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New York: Sire Records, Inc, 1977. Reprint. Very Good. 45 rpm record in original photo-illustrated paper sleeve. This is the Special Collectors Edition re-issue from 1977 on Sire Records (SRE 1009). Contains Patti's Hey Joe (Version) on the A Side and Piss Factory on the B Side of the record. Record is in clean very good condition. The sleeve is somewhat worn and toned, but in overall good to very good condition. The sleeve is boldly SIGNED by Patti on the front and also SIGNED by Lenny Kaye on the back panel of the sleeve. The record was produced by Lenny Kaye for Robert Mapplethorpe and was originally recorded on June 5, 1974 on Mer Records 601.

No Place: Privately Printed, 1978. No edition. Loose Sheets. Near Fine. Single sheet of 8 1/2 x 11" paper with a grainy photographic image of punk rocker Patti Smith standing with her right hand in salue near fer forehead. She is identified at the bottom of the sheet as r.e.f.m and as Patti Smith Group on the left-hand edge of the paper. SIGNED in blue ink by Patti. Scarce handbill / flyer.

No Place: Path Soong, 2005. First edition. Loose Sheets. Fine. Single sheet broadside with a poem by Patti Smith and illustrations by Path Soong. #2 of 25 artist proof copies SIGNED BY BOTH WRITER AND ARTIST (there were also 30 other signed copies). Fine condition. Broadside measures 8 1/2 x 13" tall.

Ecco, Harper Collins, 2010. Limited Edition. Hardcover. Fine/No Jacket. A fine copy of the signed limited edition, this is number 3 of 1,000 numbered and signed by Patti Smith. Some wear to the publisher's clamshell case.

New York: Warner Bros, 1977. 101, [3] pp. 4to. Pictorial wrappers with a couple of chips to bottom edge and one near head of spine, general scuffing, good. 101, [3] pp. 4to. Sheet music for Patti Smith's first two albums, signed on the half-title.

[New York]: n.p. [Gotham Book Mart?], 1973. First edition. Near fine.. Scarce original program from one of Smith's earliest gigs, predating her first album by almost two years. This, the first of three performances in honor of the anniversary of Arthur Rimbaud's death (also known as "Rock-N-Rimbaud"), took place on the roof of Le Jardin, a gay disco, in the Hotel Diplomat on November 4th, 1973. Smith sung and recited her own works, as well as songs by Kurt Weil and Hank Ballard. She was backed by Bill Elliot on piano and future Patti Smith Group member Lenny Kaye (both listed in program) on guitar. This would be only the second time Smith and Kaye performed together (the first being when the two opened for a Gerald Malanga reading at the Poetry Project almost two years earlier) and the first time Smith headlined a show with Kaye at her side. The program also thanks both Robert Mapplethorpe (just a few months after his first solo exhibition) and Sam Wagstaff, certainly one of their earliest links in print. A landmark event, one which sowed the seeds of not only of Smith's band and the burgeoning New York punk scene, but inspired by Smith's most important influence. 14'' x 8.5''. Single pale blue leaf, printed recto only. Xerographically reproduced. Line drawing of Rimbaud by Smith to top of sheet above text, which lists of the program of events, and a quote from Rimbaud (in part: "The Poet makes himself a seer by long, gigantic, and rational derangement of the senses..."). Also mentions "special appreciation to The Wartoke Concern, Robert Mapplethorpe, Dennis Florio, Sharon Ensko, Sam Wagstaff and Gotham Book Mart." Two faint shallow creases. Else bright, sharp, clean.

N.p.: N.p., 1976. Vintage borderless photograph of musician and author Patti Smith and manager Jane Friedman, circa 1976, with a cassette tape of Patti Smith's performance on January 9, 1976, at Paul's Mall in Boston. Photograph housed in a manila folder bearing the name of photographer Donna Santisi and a North Brunswick, New Jersey address in manuscript ink, and a sticker on the rear flap from Janis Joplin's 1969 album, "I Got Dem Ol' Kozmic Blues Again Mama!," designed by Robert Crumb. Noted music photographer Donna Santisi is best known for her iconic images of pop and rock luminaries of the 1970s, including Iggy Pop, Janis Joplin, Debbie Harry, Prince, David Bowie, and Frank Zappa. Her seminal collection of punk rock photography, "Ask The Angels," was published by Double R Books in 1978, which was republished by Gingko Press in an expanded edition in 2010. A behind the scenes fixture of the downtown New York arts and music scenes beginning in the late 1960s, Friedman represented artists such as Jimi Hendrix and Frank Zappa, as well as managing Smith and John Cale (with whom Friedman founded Spy Records in 1977). Photograph: 7 x 5 inches. Near Fine, housed in a Very Good plus folder measuring 9.75 x 6.5 inches. Cassette Tape: housed in a BASF case. Not played. Near Fine.

No Place: Patti Smith Fan Club, 1976. First edition. Loose Sheets. Very Good. Interesting batch of printed, mimeographed and handwritten materials from the library of a member of the Patti Smith Fan Club including numerous announcement of Patti events, discussions of her music and records and much more. Highlights include a HANDWRITTEN POSTCARD SIGNED by Patti to the fan (dated in 1977), a handwritten letter from Patti's mom who helped spearhead the early days of the fan club, several original candid photographs of Patti and more. All materials in very good condition. All told, fifteen separate items.

2022. Smith, Patti. Woolgathering. 64 pages, including 13 unnumbered color plates. 4to, 256 mm. x 203 mm., in original cloth binding. San Francisco, Arion Press, 2022. One of 250 numbered copies. Woolgathering is a collaboration between two contemporary creative masters: author and singer-songwriter Patti Smith and visual and sound artist Christian Marclay. Smith's first published prose work, written thirty years ago, is an incantatory memoir of the creative process and its wellspring in the world of childhood. Employing a variety of sound ephemera, acrylic LPs, and organic materials, Marclay's crystalline constructions provide a parallel visual score that reflects and refracts the rhythms of Smith's verses and tales. The Arion Press edition of Woolgathering uniquely captures their artistic kinship.

New York: Gotham Book Mart, 1973. Broadside. Fine. An all-but-pristine copy of this early, original Patti Smith broadside, issued by New York's legendary Gotham Book Mart in 1973. #36 OF ONLY 50 NUMBERED COPIES SIGNED BY PATTI SMITH (within a larger limitation of 300 copies, the remaining 250 unsigned). A single sheet (printed on only one side), consisting of thick, light-blue rag paper, measuring 8 1/2" x 12". (Ironically, given the connection to The Gotham Book Mart, this was written just before, as legend has it, Patti's 1974 short stint working in the bowels of The Strand).