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105 p. ; 20x12 cms. Poesías argentinas ( D-03)

Sur, revista bimestral de literatura. Número 275 correspondiente a Marzo y Abril de 1962. Contiene el poema "Texas" de Jorge Luis Borges, y poemas de Alberto Girri y Alejandra Pizarnik, todos inéditos hasta la aparición de esta publicación. 128 pp., muy buen estado.

Grand in-8° broché - Claude ESTEBAN, de père espagnol et de mère française, partagé entre deux idiomes, ,est le fondateur de la revue Argile aux éditions Maeght, il fut aussi l'auteur de nombreux écrits sur l'art et sur la poésie, ainsi qu'un des grands intercesseurs de la culture espagnole, il a fait connaitre notamment Jorge Guillén, Octavio Paz, Borges, García Lorca, Quevedo, parmi d'autres et a écrit des articles et préface de nombreux catalogues d'expositions d'artistes dont il se sentait proche, tels Morandi, Ubac, Szenes, Vieira da Silva, Aguayo, Josef Sima, Fernández, Assar, Braque, le Brocquy, Asse, Bazaine, Chagall, etc

Primera edición, rústica, tapa blanda, como nuevo. Editado por el Centro Editor de América Latina en 1982. Rústica, tapa blanda. Son 105 páginas sobre unas dimensiones de 18 x 11 cm. Selección y prólogo por el profesor Alejandro Fontela.

El infierno musical - Pizarnik, Alejandra / Siglo veintiuno - Buenos Aires, 1971 (76p) -- Buen estado, Literatura --Primera edicion

Pizarnik, Alejandra (1936-1972). "La Condesa Sangrienta". Buenos Aires, Aquarius Libros, 1971. 66 páginas. Encuadernación rústica. Primera edición (código 2700)

Buenos Aires. Editorial Aquarius. 1971. 66p. 3h. Rústica. Primera edición. Buen estado.

Librería Aves Del Paraíso Descripción del libro: -Título: El Infierno Musical -Autor: Alejandra Pizarnik -Editorial: Siglo Veintiuno Editores -Lugar y Año: Bs. As. 1971 -Encuadernación: Rustica -Páginas: 76 -Estado General: Muy Bueno -Traducción: Ninguna -Medidas: 18x15cm -Peso: 115grs -Idioma: Español -Detalles: Mínimas marcas con lápiz en los márgenes. Todos nuestros artículos son revisados antes de ser publicados. LAS IMÁGENES DE NUESTRAS PUBLICACIONES SON ORIGINALES DE NUESTROS ARTÍCULOS.

FIRST EDITION. 8vo. (12 x 20 cm). pp.65. Original card wrappers printed in red and black. Mellowing to wrappers, small chip and tear to spine, generally a very good copy. The author's fourth collection of poems, which includes the poems "La última inocencia" (1956), "Las aventuras perdidas" (1958) and "Otros poemas" (1959) and a prologue by Octavio Paz. Alejandra Pizarnik, born Flora Alejandra Pizarnik (1936-1972), was Argentine poet whose poems are known for their stifling sense of exile and rootlessness. Pizarnik was born into a family of Jewish immigrants from eastern Europe. She attended the University of Buenos Aires, where she studied philosophy and literature. Later she ventured into painting, studying with the Catalan Argentine painter Juan Batlle Planas. In 1960 she moved to Paris, where she worked for French publishing houses and magazines. She wrote the present collection of poems when she was 26 and living in Paris.

FIRST EDITION, PRESENTATION COPY. Small 4to. (18 x 15.5 cm). pp. 76. Original card wrappers printed in black and pink. With an inscription in purple ink by Pizarnik to prestigious literary critic Jorge Cruz to f.f.e.p. reading, "Jorge Cruz, en verdadera estima personal y literaria - Sasha Pizarnik" [Jorge Cruz, in true personal and literary esteem]. Light marginal toning, inner hinge a bit cracked, rubbing to spine. First edition, inscribed, of this book by Alejandra Pizarnik in which she makes an inquisition about language and its functions. It is dedicated to the prestigious literary critic Jorge Cruz, who developed a renowned career for more than four decades in the prestigious newspaper LA NACION, where he began as a theatre critic. In 1957 he joined the Literary Supplement. There he contributed to disseminate the work of prestigious writers and made new authors known. Alejandra Pizarnik, in full Flora Alejandra Pizarnik (1936-1972, Buenos Aires) was an Argentine poet whose poems are known for their stifling sense of exile and rootlessness. Pizarnik was born into a family of Jewish immigrants from eastern Europe. She attended the University of Buenos Aires, where she studied philosophy and literature. Later she ventured into painting, studying with the Catalan Argentine painter Juan Batlle Planas. In 1960 she moved to Paris, where she worked for French publishing houses and magazines, published poetry, and translated into Spanish works of such writers as Henri Michaux, Antonin Artaud, Marguerite Duras, and Yves Bonnefoy. In 1965 she returned to Buenos Aires and published three of her eight collections of poetry, Los trabajos y las noches (1965; "The Works and the Nights"), Extracción de la piedra de la locura (1968; "Extraction of the Stone of Madness [or Folly]"), and El infierno musical (1971; "The Musical Hell"), as well as her famous prose work La condesa sangrienta (1965; "The Bloody Countess"), about the Hungarian countess Elizabeth Báthory. Pizarnik s first editions with inscriptions are seldom found.