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New! Translated from the Spanish by Cole Heinowitz. A stated First Edition, first printing. 8 vo. -measuring 5 in. -8 in. 159 pp. // 'Over the last several years, the majority of Pizarnik's poetry has been translated into English, garnering enormous acclaim in the U.S. and abroad, yet her extraordinary critical writings-including commentaries on figures such as Artaud, Borges, Breton, Michaux, and Pessoa, as well as intimate accounts of her own working methods-remain almost entirely unknown outside the Spanish-speaking world. A Tradition of Rupture makes these writings available to English-speaking readers for the first time, offering indispensable insight into the range of Pizarnik's reading and the principle influences on her poetics. ' ~ Publisher.

~ Rústica original = Brochura original ~ 527p+2f ~ 21x21x4cm. ~ Como nuevo = Como novo ~ LANGUAGE: Español & Português // We accept PayPal & EU bank transfer in EUROS //

Grand in-8° broché - Claude ESTEBAN, de père espagnol et de mère française, partagé entre deux idiomes, ,est le fondateur de la revue Argile aux éditions Maeght, il fut aussi l'auteur de nombreux écrits sur l'art et sur la poésie, ainsi qu'un des grands intercesseurs de la culture espagnole, il a fait connaitre notamment Jorge Guillén, Octavio Paz, Borges, García Lorca, Quevedo, parmi d'autres et a écrit des articles et préface de nombreux catalogues d'expositions d'artistes dont il se sentait proche, tels Morandi, Ubac, Szenes, Vieira da Silva, Aguayo, Josef Sima, Fernández, Assar, Braque, le Brocquy, Asse, Bazaine, Chagall, etc

Near Fine. 8vo, [vi]+202pp, printed wrappers. Uncommon fourth issue of this cultural magazine edited by Nathaniel Mackey. Includes writing by Clarence Major et al. Unmarked copy, light outer wear.

Primera edición, rústica, tapa blanda, como nuevo. Editado por el Centro Editor de América Latina en 1982. Rústica, tapa blanda. Son 105 páginas sobre unas dimensiones de 18 x 11 cm. Selección y prólogo por el profesor Alejandro Fontela.

Poesía. Colección Poesía.Páginas/Pages:470 p. Excelente estado de conservación (ver fotos), dedicatoria con bolígrafo que no es de la autora 21 x 14 cm

Primera edición, rústica, tapa blanda con solapas, editado por Corregidor, colección Letras al sur del Río Bravo. Son 157 páginas sobre unas dimensiones de 19.5 x 12.5 cm. Prólogo y selección de textos a cargo de Cristina Piña.

2012. Erstausgabe, Roma, Aracne, 2012, gr.8°, 184 S., Text: italienisch, illustr. original Kartonage (Paperback), sehr schönes, sauberes Exemplar. Should your order's weight exceed 1kg, we shall need to message you, to recalculate the shipping cost. (= Sollte Ihre Bestellung mehr als 1k wiegen, müssten die Portokosten angepasst werden, Sie bekämen vorab eine Anfrage per Email.)

Erstausgabe, gr.8°, 184 S., Text: italienisch, illustr. original Kartonage (Paperback), sehr schönes, sauberes Exemplar. Sprache: Italienisch.

1936 und 1972, begrenzen das kurze Leben von Alejandra Pizarnik, und zwei Städte, Buenos Aires und Paris, waren die geographischen Koordinaten ihres Daseins, das hell aufleuchtete und grell verglühte. 411 Seiten, 15.5. x 23.5 cm

El infierno musical - Pizarnik, Alejandra / Siglo veintiuno - Buenos Aires, 1971 (76p) -- Buen estado, Literatura --Primera edicion

Vol. 1. Square octavo. 116pp. Illustrated with small portraits of the poets. Poems in both Spanish and English. Printed wrappers over stapled text block. Wrappers with moderate soiling and wear, staples oxidized, very good. Features poets from Argentina, Brazil, Chile, Costa Rica, Ecuador, El Salvador, Haiti, Mexico, Panama, and Uruguay. Each country has an introduction by a noted scholar, critic, or author (Chile introduced by José Donoso), and a brief biography is given for each poet. Over 50 poets are represented, including Octavio Paz, Alejandra Pizarnik, Nicanor Parra, and Enrique Lihn. *OCLC* seems to locate only two copies, one in the U.S. at the Organization of American States, formerly known as the Pan American Union, the publisher of this volume.

