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First edition, published simultaneously in French (as here) and in Flemish (Dutch); including correspondence with Patti Smith, in English, about her participation in Rimbaud's sesquicentenary 2004, and a reproduction of her portrait "St. Rimbaud 1973", pages 80–[91]. Inscribed "To Marshal Pierce" and signed "Patti Smith | NYC" on the title-page (page 3). Marshal Lawrence Pierce (b. 1961) published the fictional Lost diaries of Jim Morrison 2003. -- Spine title: Arthur Rimbaud (1854-1891): Une saison en enfer. Cover title: Passeport. -- References: OCLC 799201252 &c. Not in Byler-Mills!

New York: Ecco, 2010. First edition. Hardcover. First printing. Number 349 of only 1000 specially bound copies of this National Book Award winning memoir from the singer, songwriter, poet and writer. A very fine copy in blue cloth boards with silk bookmarker in a matching cloth covered clamshell box and with laid in folded text sheet and in a fine example of the publisher's shipping carton. Signed by Smith on the limitation page.

Los Angeles: The Getty Research Institute,, 2016. First edition, first printing. Signed by three of the contributors, Terpak, Brunnick and Smith. Quarto. Original illustrated boards, lettering to front cover and spine in white. No dust jacket issued. Illustrated throughout A fine copy.

Paris: Edition Fear Press, 1976. Original wraps. Very Good +. The 1976 1st French edition, SIGNED BY BOTH PATTI SMITH AND TOM VERLAINE at the rear (across the photo --the negative-- taken of them by M. Esteban). Crisp and very presentable in its stapled, pictorial wrappers, with very light wear along the spine and a touch of light rubbing to the front panel. A dual text, with the English version at each verso and the French counterpart to each facing recto. A tall, thin quarto, containing 22 poems all told.

New York: Gotham Book Mart & Gallery, 1977. Very Good +. New York: Gotham Book Mart & Gallery, 1977. First Edition, issued in a special edition of 126 copies, of which 100 are numbered and signed, this numbered 41 and signed by Patti Smith. Lacks hole punch and lock and key. Octavo. [16] pp. Black and white photographs. Photo-illustrated wraps. General rubbing; binding sound; interior unmarked. Very Good or better. Though free of ownership markings, this copy from the collection of Television frontman Tom Verlaine.

New York: G. P. Putnam's Sons, 1978. First Edition. Near Fine/Near Fine. First edition, first printing. Signed by Patti Smith on the title page. Bound in original black cloth lettered in blind on the upper board and in gilt on the spine. Near Fine with boards slightly splayed. In a Near Fine unclipped dust jacket with light general wear; small spot of bleeding from black cloth onto the verso of the dust jacket. Poems, prose, lyrics, drawings and photographs. Uncommon in the cloth issue.

London: Aloes Books, 1976. Softcover. Fine. First edition. Octavo. String-tied red printed wrappers. Fine. Twenty-two poems written alternately by Smith and Verlaine. This is copy number 13 of 22 hand-numbered copies with a Rimbaud piece Signed by Patti Smith bound in. The colophon indicates that there were 25 copies signed by both poets, but Verlaine signed none, and the handwritten limitation seems to indicate that there were 22 copies rather than either the 25 stated, or the 20 we've heard speculated. Rare.

New York: Gotham Book Mart, 1973. First edition, limited to 100 numbered copies signed and numbered by the author, in special binding. Title page illustrated by Howard Michels, 45 pp. 8vo. Publisher's black cloth with pasted on cover, photograph of Patti Smith by Robert Mapplethorpe, near fine. First edition, limited to 100 numbered copies signed and numbered by the author, in special binding. Title page illustrated by Howard Michels, 45 pp. 8vo. Inscribed to Matthew Monahan, director of the Gotham Book Mart: "To Matthew – for Taking care of my carnal desires for Trocci, Burroughs & Bowles. xxx Patti Smith / 18 June 75..." She has further inscribed the colophon: "9 – quiet foam bubbling from mouth of the dead blonde boy." Laid-in are a postcard advertising the release of the book and an exhibition of drawings by Smith, and another postcard advertising a second show of drawings by Smith.