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New York: W.W. Norton, 1996. 71pp. White cloth spine, cream boards. Red titles on spine and red initials on front board. Dust jacket has a single small, closed tear at top edge on back. Jacket presents well in mylar. Signed by Smith on the title page in black ink and inscribed to Robert & Ursula. Smith's poetic elegy for her great friend, the photographer Robert Mapplethorpe. In 2008, Smith released an album sharing the book's title, with musical accompaniment by Kevin Shields of My Bloody Valentine, which was recorded during two live performances of the material. An uncommon title signed. . Signed by Author. First Edition. Hardcover. Very Good/Very Good. 4to.

Ecco/Harper Collins, 2010. first. hardcover. fine/fine. SIGNED first edition, as stated on copyright page, with number line from 10-1. Signed on a bookplate attached to half-title page. Comes with letter from KCRW/Michael Silverblatt as to how the bookplate was signed by Patti Smith. Book and dust jacket fine.

NY: Doubleday, 1998. First edition, first prnt. Signed by Smith on the front endpage with the typewriter photograph. Black and white photographs by Annie Liebovitz, Robert Mapplethorpe, Linda McCartney, Michael Stipe, et al. Fine condition in a Fine dustjacket with an archival cover. . Signed by Author. First Edition. Hardcovers. Fine/Fine. 4to - over 9¾" - 12" tall.

New York: Gotham Book Mart & Gallery, 1973. First Edition, Second Printing. Softcover. Witt is a collection of poems by Patti Smith that showcases her early writing.  These poems reflect themes of love, loss, and New York City’s bohemian lifestyle of the 1970s, giving us a peek into her early creative journey. 8vo, SIGNED on the cover by Smith in red ink.  The photographic cover of Smith is by Robert Mapplethorpe and the title page is illustrated by Howard Michels.  Crease at top right corner of front wrapper.  Small closed tear at base of spine on back wrapper.  Light rubbing to both wrappers and a small dent near spine of back wrapper.  Some superficial scratches on back wrapper.  Slight toning at top of front wrapper and text pages.  Else a clean, tight copy in Very Good condition. .

New York: Harper Collins, 2010. Book. Fine. Hardcover. Signed by Author(s). First Edition. 4to - over 9¾" - 12" tall. This First Edition - First Printing of the book about Patti Smith's life with Robert Mapplethorpe is beautifully signed by the legendary performer in black pen on the title page. The book was signed at Book Soup in Hollywood on January 28, 2010. The jacket has SIGNED @ BOOK SOUP sticker on the front. .

New York: SOOJ. Fine copy. 2006. 1st. softcover. 4to, Broadside poem printed in an edition of 110 copies, signed by both Patti Smith and Path Soong. This is copy no. 1. .

Ecco / Harper Collins Publishers, New York, 2010. Book. Near Fine. Cloth. Signed by Author(s). 1st Edition. 282 pages. Illustrations. [SIGNED BY THE AUTHOR] Signed in black ink on the title page. A touch of soiling to the foredge. Some minor crimping to the last few pages, top, right-hand corner. First Edition / First Printing of the book about Patti Smith's life with Robert Mapplethorpe. List of Photographs and Illustrations. Signed by the author at an event at the Cullen Performance Hall, University of Houston on April 19, 2010. Includes the brochure from the event. .

New York: Unmuzzled Ox, 1984. First edition. Cloth. Fine. Folios. Four consecutive issues of Michael Andre's Unmuzzled Ox Magazine sold here together in a Special Publisher's Clothbound format. Printed on inexpensive newsprint type paper and measuring 11 1/4 x 16 1/2" tall. These four issues all contain extensions of Cantos of Ezra Pound by a wide variety of poets and artists including Corso, Buckminster Fuller, John Cage, James Lee Byars, Allen Ginsberg, Robert Creeley and others. Also these issues includes writings, photographs, interviews and more with Charles Henri Ford, W. S. Burroughs, Ira Cohen, Patti Smith et al. Other than toning to the paperstock which is normal for these issues, they are in fine condition. Special lavender clothbound edition printed in silver provided directly by the publisher in presumably very small quantities. This copy comes with the original mailing envelope from the publisher SIGNED by Michael Andre in 1995 and sent to poet Jackson Mac Low.

