Search results 582 Found

NY: Doubleday, 1998. First edition, first prnt. Signed by Smith on the front endpage with the typewriter photograph. Black and white photographs by Annie Liebovitz, Robert Mapplethorpe, Linda McCartney, Michael Stipe, et al. Fine condition in a Fine dustjacket with an archival cover. . Signed by Author. First Edition. Hardcovers. Fine/Fine. 4to - over 9¾" - 12" tall.

[New York]: W.W. Norton & Company, 1994. Unbound. Near Fine. Poster measuring 16" x 26". Rolled with slight spotting else about near fine. A poster for the book release of Patti Smith's 1994 collection *Early Work 1970-1979*. The poster includes the famous black and white photograph of Smith from 1975 taken by Robert Mapplethorpe, originally used for the cover of Smith's album, *Horses*.

N.p.: N.p., 1978. Vintage borderless photograph of Patti Smith performing with the Patti Smith Group in West Germany on September 9, 1978. The show was part of Smith's 1978 worldwide tour in support of her third (and most commercially successful) studio album, "Easter." 10 x 8 inches, on Kodak stock. About Fine.

N.p.: N.p., 1978. Two vintage borderless photographs of Patti Smith onstage with the Patti Smith Group at the Pavillon de Paris on March 26, 1978, in support of the group's breakthrough album "Easter." Stamp of photographer Jean-Louis Rancurel on the versos. 6.75 x 9.5 inches. One photograph Near Fine, the other photograph Very Good plus, with moderate wear to the finish on the right portion of the recto.

N.p.: N.p., 1986. Vintage borderless color photograph of Patti Smith in 1977, taken by Lynn Goldsmith for the iconic "Easter" photoshoot, and struck circa 1986 for a showing of Goldsmith's work at The Rencontres d'Arles. Mimeo snipe in French affixed to the verso. Born in Detroit, Lynn Goldsmith has worked variously as a band manager, musician, film director, and conceptual artist, although she is best known today for her portrait photographs of twentieth century rock musicians. 4.5 x 7 inches. Fine.

New York: Bantam Doubleday Books, 1998. First Edition. Hardcover. Very Good in Very Good Dustjacket. First Edition. Hardcover. Lyrics and writings interfaced with iconic photos by Patti Smith, plus some drawings and facsimile images of notebook pages. Inscribed by Patti Smith: "...New York City, October 31, 2001." From the Collection of Jenny Lens. Toning and shelfwear around edges in DJ, small tears on upper endpages, fold on verso, else tight, bright, and unmarred. DJ with French flaps. Paper covered boards in black. 8vo, 246pp. illus (b/w). Signed by author on dedication page.

New York: SOOJ Press, 2005. Edition of 30, signed by the author and artist. Printed broadside on Arches paper, with two images by Path Soong. 1 vols. 13 x 8.5 inches. Edition of 30, signed by the author and artist. Printed broadside on Arches paper, with two images by Path Soong. 1 vols. 13 x 8.5 inches. Patti Smith’s lyric accompanied by two images by Path Soong, signed by each, in a limitation of 30. Smith first released “Paths That Cross” on her 1988 album Dream of Life.

New York: Warner Bros, 1977. 101, [3] pp. 4to. Pictorial wrappers with a couple of chips to bottom edge and one near head of spine, general scuffing, good. 101, [3] pp. 4to. Sheet music for Patti Smith's first two albums, signed on the half-title.

New York: Norton, 1994. First edition and first printing. Hardcover. Number 50 from an edition of 150 copies. A collection of Smith's poems, essays and some of her lyrics. A fine copy in a very near fine dust jacket and in a very near fine illustrated slipcase. Signed by Smith on the limitation page.

[New York]: n.p. [Gotham Book Mart?], 1973. First edition. Near fine.. Scarce original program from one of Smith's earliest gigs, predating her first album by almost two years. This, the first of three performances in honor of the anniversary of Arthur Rimbaud's death (also known as "Rock-N-Rimbaud"), took place on the roof of Le Jardin, a gay disco, in the Hotel Diplomat on November 4th, 1973. Smith sung and recited her own works, as well as songs by Kurt Weil and Hank Ballard. She was backed by Bill Elliot on piano and future Patti Smith Group member Lenny Kaye (both listed in program) on guitar. This would be only the second time Smith and Kaye performed together (the first being when the two opened for a Gerald Malanga reading at the Poetry Project almost two years earlier) and the first time Smith headlined a show with Kaye at her side. The program also thanks both Robert Mapplethorpe (just a few months after his first solo exhibition) and Sam Wagstaff, certainly one of their earliest links in print. A landmark event, one which sowed the seeds of not only of Smith's band and the burgeoning New York punk scene, but inspired by Smith's most important influence. 14'' x 8.5''. Single pale blue leaf, printed recto only. Xerographically reproduced. Line drawing of Rimbaud by Smith to top of sheet above text, which lists of the program of events, and a quote from Rimbaud (in part: "The Poet makes himself a seer by long, gigantic, and rational derangement of the senses..."). Also mentions "special appreciation to The Wartoke Concern, Robert Mapplethorpe, Dennis Florio, Sharon Ensko, Sam Wagstaff and Gotham Book Mart." Two faint shallow creases. Else bright, sharp, clean.