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(Amsterd., Lutkie & Smit 1990,) illustr.Or.-Pp.m.farbig illustr.Schutzumschl.33 S., Umschlagillustr., 7 (3 ganzs.) Zeichn.(1 a.VDeckel wiederh.) u.Typographie v.Kurt Löb.1.Ausg.dieser Illustr., gegenüber d.Ausgabe v.1963 verändert).Neuübers.v.Th.Duquesnoy.Privatdruck in d.Baskerville in 2000 Expl.Titel m.eigenh.Widmung d.Künstlers an den Germanisten Hans Würzner.Beil.illustr.Faltblatt m.eigenhändiger Mitteilung d.Künstlers an den Widmungsempfänger.Schönes Expl.

Gross-8°. 29 S., 1 nn Bl., mit 4 Originallithographien von Hans Fronius. Originalbroschur mit illustriertem Originalschutzumschlag. Eins von 400 nummerierten Exemplaren. Die Lithographien vom Künstler signiert. - Erschienen als 13. Buchpublikation der Edition Graphischer Zirkel. - Sehr gutes Exemplar.

4 Bll.; 1 Bl. Mit 7 ganzseitigen Original-Lithographien von Hans Fronius. Quer-4°. Obrosch. .enthält Zweigs Prosastück 'Frühlingsfahrt durch die Provence', welches in Buchform nur ein einziges Mal, in dem Bändchen 'Fahrten' . erschienen ist. Die Entstehung fällt in die Zeit vor dem Ersten Weltkrieg. Die Skizzen, auf die die Lithographien von Hans Fronius zurückgehen, entstanden während einer Südfrankreich-Reise im April 1962". - Nr. 58 von 450 num. Exemplaren von Hans Fronius im Impressum signiert. - Umschlag verstaubt und stellenweise bestoßen, innen gut erhalten. "Fünfte Sonderpublikation der Internationalen Stefan-Zweig-Gesellschaft".

New York: Ursus Books, 2007. First printing. Hardcover. Near Fine. No. 89 of 100 copies signed by the printer, Peter Koch, and artist Joseph Goldyne, who has supplied a blank frontispiece on 17th century paper, signed by him on the paper in pencil as well as at the colophon. 8vo, orange-pink laid paper boards, just short of fine copy (tiniest bump to top edge of front board). Koch printed this in Berkeley. Comes with original description folded in from Ursus Books. A fable about collecting; Goldyne, in addition to being a well known California artist, is also a renowned collector.

New York: Ursus Books, 2007. Frontispiece by Joseph Goldyne. Pp. 16+[2](colophon, verso blank), hand-tipped frontispiece, the publisher's device on title page and a couple of small text decorations printed in light red/brown; tall demy 8vo; black morocco-backed light brown papered boards, spine lettered in gilt, printed paper title label on upper board, top fore-corner of lower board a trifle bruised, book label of David Levine, Sydney, on the upper pastedown; Ursus Books, New York, 2007. One of 50 numbered copies thus, signed by the artist and printer. *Designed and printed by Peter Rutledge Koch with Jonathan Gerken and Jonathan Fetter-Vorm at Peter Koch Printers, Berkeley, California. The frontispiece is an original etching, As The Blind Remember, by Joseph Goldyne, printed on seventeenth century paper and signed in pencil by the artist. Zweig's short story was originally published in 1925, as Die unsichtbare Sammlung.

About fine copy ( minute rubbing to spine edges ) of the Second Printing. Signed by Zweig on the front free endpaper.Patterned boards with paper label on spine. Translated by Theodore Koch. Printed at the Lakeside Press, Chicago. Scarce

Evanston, IL: Northwestern University / The Charles Deering Library, 1938. Second Printing. Hardcover. Near Fine. Second printing. Signed by Stefan Zweig in purple ink on the front free end paper. Publisher's patterned red paper covered boards with title labels on spine and upper board. Near Fine with light toning and shelf wear to covers. Signed by the Austrian writer whose work inspired the 2014 Wes Anderson film, The Grand Budapest Hotel.

IL: Northwestern University The Charles Deering Library, 1938. Book. As New. Hardcover. Signed by Author(s). 16mo - over 5¾ - 6¾" tall. THE OLD-BOOK PEDDLER AND OTHER TALES FOR BIBLIOPHILES by Stefan Zweig. Evanston: The Charles Deering Library, 1938. Second printing signed by the author. Cloth Hardcover, 4 1/8" x 6 1/8". .

New York: The Viking Press, 1939. First Edition. Very Good. First American edition, first printing. Signed by Stefan Zweig on the front free endpaper. Bound in publisher's royal blue cloth with gilt lettering; lacking dust jacket. Very Good with shelf wear at extremities; slight lean to binding, spine faded and mottled, lettering is quite rubbed. Offsetting to end sheets with remnants of small bookseller ticket to rear; contents lightly tanned. Scarce historical novel that was later adapted into film by Maurice Elvey in 1946. Wes Anderson loosely based The Grand Budapest Hotel off this work.

s.l.: Im Selbstverlag des Verfassers, 1927. Fine. Im Selbstverlag des Verfassers, s.l. 1927, 14,5x23cm, reliure de l'éditeur. - Édition originale imprimée à 440 exemplaires numérotés. Ouvrage illustré de 7 bois de Frans Masereel. Reliure de l'éditeur en demi cartonnage façon vélin à petits coins, dos lisse, tête dorée, ex-libris encollé sur un contreplat. Rare envoi autographe signé de Stefan Zweig à l'écrivain Max Spanier qui disparut dans l'enfer de l'Holocauste : ""Im herzlicher Erkenntlichkeit"" (""Avec une sincère gratitude""). [ENGLISH TRANSLATION FOLLOWS] First edition printed with 440 numbered copies. Work illustrated with 7 wood engravings by Frans Masereel. Pubslisher's binding in half wove-style paper boards with small corners, top edge gilt, ex-libris glued to a paste-down endpaper. Rare handwritten presentation signed by Stefan Zweig to writer Max Spanier who disappeared during the hell of the Holocaust: ""Im herzlicher Erkenntlichkeit"" (""With sincere gratitude"").