New York: Gotham Book Mart & Gallery, 1973. Book. As New. Soft cover. Signed by Author(s). 1st Edition.. 1st. Edition 1973 , 4th. Printing 1973 Photo illustrated cover wraps ( Robert Mapplethorpe ) , 43 page book with title page drawing by Howard Michels . A very scarce copy and also signed by Patti Smith on the front cover. Condition : AS NEW. Size: 12mo - over 6¾ - 7¾" tall.

A deluxe limited hardcover edition, signed by Patti Smith, Just Kids, Smith's New York Times bestsellingfirst book of prose, offers a never-before-seen glimpse of the iconic American musician's remarkable relationship with photographer Robert Mapplethorpe in the epochal days of New York City and the Chelsea Hotel in the late sixties and seventies. Limited to a numbered 1,000 copy print run, Just Kids Limited Edition (No. 817) is a beautiful keepsake that tells through words and pictures an honest and moving story of youth and friendship."[Just Kids] reminds us that innocence, utopian ideals, beauty and revolt are enlightenment's guiding stars in the human journey. Her book recalls, without blinking or faltering, a collective memory — one that guides us through the present and into the future." — Michael Stipe, Time magazine"Reading rocker Smith's account of her relationship with photographer Robert Mapplethorpe, it's hard not to believe in fate. How else to explain the chance encounter that threw them together, allowing both to blossom? Quirky and spellbinding." — People, Top 10 Books of 2010"The most enchantingly evocative memoir of funky-but-chic New York in the late 1960s and early 1970s that any alumnus has yet committed to print." — Janet Maslin's top 10 books of 2010, New York Times"Composed of incandescent sentences more revelatory than anything from Patti Smith's poems or songs, her romantic memoir also reveals what blunt narrative instruments the earlier career bios of her and photographer Robert Mapplethorpe have been." — Village Voice, Best Books of 2010 Round-Up"Smith's beautifully crafted love letter to her friend Robert Mapplethorpe functions as a memento mori of a relationship fueled by passion for art and writing. Her elegant eulogy lays bare the chaos and the creativity so embedded in that earlier time and in Mapplethorpe's life and work." — Publishers Weekly, Top Ten Books of the Year"Poetically written and vividly remembered. [Smith] reminded me of the idealism of art." — Matthew Weiner, creator of MAD MEN, in New York magazine"A spellbinding portrait of bohemian New York in the late 1960s and early '70s." — New York Times Book Review, Paperback Row"One of the best things I've ever read in my life." — Don Imus"Sometimes there is justice in the world. That was my first thought when I heard that Patti Smith had won the National Book Award this fall for her glorious memoir, Just Kids." — Maureen Corrigan's favorite books of 2010, NPR's Fresh Air"[JUST KIDS] offers a revealing account of the fears and insecurities harbored by even the most incendiary artists, as well as their capacity for reverence and tenderness." — USA Today"Smith's writing about her early days with Mapplethorpe is fervid and incantatory but never falls into incoherence." — The Oregonian (Portland)"A heartbreakingly sweet recollection of just that sort of vanished Bohemian life...Just as [Smith] stands out as an artiste in a movement based on collectivism, her singular voice gleams among rock memoirs as a work of literature." — Boston Globe"Just Kids shows how Smith integrated the romance of her twenty-year friendship with Mapplethorpe with her historical preoccupations, elevating them to an almost sacred status. The past, for Smith, has always driven her life forward. If only we could all be so free-spirited." — The Rumpus"Patti Smith's telling of the years she spent with Robert Mapplethorpe is full of optimism sprinkled with humor...JUST KIDS...is sorely lacking in irony or cynicism; Smith's worldview is infectious. She's a jumble of influences, but that's part of her charm." — Austin American-Statesman"A moving portrait of the artist as a young woman, and a vibrant profile of Smith's onetime boyfriend and lifelong muse, Robert Mapplethorpe, who died of AIDS in 1989...JUST KIDS is ultimately a wonderful portal into the dawn of Smith's art." — Los Angeles Times"A remarkable book --sweet and charming and many other words you wouldn't expect to apply to a punk-rock icon." — Newsday" A story of art, identity, devotion, discovery, and love, the book is [Smith's] first prose work...