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(New York): HarperCollins, 2010. Hardcover. Fine/Fine. First edition. 279pp. Illustrated from black and white photographs. Slightly cocked spine else fine in a fine dust jacket.

U.S.A.: Knopf, 2015. 1st Edition. Hardcover. Fine/Fine. A fine first edition in a fine dust jacket, signed by Patti Smith on a special page added by the publisher, with publisher's Signed First Edition sticker on the front cover. First Edition stated on the copyright page.

U.S.A.: Ecco, 2010. 1st Edition. Hardcover. Near Fine/Near Fine. First Edition as stated on copyright page and with numbers 10-1. Near fine book, rubbing on bottom edge of spine. Near fine dust jacket, light wearing on bottom edges of jacket.

New Directions, 2011-11-27. hardcover. Fine/Fine. 5x1x7. Signed. SIGNED IN PERSON BY PATTI SMITH directly to the title page and not personalized to anyone. A gorgeous 2nd printing in unread gift-worthy condition. Expedited and international shipping are welcome; signed by author.

Random House. F/F. 2022. First Edition. Hardcover; First Printing. First edition in DJ signed by the author on a tipped in page. ; 7.4 X 5.5 X 1.5 inches; 400 pages; Signed by Author .

New York: Knopf, 2019. First edition. Hardcover. A fine copy in a fine dust jacket. Following a run of New Year’s concerts at San Francisco’s legendary Fillmore, Patti Smith finds herself tramping the coast of Santa Cruz, about to embark on a year of solitary wandering. Unfettered by logic or time, she draws us into her private wonderland with no design, yet heeding signs–including a talking sign that looms above her, prodding and sparring like the Cheshire Cat. In February, a surreal lunar year begins, bringing with it unexpected turns, heightened mischief, and inescapable sorrow. In a stranger’s words, “Anything is possible: after all, it’s the Year of the Monkey.” For Smith–inveterately curious, always exploring, tracking thoughts, writing–the year evolves as one of reckoning with the changes in life’s gyre: with loss, aging, and a dramatic shift in the political landscape of America. Smith melds the western landscape with her own dreamscape. Taking us from California to the Arizona desert; to a Kentucky farm as the amanuensis of a friend in crisis; to the hospital room of a valued mentor; and by turns to remembered and imagined places, this haunting memoir blends fact and fiction with poetic mastery. The unexpected happens; grief and disillusionment set in. But as Smith heads toward a new decade in her own life, she offers this balm to the reader: her wisdom, wit, gimlet eye, and above all, a rugged hope for a better world. Riveting, elegant, often humorous, illustrated by Smith’s signature Polaroids, Year of the Monkey is a moving and original work, a touchstone for our turbulent times. Illustrated from photographs.

Santa Fe, NM: Arena Editions, 1999. First edition and first printing. Hardcover. Features a preface by Patti Smith and an introduction by Rudolph Wurlitzer. A collection of beautifully printed images of monuments from all over the world. Includes 60 four color images. A tight near fine copy in cloth boards with some slight bumping to the bottom corners and in a near fine dust jacket with some minor wear. Signed by Davis. A nicely printed book.

New York: New Directions, 2011. hardcover. fine/fine. 80pp., small 8vo, cloth, d.w. New York: New Directions, (2011). First Edition. Second printing. Fine. Augmented edition of the book originally published in 1992, with photographs taken by the author. Signed on the title page.

Ecco/Harper Collins, 2010. first. hardcover. fine/fine. SIGNED first edition, as stated on copyright page, with number line from 10-1. Signed on a bookplate attached to half-title page. Comes with letter from KCRW/Michael Silverblatt as to how the bookplate was signed by Patti Smith. Book and dust jacket fine.

San Francisco: Sun King, 1977. Softcover. Near Fine/Near Fine. Magazine. Folio. 47pp. Newsprint wrappers. Near fine with some light toning and wear. A first wave punk zine that includes the Lester Bangs article, "The Roots of Punk"; Richard Meltzer's column, Bebop on Your Mama; a Patti Smith penned piece on Robert Bresson; a full-page comic by Spain Rodriguez; articles on The Nuns, The Dils, The Avengers, Richard Hell, and Cheap Trick, along with heap of coverage of the San Francisco music scene.