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New York: Gotham Book Mart, 1973. First edition. Title page illustrated by Howard Michels, 45 pp. 8vo. Publisher's printed wrappers with photograph of Patti Smith by Robert Mapplethorpe, some toning and superficial scratches to cover, fine. First edition. Title page illustrated by Howard Michels, 45 pp. 8vo. Signed on the cover by Smith in black ink.

No Place: Privately Printed, 1978. No edition. Loose Sheets. Near Fine. Single sheet of 8 1/2 x 11" paper with a grainy photographic image of punk rocker Patti Smith standing with her right hand in salue near fer forehead. She is identified at the bottom of the sheet as r.e.f.m and as Patti Smith Group on the left-hand edge of the paper. SIGNED in blue ink by Patti. Scarce handbill / flyer.

First edition, published simultaneously in French (as here) and in Flemish (Dutch); including correspondence with Patti Smith, in English, about her participation in Rimbaud's sesquicentenary 2004, and a reproduction of her portrait "St. Rimbaud 1973", pages 80–[91]. Inscribed "To Marshal Pierce" and signed "Patti Smith | NYC" on the title-page (page 3). Marshal Lawrence Pierce (b. 1961) published the fictional Lost diaries of Jim Morrison 2003. -- Spine title: Arthur Rimbaud (1854-1891): Une saison en enfer. Cover title: Passeport. -- References: OCLC 799201252 &c. Not in Byler-Mills!

Brooklyn: Powerhouse Books,, 2016. First edition, first printing. Signed by Mapplethorpe on the title page, Smith beneath her poem, Boardman beneath her introduction, Solomon and Orlean beneath their essays. The culmination of a twenty year project by one of today's top commissioned and internationally recognized photographers of baby portraits, each photograph taken on the child's first birthday. Quarto. Original grey cloth boards, phototographic image to front cover, lettering to spine in grey. No dust jacket issued. 60 full page photographs by Mapplethorpe. A fine copy.

Taschen, 2019. One of 1500 copies of the signed and numbered by Patti Smith and Lynn Goldsmith on the special limitation page. Illustarted with almost 200 photos by Lynn Goldsmith. 296pp. 4to (10.6 x 14.7 inches). Hardcover in clamshell box. Fine. Goldsmith, Lynn. One of 1500 copies of the signed and numbered by Patti Smith and Lynn Goldsmith on the special limitation page. Illustarted with almost 200 photos by Lynn Goldsmith. 296pp. 4to (10.6 x 14.7 inches).

New York: Warner Bros, 1977. 101, [3] pp. 4to. Pictorial wrappers with a couple of chips to bottom edge and one near head of spine, general scuffing, good. 101, [3] pp. 4to. Sheet music for Patti Smith's first two albums, signed on the half-title.

Los Angeles: The Getty Research Institute,, 2016. First edition, first printing. Signed by three of the contributors, Terpak, Brunnick and Smith. Quarto. Original illustrated boards, lettering to front cover and spine in white. No dust jacket issued. Illustrated throughout A fine copy.

Paris: Edition Fear Press, 1976. Original wraps. Very Good +. The 1976 1st French edition, SIGNED BY BOTH PATTI SMITH AND TOM VERLAINE at the rear (across the photo --the negative-- taken of them by M. Esteban). Crisp and very presentable in its stapled, pictorial wrappers, with very light wear along the spine and a touch of light rubbing to the front panel. A dual text, with the English version at each verso and the French counterpart to each facing recto. A tall, thin quarto, containing 22 poems all told.

New York: Arista, 1976. First pressing [AS 0171]. 1 vols. 7-inch single. Pictorial sleeve. Fine. First pressing [AS 0171]. 1 vols. 7-inch single. Nice copy of the single of Patti Smith’s Gloria: in Excelsis Deo, interpretation of Van Morrison’s song, with a punk version of The Who’s My Generation Signed on the back of the sleeve by Patti Smith in black ink.

New York & London: W. W. Norton & Company,, 1994. First edition, limited issue, number 5 of 150 copies signed by the author. "All of the works gathered for this volume were written in the seventies", writes Smith, a time "which we assaulted - blurring and expanding the perimeters of love, consciousness and remorse" (preface). Many of the works appear here for the first time, including previously unpublished pieces from journals, performances, and Smith's personal papers. Octavo. Original black cloth, outer edges paper-covered, spine lettered in silver, facsimile signature on front cover in silver. With dust jacket and slipcase as issued. Illustrated with photographs by Judy Linn, Robert Mapplethorpe, Edward Maxey, and others. Fine.