quevedo, parmi d'autres et a écrit des articles et préface de nombreux catalogues d'expositions d'artistes dont il se sentait proche, tels Morandi, Ubac, Szenes, Vieira da Silva, Aguayo, Josef Sima, Fernández, Assar, Braque, le Brocquy, Asse, Bazaine, Chagall, etc

Primera edición, rústica, tapa blanda, como nuevo. Editado por el Centro Editor de América Latina en 1982. Rústica, tapa blanda. Son 105 páginas sobre unas dimensiones de 18 x 11 cm. Selección y prólogo por el profesor Alejandro Fontela.

Primera edición, rústica, tapa blanda con solapas, editado por Corregidor, colección Letras al sur del Río Bravo. Son 157 páginas sobre unas dimensiones de 19.5 x 12.5 cm. Prólogo y selección de textos a cargo de Cristina Piña.

Erstausgabe, gr.8°, 184 S., Text: italienisch, illustr. original Kartonage (Paperback), sehr schönes, sauberes Exemplar. Sprache: Italienisch.

El infierno musical - Pizarnik, Alejandra / Siglo veintiuno - Buenos Aires, 1971 (76p) -- Buen estado, Literatura --Primera edicion

Pizarnik, Alejandra (1936-1972). "La Condesa Sangrienta". Buenos Aires, Aquarius Libros, 1971. 66 páginas. Encuadernación rústica. Primera edición (código 2700)

Buenos Aires : Acuarius Libros, 1971. 1ª ed. Rústica. 10.5x18.5. Huellas de óxido en el interior de la cubierta. El exterior de las cubiertas, y el interior del libro muy limpios. Buen ejemplar

Buenos Aires: Siglo veintiuno editores, 1971.. FIRST EDITION, PRESENTATION COPY. Small 4to. (18 x 15.5 cm). pp. 76. Original card wrappers printed in black and pink. With an inscription in purple ink by Pizarnik to prestigious literary critic Jorge Cruz to f.f.e.p. reading, "Jorge Cruz, en verdadera estima personal y literaria - Sasha Pizarnik" [Jorge Cruz, in true personal and literary esteem]. Light marginal toning, inner hinge a bit cracked, rubbing to spine. First edition, inscribed, of this book by Alejandra Pizarnik in which she makes an inquisition about language and its functions. It is dedicated to the prestigious literary critic Jorge Cruz, who developed a renowned career for more than four decades in the prestigious newspaper LA NACION, where he began as a theatre critic. In 1957 he joined the Literary Supplement. There he contributed to disseminate the work of prestigious writers and made new authors known. Alejandra Pizarnik, in full Flora Alejandra Pizarnik (1936-1972, Buenos Aires) was an Argentine poet whose poems are known for their stifling sense of exile and rootlessness. Pizarnik was born into a family of Jewish immigrants from eastern Europe. She attended the University of Buenos Aires, where she studied philosophy and literature. Later she ventured into painting, studying with the Catalan Argentine painter Juan Batlle Planas. In 1960 she moved to Paris, where she worked for French publishing houses and magazines, published poetry, and translated into Spanish works of such writers as Henri Michaux, Antonin Artaud, Marguerite Duras, and Yves Bonnefoy. In 1965 she returned to Buenos Aires and published three of her eight collections of poetry, Los trabajos y las noches (1965; "The Works and the Nights"), Extracción de la piedra de la locura (1968; "Extraction of the Stone of Madness [or Folly]"), and El infierno musical (1971; "The Musical Hell"), as well as her famous prose work La condesa sangrienta (1965; "The Bloody Countess"), about the Hungarian countess Elizabeth Báthory. Pizarnik s first editions with inscriptions are seldom found.