[it] conjures up the passionate collaboration--as lovers, friends, soul mates, and creators--that she and Mapplethorpe embarked on from the summer they met in Brooklyn in 1967." — Elle"Deeply affecting...a vivid portrayal of a bygone New York that could support a countercultural artistic firmament...the power of this book comes from [Smith's] ability to recall lucid memories in straightforward prose." — BookForum"Funny, fascinating, oddly tender." — O, The Oprah Magazine"Patti Smith's memoir of her youth with Robert Mapplethorpe testifies to a rare and ferocious innocence...'Just Kids' is a book utterly lacking in irony or sophisticated cynicism." — Salon.com"A shockingly beautiful book...a classic, a romance about becoming an artist in the city, written in a spare, simple style of boyhood memoirs like Frank Conroy's 'Stop Time.'" — New York Magazine"[A] beautifully crafted love letter to [Robert Mapplethorpe]...Smith transports readers to what seemed like halcyon days for art and artists in New York...[a] tender and tough memoir...[an] elegant eulogy." — Publishers Weekly (starred review)"Riveting and exquisitely crafted." — Kirkus Reviews(starred review)"Captivating....a poignant requiem...and a radiant celebration of life. Grade: A." — Entertainment Weekly"More than 30 years after its release, Horses still has the power to shock and inspire young musicians to express themselves with unbridled passion. Now she brings the same raw, lyrical quality to her first book of prose." — Clive Davis, Vanity Fair"In the end, [JUST KIDS is] not just an ode to Mapplethorpe, but a love letter to New York City's '70s art scene itself." — Time Out New York"The most compelling memoir by a rock artist since Bob Dylan's 'Chronicles: Volume One,' written with intimacy and grace...." — Chicago Tribune"Astonishing on many levels, most notably for Smith's lapidary prose....[JUST KIDS] is simply one of the best memoirs to be published in recent years: inspiring, sad, wise and beautifully written." — San Francisco Chronicle"[JUST KIDS] is funny and sad but always exhilarating." — Tampa Tribune"Terrifically evocative and splendidly titled...the most spellbinding and diverting portrait of funky-but-chic New York in the late '60s and early '70s that any alumnus has committed to print....This enchanting book is a reminder that not all youthful vainglory is silly; sometimes it's preparation." — New York Times Book Review"A touching tale of love and devotion." — Lisa Ko, author of The Leavers"JUST KIDS describes [Smith and Mapplethorpe's] ascent with a forthright sweetness that will ring true to anyone who knows her work." — Bloomberg.com"To read JUST KIDS is to be struck by how powerfully the two, especially Smith, believed in the power of art....Despite her music's angry clamor, despite his sometimes revolting images, Smith and Mapplethorpe retain, in her telling, a primal, childlike innocence." — Dallas Morning News"One of the best books ever written on becoming an artist...Jesus may have died for somebody's sins, but Patti Smith lives and writes and sings for all of us." — Washington Post"Remarkable, evocative... JUST KIDS is more than just a gift to [Smith's] ex-lover; it's a gift to everyone who has ever been touched by their art, and to everyone who's ever been in love. Like the best of Smith's music and Mapplethorpe's art, this book is haunting and unforgettable." — NPR Boston"A revelation. In a spellbinding memoir as notable for its restraint as for its lucidity, its wit as well as its grace, Smith tells the story of how she and Robert Mapplethorpe found each other... beautifully crafted, vivid, and indelible." — Booklist"An utterly charming, captivating, intimate portrait of a late 1960s and early 1970s period of intense artistic ferment in downtown Manhattan significantly shaped and keenly observed by rock firebrand Smith." — Philadelphia Inquirer"Smith lovingly depicts the denizens of the Chelsea Hotel - is that Janis Joplin at the bar? - and the >[more...]