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Paris: Edition Fear Press, 1976. Original wraps. Very Good +. The 1976 1st French edition, SIGNED BY BOTH PATTI SMITH AND TOM VERLAINE at the rear (across the photo --the negative-- taken of them by M. Esteban). Crisp and very presentable in its stapled, pictorial wrappers, with very light wear along the spine and a touch of light rubbing to the front panel. A dual text, with the English version at each verso and the French counterpart to each facing recto. A tall, thin quarto, containing 22 poems all told.

New York: Arista, 1976. First pressing [AS 0171]. 1 vols. 7-inch single. Pictorial sleeve. Fine. First pressing [AS 0171]. 1 vols. 7-inch single. Nice copy of the single of Patti Smith’s Gloria: in Excelsis Deo, interpretation of Van Morrison’s song, with a punk version of The Who’s My Generation Signed on the back of the sleeve by Patti Smith in black ink.

New York: Gotham Book Mart, 1973. Broadside. Fine. An all-but-pristine copy of this early, original Patti Smith broadside, issued by New York's legendary Gotham Book Mart in 1973. #36 OF ONLY 50 NUMBERED COPIES SIGNED BY PATTI SMITH (within a larger limitation of 300 copies, the remaining 250 unsigned). A single sheet (printed on only one side), consisting of thick, light-blue rag paper, measuring 8 1/2" x 12". (Ironically, given the connection to The Gotham Book Mart, this was written just before, as legend has it, Patti's 1974 short stint working in the bowels of The Strand).

New York: G. P. Putnam's Sons, 1978. First Edition. Near Fine/Near Fine. First edition, first printing. Signed by Patti Smith on the title page. Bound in original black cloth lettered in blind on the upper board and in gilt on the spine. Near Fine with boards slightly splayed. In a Near Fine unclipped dust jacket with light general wear; small spot of bleeding from black cloth onto the verso of the dust jacket. Poems, prose, lyrics, drawings and photographs. Uncommon in the cloth issue.

London: Aloes Books, 1976. Softcover. Fine. First edition. Octavo. String-tied red printed wrappers. Fine. Twenty-two poems written alternately by Smith and Verlaine. This is copy number 13 of 22 hand-numbered copies with a Rimbaud piece Signed by Patti Smith bound in. The colophon indicates that there were 25 copies signed by both poets, but Verlaine signed none, and the handwritten limitation seems to indicate that there were 22 copies rather than either the 25 stated, or the 20 we've heard speculated. Rare.

New York: Gotham Book Mart, 1973. First edition, limited to 100 numbered copies signed and numbered by the author, in special binding. Title page illustrated by Howard Michels, 45 pp. 8vo. Publisher's black cloth with pasted on cover, photograph of Patti Smith by Robert Mapplethorpe, near fine. First edition, limited to 100 numbered copies signed and numbered by the author, in special binding. Title page illustrated by Howard Michels, 45 pp. 8vo. Inscribed to Matthew Monahan, director of the Gotham Book Mart: "To Matthew – for Taking care of my carnal desires for Trocci, Burroughs & Bowles. xxx Patti Smith / 18 June 75..." She has further inscribed the colophon: "9 – quiet foam bubbling from mouth of the dead blonde boy." Laid-in are a postcard advertising the release of the book and an exhibition of drawings by Smith, and another postcard advertising a second show of drawings by Smith.

[New York, Paris, etc., 1975. 4to and smaller. Generally very good to fine (some wrinkles and folds). 4to and smaller. A nice clutch of material from Patti Smith’s early years in New York, written or inscribed to Faith Cross, long time employee of the Scribner Book Store, where Smith also worked. a) “Happy birthday to my New York (and very young) mother I have no present for you but real honest-to-goodness love, patti” b) “Happy birthday, Mr Palmer says your spirit will never grow up — Peter Pan salutes you and I say — only flowers in gardens and meadows for you … free spirits and a good birthday, patti” [Undated, in black felt tip pen on the verso of a Charles Scribner’s Sons billhead.] c) [caricature of a bird-headed woman, undated in black felt tip pen, wrinkled] d) “Faith, Good morning thank you for the ice cream — somehow I missed you, I stayed til 6:00 & did my work (no woofs in sight) [doodle of a person with hat] Straw hat” [Undated, in red ballpoint pen on the verso of a Charles Scribner’s Sons billhead, some tears to edges] e) “Thinking of you Christmas New Years & every day xxx I love you, Patti” (on small card) f) Dear Faith, I dropped in to say hello again. My Job around the corner is high paying but sure is lonely. Happy George Washingtons Birthday & all that stuff. I’m waiting on your birthday, Patti (without a drop of soup in my blood)” [On Scribner Book Stores notepaper] g) Printed birthday card, signed “Faith, happy birthday, love patti” h) Dear Faith, I stopped by to see you, just got in from Canada … Things are going pretty well, I’m doing a lot of freelancing Oh Faith! I’m doing a full page story on Blaise Cendrars my literary hero for a new literary magazine called Zygote …I miss you, love, patti” [On Scribner Book Stores notepaper] h) “Abercrombie is gone but I’m still here, merry Christmas, patti” i) Single sheet program for “Femme Fatale: The Three Faces of Gloria, A Religious Entertainment” by Jackie Curtis, where Patti took the role of Paula von Gunta beside Jackie Curtis as Irish “Gloria” Fairchild, and Penny Arcade, produced at La Mama, May 1970. Inscribed on the verso, “To Faith, love to the leading lady behind the scenes! The one who kept me alive to rob the hairdressers! Thank you, Patti!“ Folded. j) Postcard from Paris, postmarked 23 Spetember 1970, “Dear Faith, I found a real neat Turkish guy who feeds me almost as well as you do … Worked in the streets again, the fire eaters are sexier than ever. I miss you as much & more than my own mom, love patti” k) Smith, Patti. Early Morning Dream. [8] pp. [New York, 1972], Pictorial self wrappers, limitation statement on back wrapper: Limited edition 100 [no. 31]. OCLC 16569365. Inscribed inside front cover, “To Faith dirty little tale filled with a lotta clean love — for you! patti smith”. Provenance: Gary Oleson (Waiting for Godot Books)