London: Aloes Books, 1976. Near Fine. London: Aloes Books, 1976. First UK Edition. Octavo. [20] pp. Red printed card wraps. Light rubbing to edges. Binding sound and pages unmarked. Near Fine. Jointly-authored chapbook of poetry from then-lovers Patti Smith and Tom Verlaine, with Smith contributing the odd numbered verse and Verlaine the even.
Publisher: Fondation Cartier pour l'art Contemporain
Date published: 2008
Paris, France: Fondation Cartier pour l'art Contemporain. Very Good. 2008. First Edition; First Printing. Hardcover. This book is hard-bound in burgundy covers with a black leather spine, with light gray stamping to the upper cover and spine, with a pictorial paste-down on the upper cover. There is some very light rubbing to the edges of the spine-ends, as well as somne light wear to the very top and bottom of the joints, but with the covers in otherwise excellent condition. The binding is solid. The contents are bright and clean with 250, black & white photo illustrations throughout. This book is signed/inscribed by the author/artist Patti Smith on the title-page. Laid-in at the front of the book is a folded booklet/pamphlet titled, "Patti Smith, A Pythagorean Traveler. An Evening of Words and Song, January 11, 2007," which is signed by Patti Smith on the inside. Also included with the book is the padded, mailing envelope which was used to ship the book between the collector and the author/artist (The envelope is torn open, but added for provenance.) - From the collection of Cuthbert Christian Thambimuttu (1945-2019) of Columbus, Ohio - known to many of his bookseller, author, and illustrator friends as "Tubby." He was persistent in the pursuit of autographed books by the writers and artists he admired, including Gorey, Sendak, Heaney, Byatt, Morrison, Updike and many more. Joseph Heller once wrote to Tubby in response to one more "please sign and return" request: "This is turning out to be a hell of a lot of work!" All signed books unconditionally guaranteed to be authentic. Many of the books are inscribed to both Cuthbert and his great friend of more than two decades Antonia Gale Moss. ; Signed by Author .
[New York]: n.p. [Gotham Book Mart?], 1973. First edition. Near fine.. Scarce original program from one of Smith's earliest gigs, predating her first album by almost two years. This, the first of three performances in honor of the anniversary of Arthur Rimbaud's death (also known as "Rock-N-Rimbaud"), took place on the roof of Le Jardin, a gay disco, in the Hotel Diplomat on November 4th, 1973. Smith sung and recited her own works, as well as songs by Kurt Weil and Hank Ballard. She was backed by Bill Elliot on piano and future Patti Smith Group member Lenny Kaye (both listed in program) on guitar. This would be only the second time Smith and Kaye performed together (the first being when the two opened for a Gerald Malanga reading at the Poetry Project almost two years earlier) and the first time Smith headlined a show with Kaye at her side. The program also thanks both Robert Mapplethorpe (just a few months after his first solo exhibition) and Sam Wagstaff, certainly one of their earliest links in print. A landmark event, one which sowed the seeds of not only of Smith's band and the burgeoning New York punk scene, but inspired by Smith's most important influence. 14'' x 8.5''. Single pale blue leaf, printed recto only. Xerographically reproduced. Line drawing of Rimbaud by Smith to top of sheet above text, which lists of the program of events, and a quote from Rimbaud (in part: "The Poet makes himself a seer by long, gigantic, and rational derangement of the senses..."). Also mentions "special appreciation to The Wartoke Concern, Robert Mapplethorpe, Dennis Florio, Sharon Ensko, Sam Wagstaff and Gotham Book Mart." Two faint shallow creases. Else bright, sharp, clean.
New York: Gotham Book Mart, 1977. First Edition, Limited Issue. Near Fine. First edition, limited issue. One of 100 numbered copies [and 26 lettered copies] signed at rear by Patti Smith; this copy marked "O/S," perhaps out of series, though there is no hole-punch at the fore edge margin, and no lock and key set present. Bound in publisher's illustrated stapled wraps. Near Fine with shelf wear.
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dentelle: Borders on the inner edge of a book with a lacy pattern, most often gilt. Popular in France during the 18th century on covers of books, used more on the inside of modern books.