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Berlin: Schuster & Loeffler, 1903. First edition. Cloth. Good. 11.5" by 9.5". E. M. Lilien [Ephraim Moses Lilien]. A wonderfully illustrated first edition copy of this celebration of the work of Ephraim Moses Lilien, in the original German. One of 1000 Limited Edition copies printed of first edition of this work in the publisher's original pictorial cloth binding. An important and uncommonly found work, celebrating the art of Ephraim Moses Lilien (1874-1925), an art nouveau illustrator and printmaker who is sometimes considered first Zionist artist. He was notable for the Jewish themes in his art, and for his influence on the Bezalel school art movement. This work is introduced by the Austrian writer Stefan Zweig (1881-1942), who, in the 1920s and 1930s, was one of the most popular authors in the world. The work contains numerous reproductions of Lilien's bookplates, borders and illustrations, as well as a portrait of Lilien with a facsimile of his signature. 'In Rosenketten' has been tipped in by a previous owner, possibly replacing the original reproduction of this work printed in the book. Further tipped-in illustrations (created by Lilien) from a previous owner to pages 59, 60, 61, 214, 215, and 302. One tipped-in illustration obscures a different illustration printed in the book, another obscures a title of a work; the rest are tipped-in to blank pages. This book is otherwise complete, which is unusual for this work. In the publisher's original pictorial cloth binding. Externally, generally smart, though faded to the spine, with small tears to the head and tail of the front joint. Shelf wear to the joints and extremities. Front hinge is starting and rear hinge is slightly strained, but both are firmly held. Internally, firmly bound. Pages are bright and clean. 'In Rosenketten' has been tipped in by a previous owner, possibly replacing the original reproduction of this work printed in the book. Further tipped-in illustrations (created by Lilien) from a previous owner to pages 59, 60, 61, 214, 215, and 302. One tipped-in illustration obscures a different illustration printed in the book, another obscures a title of a work; the rest are tipped-in to blank pages. Good

A wonderfully illustrated first edition copy of this celebration of the work of Ephraim Moses Lilien, in the original German. One of 1000 Limited Edition copies printed of first edition of this work in the publisher's original pictorial cloth binding. An important and uncommonly found work, celebrating the art of Ephraim Moses Lilien (1874-1925), an art nouveau illustrator and printmaker who is sometimes considered first Zionist artist. He was notable for the Jewish themes in his art, and for his influence on the Bezalel school art movement. This work is introduced by the Austrian writer Stefan Zweig (1881-1942), who, in the 1920s and 1930s, was one of the most popular authors in the world. The work contains numerous reproductions of Lilien's bookplates, borders and illustrations, as well as a portrait of Lilien with a facsimile of his signature. 'In Rosenketten' has been tipped in by a previous owner, possibly replacing the original reproduction of this work printed in the book. Further tipped-in illustrations (created by Lilien) from a previous owner to pages 59, 60, 61, 214, 215, and 302. One tipped-in illustration obscures a different illustration printed in the book, another obscures a title of a work; the rest are tipped-in to blank pages. This book is otherwise complete, which is unusual for this work. In the publisher's original pictorial cloth binding. Externally, generally smart, though faded to the spine, with small tears to the head and tail of the front joint. Shelf wear to the joints and extremities. Front hinge is starting and rear hinge is slightly strained, but both are firmly held. Internally, firmly bound. Pages are bright and clean. 'In Rosenketten' has been tipped in by a previous owner, possibly replacing the original reproduction of this work printed in the book. Further tipped-in illustrations (created by Lilien) from a previous owner to pages 59, 60, 61, 214, 215, and 302. One tipped-in illustration obscures a different illustration printed in the book, another obscures a title of a work; the rest are tipped-in to blank pages. Good.

New York: The Viking Press, 1939. Book. Near Fine. Cloth. Signed by Author(s). 1st Edition. 8vo - over 7¾ - 9¾" tall. Gilt lettered blue cloth in price clipped dust jacket. Top stain red. This copy signed by the author in his recognizable signature on the front endpaper. Some darkening to top edge of dj. and wear to extremities. This book has become uncommon of late and a copy in this sharp condition signed by Zweig is truly rare..

s.l.: Im Selbstverlag des Verfassers, 1927. Fine. Im Selbstverlag des Verfassers, s.l. 1927, 14,5x23cm, reliure de l'éditeur. - Édition originale imprimée à 440 exemplaires numérotés. Ouvrage illustré de 7 bois de Frans Masereel. Reliure de l'éditeur en demi cartonnage façon vélin à petits coins, dos lisse, tête dorée, ex-libris encollé sur un contreplat. Rare envoi autographe signé de Stefan Zweig à l'écrivain Max Spanier qui disparut dans l'enfer de l'Holocauste : ""Im herzlicher Erkenntlichkeit"" (""Avec une sincère gratitude""). [ENGLISH TRANSLATION FOLLOWS] First edition printed with 440 numbered copies. Work illustrated with 7 wood engravings by Frans Masereel. Pubslisher's binding in half wove-style paper boards with small corners, top edge gilt, ex-libris glued to a paste-down endpaper. Rare handwritten presentation signed by Stefan Zweig to writer Max Spanier who disappeared during the hell of the Holocaust: ""Im herzlicher Erkenntlichkeit"" (""With sincere gratitude"").