Pizarnik, Alejandra (1936-1972). "La Condesa Sangrienta". Buenos Aires, Aquarius Libros, 1971. 66 páginas. Encuadernación rústica. Primera edición (código 2700)

La condesa sangrienta - Pizarnik, Alejandra / Aquarius - Buenos Aires, 1971 (66p) -- Buen estado, Literatura --Primera edicion

Buenos Aires : Acuarius Libros, 1971. 1ª ed. Rústica. 10.5x18.5. Huellas de óxido en el interior de la cubierta. El exterior de las cubiertas, y el interior del libro muy limpios. Buen ejemplar

Buenos Aires: Editorial Sur, 1962.. FIRST EDITION. 8vo. (12 x 20 cm). pp.65. Original card wrappers printed in red and black. Mellowing to wrappers, small chip and tear to spine, generally a very good copy. The author's fourth collection of poems, which includes the poems "La última inocencia" (1956), "Las aventuras perdidas" (1958) and "Otros poemas" (1959) and a prologue by Octavio Paz. Alejandra Pizarnik, born Flora Alejandra Pizarnik (1936-1972), was Argentine poet whose poems are known for their stifling sense of exile and rootlessness. Pizarnik was born into a family of Jewish immigrants from eastern Europe. She attended the University of Buenos Aires, where she studied philosophy and literature. Later she ventured into painting, studying with the Catalan Argentine painter Juan Batlle Planas. In 1960 she moved to Paris, where she worked for French publishing houses and magazines. She wrote the present collection of poems when she was 26 and living in Paris.

Buenos Aires: Siglo veintiuno editores, 1971.. FIRST EDITION, PRESENTATION COPY. Small 4to. (18 x 15.5 cm). pp. 76. Original card wrappers printed in black and pink. With an inscription in purple ink by Pizarnik to prestigious literary critic Jorge Cruz to f.f.e.p. reading, "Jorge Cruz, en verdadera estima personal y literaria - Sasha Pizarnik" [Jorge Cruz, in true personal and literary esteem]. Light marginal toning, inner hinge a bit cracked, rubbing to spine. First edition, inscribed, of this book by Alejandra Pizarnik in which she makes an inquisition about language and its functions. It is dedicated to the prestigious literary critic Jorge Cruz, who developed a renowned career for more than four decades in the prestigious newspaper LA NACION, where he began as a theatre critic. In 1957 he joined the Literary Supplement. There he contributed to disseminate the work of prestigious writers and made new authors known. Alejandra Pizarnik, in full Flora Alejandra Pizarnik (1936-1972, Buenos Aires) was an Argentine poet whose poems are known for their stifling sense of exile and rootlessness. Pizarnik was born into a family of Jewish immigrants from eastern Europe. She attended the University of Buenos Aires, where she studied philosophy and literature. Later she ventured into painting, studying with the Catalan Argentine painter Juan Batlle Planas. In 1960 she moved to Paris, where she worked for French publishing houses and magazines, published poetry, and translated into Spanish works of such writers as Henri Michaux, Antonin Artaud, Marguerite Duras, and Yves Bonnefoy. In 1965 she returned to Buenos Aires and published three of her eight collections of poetry, Los trabajos y las noches (1965; "The Works and the Nights"), Extracción de la piedra de la locura (1968; "Extraction of the Stone of Madness [or Folly]"), and El infierno musical (1971; "The Musical Hell"), as well as her famous prose work La condesa sangrienta (1965; "The Bloody Countess"), about the Hungarian countess Elizabeth Báthory. Pizarnik s first editions with inscriptions are seldom found.