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NY: ALFRED A . KNOPF. small owner's name. . VG. Hardcover. First Edition. 2015.

1996-06-18 00:00:00. Audio CD. Used - Very Good.

Chicago, IL: Stephen Daiter Gallery, 2002. First Edition. First Printing.. Softcover. As New/As New Dust Jacket.. Chicago, IL: Stephen Daiter Gallery, 2002. Softcover. As New/As New. First Edition/First Printing. 34 pages. Exhibition Catalog. The first and only edition. Published in a small and limited print run as a softcover original only. There is no ISBN. The Exhibition Catalog is now scarce. An austerely elegant production by David W. Williams: Regular-sized volume format. Plain white softcovers, as issued. Photographs by John Cohen. Text by Patti Smith and Herbert Matter. Printed on pristine-white, thick coated stock paper in the United States to the highest standards. In integral pictorial DJ with titles on the cover and spine and very large flaps, as issued. Published on the occasion of the landmark exhibition of the same name held at the Stephen Daiter Gallery Chicago from September 13 through October 26, 2002, and in collaboration with Deborah Bell Photographs New York. Presents "John Cohen: The Shape of Survival". The photographer's "Peruvian Pilgrimage" photographs, taken between 1956 and 1957. For Cohen, they are living testaments, almost fifty years later, of the Peruvian people's resilience and grit amid the harsh terrain of the Peruvian landscape. Aside from being one of the most remarkable American photographers of our time, John Cohen is also a teacher, a world-class scholar of primitive art, and a Renaissance Man who has composed music and made films. Lest that make him sound overly cerebral, the exact opposite is true: His photographs are rife with life and natural beauty. Cohen's photographic oeuvre was finally collected in a book, "There Is No Eye" (2001) . This is, in effect, its companion volume, and the only body of work comparable to it is Robert Frank's. An absolute "must-have" title for John Cohen collectors. This title is a contemporary art photography classic. This is one of few copies of the Exhibition Catalog still available online and is in especially fine condition: Clean, crisp, and bright. A scarce copy thus. 27 duotone plates. One of the most brilliant American photographers of our time. A fine copy. (SEE ALSO OTHER JOHN COHEN TITLE IN OUR CATALOG).

The 2016 Windham-Campbell Lecture: Yale University Press, New Haven, 2017.. First edition. Octavo hardcover; red boards with black spine titling; 93pp., monochrome illustrations. Minor wear only; fine in like white illustrated dustwrapper. Postage quoted is for a standard format octavo book. Final charges may vary depending on size and weight.

New York: Knopf, 2015. Later printing. Hardcover. Fine/very good. Hardcover. 253 pp. Illustrated. Fine in very good dust jacket. Later printing. National Book Award winner Patti Smith offers this unforgettable odyssey of a legendary artist , tolfd through a prism of the cafes and haunts she has worked in throughout the world.

GHB Publishers, 2000. Hardcover. Near Fine. Oblong 4to in black cloth. A Near Fine copy in like dustjacket.

New York: Alfred A Knopf, 2015. Crisp, clean copy. A memoir from the famed poet, musician. Neat gift inscription from former owner to top right edge of front endpaper, else fine. No other markings. Appears unread. Price intact jacket photograph of author by Claire Hatfield. . 8th Printing. Hardcover. Near Fine/Fine. 8vo - over 7¾" - 9¾" tall.

Barcelona.: LUMEN., 2019.. Hardcover. Good. 21 cm. 133 páginas. Encuadernación en tapa dura de editorial con sobrecubierta. Colección 'SIN CODIFICAR'. Poesía. Traducción del inglés de Ana Mata Buil. Texto paralelo en español e inglés. Smith, Patti. 1946-. Auguries of innocence. Mata Buil, Ana. traductor . ISBN: 9788426406255; 9788426406248 Literatura inglesa. Poesía. Siglo XX. (821.111(73)-1"19") [[821.111-1]]

Bloomsbury, London 2010. 24.0 x 16.0cms, c 280pp, b/w illusts, very good+ hardback & dustwrapper When Smith teamed up with Robert Mapplethorpe, they moved into the Hotel Chelsea, where they 'entered a community of the famous & the infamous'. This book 'begins as a love storty and ends as an elergy. It serves as a salute to New York City during the late '60s & '70s and to its rich & poor, its hustlers & its hellions'.