Barcelona Spain: Editorial Noguer, S. A, 1964. 4th. Hard Cover. Very Good/No Dust Jacket. Clean and intact throughout. Glossy pictorial cover with light rubbing and edge wear. 28 pages of text with about 40 pages of B&W photographs.
Selecciones Airon, 1111. Hardcover. Acceptable/Acceptable. No Edition Remarks. 292 pages. Illustrated dust jacket over red cloth with gilt lettering. Black and white illustrated frontispiece. Spanish text. Light tanning to pages with mild foxing to text block edges, pastedowns and free endpapers. Pen inscription to front free endpaper. Mild creasing to gutters and hinges. Binding remains firm. Boards have minor corner bumping and edgewear with moderate staining to rear board. Spine has light sunning with soft crushing to ends. Lettering is faded. Unclipped dust jacket with moderate rubbing, chipping and tearing to edges. Moderate tanning and scuffing overall.
Trade paperback (US). Glued binding. 166 p. Spanish Literature. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.
Little, Brown, 1964. Book. Very Good. Hardcover. First Edition. Ink underlining and margin notes in text. One-inch tear to jacket and a couple other small chips. Price-clipped. Bookplate..
New York. 1992. New Directions. 1st American Edition. Very Good in Dustjacket With Some Small Tears Marks and Holes. 081121222x. Nobel Prize Winning Author. Translated from the Spanish by Patricia Haugaard. 272 pages. hardcover. Jacket photograph by Virginia Schendler. Design by Semadar Megged. keywords: Literature Translated Spain. FROM THE PUBLISHER - Mazurka for Two Dead Men represents a culmination of the 1989 Nobel Prize winner Camilo Jose Cela's literary art. The novel was originally published in Spain in 1983 and is now presented in a fine translation by Patricia Haugaard. In 1936, at the beginning of the Spanish Civil War, 'Lionheart' Gamuzo is abducted and killed, an event recalled repeatedly by the widowed Adega, one of the several narrative voices. In 1939, when the war ends, Tanis Gamuzo avenges his brother. For both events, and for them only, the blind accordion player Gaudencio plays the same mazurka. Set in a backward rural community in Galicia (the author's home territory), Cela's creation is in many ways like a contrapuntal musical composition built with varying themes and moods. In alternately melancholy, humorous, lyrical, or coarse tones he portrays a reign of fools. inventory #17758 ISBN: 081121222x.
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