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N.p.: N.p., 1978. Vintage borderless photograph of Patti Smith performing with the Patti Smith Group in West Germany on September 9, 1978. The show was part of Smith's 1978 worldwide tour in support of her third (and most commercially successful) studio album, "Easter." 10 x 8 inches, on Kodak stock. About Fine.

N.p.: N.p., 1978. Two vintage borderless photographs of Patti Smith onstage with the Patti Smith Group at the Pavillon de Paris on March 26, 1978, in support of the group's breakthrough album "Easter." Stamp of photographer Jean-Louis Rancurel on the versos. 6.75 x 9.5 inches. One photograph Near Fine, the other photograph Very Good plus, with moderate wear to the finish on the right portion of the recto.

N.p.: N.p., 1986. Vintage borderless color photograph of Patti Smith in 1977, taken by Lynn Goldsmith for the iconic "Easter" photoshoot, and struck circa 1986 for a showing of Goldsmith's work at The Rencontres d'Arles. Mimeo snipe in French affixed to the verso. Born in Detroit, Lynn Goldsmith has worked variously as a band manager, musician, film director, and conceptual artist, although she is best known today for her portrait photographs of twentieth century rock musicians. 4.5 x 7 inches. Fine.

New York: Bantam Doubleday Books, 1998. First Edition. Hardcover. Very Good in Very Good Dustjacket. First Edition. Hardcover. Lyrics and writings interfaced with iconic photos by Patti Smith, plus some drawings and facsimile images of notebook pages. Inscribed by Patti Smith: "...New York City, October 31, 2001." From the Collection of Jenny Lens. Toning and shelfwear around edges in DJ, small tears on upper endpages, fold on verso, else tight, bright, and unmarred. DJ with French flaps. Paper covered boards in black. 8vo, 246pp. illus (b/w). Signed by author on dedication page.

New York: SOOJ Press, 2005. Edition of 30, signed by the author and artist. Printed broadside on Arches paper, with two images by Path Soong. 1 vols. 13 x 8.5 inches. Edition of 30, signed by the author and artist. Printed broadside on Arches paper, with two images by Path Soong. 1 vols. 13 x 8.5 inches. Patti Smith’s lyric accompanied by two images by Path Soong, signed by each, in a limitation of 30. Smith first released “Paths That Cross” on her 1988 album Dream of Life.

New York: Warner Bros, 1977. 101, [3] pp. 4to. Pictorial wrappers with a couple of chips to bottom edge and one near head of spine, general scuffing, good. 101, [3] pp. 4to. Sheet music for Patti Smith's first two albums, signed on the half-title.

New York: Norton, 1994. First edition and first printing. Hardcover. Number 50 from an edition of 150 copies. A collection of Smith's poems, essays and some of her lyrics. A fine copy in a very near fine dust jacket and in a very near fine illustrated slipcase. Signed by Smith on the limitation page.

[New York]: n.p. [Gotham Book Mart?], 1973. First edition. Near fine.. Scarce original program from one of Smith's earliest gigs, predating her first album by almost two years. This, the first of three performances in honor of the anniversary of Arthur Rimbaud's death (also known as "Rock-N-Rimbaud"), took place on the roof of Le Jardin, a gay disco, in the Hotel Diplomat on November 4th, 1973. Smith sung and recited her own works, as well as songs by Kurt Weil and Hank Ballard. She was backed by Bill Elliot on piano and future Patti Smith Group member Lenny Kaye (both listed in program) on guitar. This would be only the second time Smith and Kaye performed together (the first being when the two opened for a Gerald Malanga reading at the Poetry Project almost two years earlier) and the first time Smith headlined a show with Kaye at her side. The program also thanks both Robert Mapplethorpe (just a few months after his first solo exhibition) and Sam Wagstaff, certainly one of their earliest links in print. A landmark event, one which sowed the seeds of not only of Smith's band and the burgeoning New York punk scene, but inspired by Smith's most important influence. 14'' x 8.5''. Single pale blue leaf, printed recto only. Xerographically reproduced. Line drawing of Rimbaud by Smith to top of sheet above text, which lists of the program of events, and a quote from Rimbaud (in part: "The Poet makes himself a seer by long, gigantic, and rational derangement of the senses..."). Also mentions "special appreciation to The Wartoke Concern, Robert Mapplethorpe, Dennis Florio, Sharon Ensko, Sam Wagstaff and Gotham Book Mart." Two faint shallow creases. Else bright, sharp, clean.

Paris: Edition Fear Press, 1976. Original wraps. Very Good +. The 1976 1st French edition, SIGNED BY BOTH PATTI SMITH AND TOM VERLAINE at the rear (across the photo --the negative-- taken of them by M. Esteban). Crisp and very presentable in its stapled, pictorial wrappers, with very light wear along the spine and a touch of light rubbing to the front panel. A dual text, with the English version at each verso and the French counterpart to each facing recto. A tall, thin quarto, containing 22 poems all told.

N.p.: N.p., 1976. Vintage borderless photograph of musician and author Patti Smith and manager Jane Friedman, circa 1976, with a cassette tape of Patti Smith's performance on January 9, 1976, at Paul's Mall in Boston. Photograph housed in a manila folder bearing the name of photographer Donna Santisi and a North Brunswick, New Jersey address in manuscript ink, and a sticker on the rear flap from Janis Joplin's 1969 album, "I Got Dem Ol' Kozmic Blues Again Mama!," designed by Robert Crumb. Noted music photographer Donna Santisi is best known for her iconic images of pop and rock luminaries of the 1970s, including Iggy Pop, Janis Joplin, Debbie Harry, Prince, David Bowie, and Frank Zappa. Her seminal collection of punk rock photography, "Ask The Angels," was published by Double R Books in 1978, which was republished by Gingko Press in an expanded edition in 2010. A behind the scenes fixture of the downtown New York arts and music scenes beginning in the late 1960s, Friedman represented artists such as Jimi Hendrix and Frank Zappa, as well as managing Smith and John Cale (with whom Friedman founded Spy Records in 1977). Photograph: 7 x 5 inches. Near Fine, housed in a Very Good plus folder measuring 9.75 x 6.5 inches. Cassette Tape: housed in a BASF case. Not played. Near Fine.