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New York: Alfred A. Knopf, 1928. Very Good/Good. New York: Alfred A. Knopf, 1928. First American Edition. Octavo; xiv, 289pp. Printed blue dust jacket with $2.50 price intact; book in green cloth with dark green lettering. Jacket shallowly tattered along edges with numerous chips and small tears, with a larger chip at head of spine and splitting down much of back flap fold. Boards rubbed and faded along edges, with nudging and some fraying to spine ends and some general scuffs and smudges to surface. Spine a bit cocked. Rear hinge cracked with mesh exposed. Back board and book in general opens easily between gatherings, but binding is sound. Pages unmarked. Fictionalized account of the relationship between Tycho Brahe and Johannes Kepler. Brod was a longtime friend of Franz Kafka, to whom the book is dedicated, and as the literary executor of his estate famously refused to burn Kafka's works in keeping with the more famous author's last wishes.

New York: Viking Press, 1931. First American Edition. First printing. 12mo. Yellow cloth, titled in maroon on spine with color pictorial vignette to front cover; dark green topstain; 121pp. Light soiling to cloth, else a straight, tight, Near Fine copy. In the original pictorial dustwrapper, unclipped (priced $1.50 on front flap), lightly soiled but generally bright and unfaded, Very Good+. Zweig's controversial novella, originally published in the Viennese newspaper Neue Freie Presse in 1922. The story, filled with Freudian references, deals with the romantic obsession of an abortionist with one of his patients, leading finally to her death and his suicide – almost needless to say, this was hardly the drink of choice for Americans in the Great Depression; the print run must have been small and sales smaller still, as today the book is unexpectedly scarce in commerce, and rarely found in nice condition.

New York: The Viking Press, 1939. First Edition. Hardcover. Good. First American edition, translated from the German by Phyllis and Trevor Blewitt. 8vo. 498 pp. Blue cloth, with gilt lettering to the front board and spine, corners rubbed, spine dulled with faint spots around the bottom, spine foot bumped and rubbed, head worn, with a 2cm tear in the cloth. Without the dust jacket. Bookplate of Liliore Green Palmer to front paste-down. Signed by Zweig in purple to the first blank. Clean throughout and the binding tight and square. Good candidate for a rebind, or quite alright as it sits without the dj.

New York: The Viking Press, 1939. First Edition. Very Good. First American edition, first printing. Signed by Stefan Zweig on the front free endpaper. Bound in publisher's royal blue cloth with gilt lettering; lacking dust jacket. Very Good with shelf wear at extremities; slight lean to binding, spine faded and mottled, lettering is quite rubbed. Offsetting to end sheets with remnants of small bookseller ticket to rear; contents lightly tanned. Scarce historical novel that was later adapted into film by Maurice Elvey in 1946. Wes Anderson loosely based The Grand Budapest Hotel off this work.