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[New York]: n.p. [Gotham Book Mart?], 1973. First edition. Near fine.. Scarce original program from one of Smith's earliest gigs, predating her first album by almost two years. This, the first of three performances in honor of the anniversary of Arthur Rimbaud's death (also known as "Rock-N-Rimbaud"), took place on the roof of Le Jardin, a gay disco, in the Hotel Diplomat on November 4th, 1973. Smith sung and recited her own works, as well as songs by Kurt Weil and Hank Ballard. She was backed by Bill Elliot on piano and future Patti Smith Group member Lenny Kaye (both listed in program) on guitar. This would be only the second time Smith and Kaye performed together (the first being when the two opened for a Gerald Malanga reading at the Poetry Project almost two years earlier) and the first time Smith headlined a show with Kaye at her side. The program also thanks both Robert Mapplethorpe (just a few months after his first solo exhibition) and Sam Wagstaff, certainly one of their earliest links in print. A landmark event, one which sowed the seeds of not only of Smith's band and the burgeoning New York punk scene, but inspired by Smith's most important influence. 14'' x 8.5''. Single pale blue leaf, printed recto only. Xerographically reproduced. Line drawing of Rimbaud by Smith to top of sheet above text, which lists of the program of events, and a quote from Rimbaud (in part: "The Poet makes himself a seer by long, gigantic, and rational derangement of the senses..."). Also mentions "special appreciation to The Wartoke Concern, Robert Mapplethorpe, Dennis Florio, Sharon Ensko, Sam Wagstaff and Gotham Book Mart." Two faint shallow creases. Else bright, sharp, clean.

New York: Gotham Book Mart, 1977. First Edition, Limited Issue. Near Fine. First edition, limited issue. One of 100 numbered copies [and 26 lettered copies] signed at rear by Patti Smith; this copy marked "O/S," perhaps out of series, though there is no hole-punch at the fore edge margin, and no lock and key set present. Bound in publisher's illustrated stapled wraps. Near Fine with shelf wear.

New York: Gotham Book Mart & Gallery, 1977. Very Good +. New York: Gotham Book Mart & Gallery, 1977. First Edition, issued in a special edition of 126 copies, of which 100 are numbered and signed, this numbered 41 and signed by Patti Smith. Lacks hole punch and lock and key. Octavo. [16] pp. Black and white photographs. Photo-illustrated wraps. General rubbing; binding sound; interior unmarked. Very Good or better. Though free of ownership markings, this copy from the collection of Television frontman Tom Verlaine.

New York: Arista, 1976. First pressing [AS 0171]. 1 vols. 7-inch single. Pictorial sleeve. Fine. First pressing [AS 0171]. 1 vols. 7-inch single. Nice copy of the single of Patti Smith’s Gloria: in Excelsis Deo, interpretation of Van Morrison’s song, with a punk version of The Who’s My Generation Signed on the back of the sleeve by Patti Smith in black ink.

(New York): Ecco, 2010. First printing. Near fine in near fine jacket.. Signed first edition, review copy, of Smith's National Book Award-winning memoir of her intimate friendship with photographer Robert Mapplethorpe — inscribed to the longtime Strand Bookstore rare book room manager Craig Anderson. During the time covered by this acclaimed and best-selling memoir, Smith did all manner of jobs to make ends meet while working to develop her artistic voice. And she found steady work at bookshops, including Scribner's, the Gotham Book Mart, and at The Strand — additionally supplementing her income by scouting rare books. Her relationship with Anderson began in the late 1960s, and her relationship to The Strand in particular was important. It was there she gave a rooftop reading to celebrate the release of her first collection of poems, SEVENTH HEAVEN. An evocative association, tying together to her creative life and the book world of NYC. The first genuine and significant association copy of this finely-crafted portrait of 1970s bohemian New York we've encountered. 9'' x 5.75''. Original publisher's blindstamped purple cloth, silver-lettered spine. Original unclipped ($27.00) photographic dust jacket designed by Allison Saltzman. Photos of Smith and Mapplethorpe in text and at rear. XII, 279, [1], [12] pages. Inscribed by Smith on title page: "March, 2011 / To Craig / Patti Smith." Ecco press release and promotional materials loosely laid in. Spine ends gently nudged, tiny spot of dust-soil to lower edge of textblock. Else bright, clean, and sharp.

Boston: Telegraph Books, 1972. Original printer's proof for the cover of the first edition published by Telegraph Books in 1972. Patti Smith's first published collection of poetry. 7.5 x 10 inches. Light toning on the extremities, else Near Fine.

[New York: Gotham Book Mart, 1973. Copy 1 of 125 numbered copies, signed by the author. 1 vols. 8vo (8-1/2 x 5-1/2 inches). Fine. Copy 1 of 125 numbered copies, signed by the author. 1 vols. 8vo (8-1/2 x 5-1/2 inches). Facsimile of Patti Smith’s typed and manuscript notes for a spoken word performance, touching upon all the familiars: William Burroughs, junk, Paul Bowles, news headlines, and more. Printed in an edition of 125 numbered copies and 26 lettered copies. Copy number 1, from the files of Matt Monahan of the Gotham Book Mart. OCLC: 53855758. Provenance: Matthew Monahan; Gary Oleson

New York: Arista Records, 1979. Vintage oversize promotional record store poster for the 1979 album. Cover photograph by Smith's longtime friend and former partner Robert Mapplethorpe. Punk poet laureate Smith's fourth album, produced by Todd Rundgren, and the third and final album released from the Patti Smith Group. Featuring the classic tracks, "Frederick," dedicated to Smith's fiancé, MC5 guitarist Fred "Sonic" Smith, and "Dancing Barefoot," named one of Rolling Stone magazine's 500 Greatest Songs of All Time, covered by artists as diverse as U2, Allison Moorer, Pearl Jam, and Simple Minds, among others. 36 x 36 inches, on heavy cardboard stock, with two small grommets for hanging at top corners and a center horizontal fold, as issued. Light edgewear and faint rubbing at the extremities, else Near Fine.

London: Aloes Books, 1976. Softcover. Fine. First edition. Octavo. String-tied red printed wrappers. Fine. Twenty-two poems written alternately by Smith and Verlaine. This is copy number 13 of 22 hand-numbered copies with a Rimbaud piece Signed by Patti Smith bound in. The colophon indicates that there were 25 copies signed by both poets, but Verlaine signed none, and the handwritten limitation seems to indicate that there were 22 copies rather than either the 25 stated, or the 20 we've heard speculated. Rare.

New York, 1972. Matted 8.25" x 14" offset print signed by Mapplethorpe with an 'X' in green ink and by Smith in black ink. Offset print in green mat, fine. Matted 8.25" x 14" offset print signed by Mapplethorpe with an 'X' in green ink and by Smith in black ink. Features Smith's poem paired with two reproductions of Mapplethorpe photographs of David Croland.