Search results 40 Found

The Bibliophilist Society, . HB NODustJacket, 1931, 1st Edition thus, Black embossed black Cloth lettered on Spine, General VG+ Binding , Minor shelf, edge wear & lite soil pgs edge. No DJ , Interior Nice, tight Clean light wear FoX NF, 322 pages, spine Scuff. First Edition. Hard Cover.

Lee and Shepard New York: Charles T. Dillingham,, Boston , 1876 Hardback NO DustJACKET, 1876 ON TITLE PG, 1ST EDITION. 1st Printing, Dates Match on title & copyright Pg, GOOD+/VG-, AS-IS, NO JACKET, Interior nice with Light rub, wear, Fox, Embossed green cloth Titled & decorated Gold gilt Spine cvr light wear tiny chips Extremities, 412 pgs, NO ADS in Back. Binding has moderate edge wear, with slight bit of fraying at tips of spine, . 1st Edition. Hardcover. Good/No Jacket.

Jonathan Cape,London, 1929. HBDJ, MCMXXIX, Stated 1st edition, 1929, PC but Original Price Intact, blue cloth with gold gilt Title on Spine, Cover light rub, wear & sun at Extremities & spine, VG+/GOOD+, AS-IS, Blue DJ with orange lettering & decorations has light rub, wear & tiny Chips Extremities, Cutout piece back of DJ & inner Flap Gone, Interior nice clean some wear FoXing stains here & ther . Half title page has Pasted on Article, Introduction . First Edition. Hard Cover. Very Good/Good.

A. L. Burt. NY, 1928. Inner Flap DJ FOX Stain lists thru Marjorie Dean macy PriceClipped, HBDJ, 1928 , 1st edition ,Early Edition ,Lists Thru Steeple Rocks PreText, GOOD+/GOOD-, AS-IS, Interior Hinges thru part book light Narrow Water Stains, Interior nice tight Clean light FOX,Wear, DJ light Rub,Wear Tears Tiny Chips Extremities, Beautiful Green & Black Cloth Cover Duplicates DJ Illustration, Cvr light Wear titles in Gold Gilt & Black, 249 pgs + ADS THRU Marjorie Dean Macy. First Edition. Hard Cover.

Ace Science Fiction Books, NY, 1985. HBDJ, 1985, 1st edition THUS, PC, Bookclub edition of the paperback original. Precedes the British hardcover , First Hardcover Edition. F-/NF, Light rub, wear Scuff DJ, Yellow cloth lettered Black spine, Small edge tear Back DJ . Gregorio Rivas has retired from the Redemptionist trade - at 31 he's no longer willing to risk his life rescuing new recruits from the savage religion of Messiah Norton Jaybush. until Rivas sets out to save his long-lost love, in a violent piulgrimage that will take him through the landscape of the damned which is 22nd century California . Signed by Author. First Thus. Hard Cover.

Macmillan NY, 1892. HBNODJ, October 1892, stated 1st edition, Green Cloth lettered Gold Gilt Spine, NF+/VG+, AS-IS, NODJ, Cover minor rub, wear & light spotting, 113 pgs + ads, Interior Nice, tight Clean Light Fox,. First Edition. Hard Cover.

New York: E. P. Dutton & Co, Inc., 1944. First edition, title page marked 1944, also a Wartime Edition. Bright red cloth lettered in black, illustrated dustjacket. The book is in very good condition, good hinges, firm text block, clean pages, no names or other markings. The mylar protected dustjacket is not priceclipped [2.00] and is in good condition with minor age-darkening to the spine and some old insect damages that has resulted in tiny holes along the outer edges where they fold ot the inner flaps, very little paper loss. First Edition. Hard Cover. Very Good/Good. 12mo-over 6¾"-7¾" tall.

London:: Printed for the Author, 1803., 1803. 8vo. [iv], xxvii, [1], 360, xxxi, [1] pp. 4 engraved plates of apparatus (Plate II acts as frontispiece, all plates are unnumbered), index. Crudely rebound in quarter calf, marbled paper over old boards. Armorial bookplate of Aske's Boy School, Haberdasher's Livery Company. Ownership signature on title of Jas. Law Jones, "rec'd from Messrs. Rickers staff & Jones -- 15 Sept. 1803". Scarce. First edition, vol. II only. With added paper (laid in): A Manual of Analytical Mineralogy. Review. Quarterly Review, 1809. 9 pp. pp. 153-161. "This clearly written and well organized book is called the first textbook of general chemistry written in the English language to be based on Lavoisier's new chemistry. The principles are illustrated with experiments." -- Cole. / Accum (1769-1838), born in Germany where the family operated a small soap boiling business. In 1793 Accum came to London to take a position at Brande, apothecaries to George II. He became friends with Anthony Carlisle and William Nicholson and established his own laboratory. He assisted Sir Humphry Davy until 1803 (the year this book was issued). He also began lecturing in 1802 where is students included Benjamin Silliman and William Peck. He supplied apparatus to institutions abroad. Amazingly, in December 1820, he was arrested for mutilating books at the Royal Institution Library, which triggered his exiting England for Germany. "The value of Accum's work lies in the way he saw and exploited the technological possibilities of the rapidly advancing science of chemistry." [DSB]. REFERENCES: Cole 9 (pp. 4-5); DSB I, pp. 43-44Neville I, p. 10.

[Berlin]: Vereinigung Berliner Architekten, 1905. First edition. Hardcover. g- to vg. Folio (13 1/2 x 10 1/4"). 58, [2]pp (Text and in-text illustrations), [56] leaves (Plates). Original blue cloth, with gold lettering to front cover. Decorative endpapers. Laid in, an original and unsigned watercolor on transparent paper, and the third issue of the Technische Hochschule Charlottenburg, dated February 27, 1920. Title page decorated by Adolf Hartung. This splendid photo-illustrated architectural monograph was published by the Union of Berlin Architects (Vereinigung Berliner Architekten) to commemorate the 25th anniversary of their founding. The founding members included distinguished historians as well as Martin Gropius, a celebrated architect and the uncle of Walter Gropius. By 1904, the association had over two hundred members. As seen in this book, the Union was an active participant in the architectural life of Berlin and curious about developments elsewhere. "Vereinigung Berliner Architekten MDCCCLXXIX-MDCCCCIV" features striking full-page b/w illustrated and photographic plates showing some of the best architectural examples produced between 1879 and 1904, such as: - The Berlin Dom (Cathedral), constructed from 1893 to 1905 by Julius Carl Raschdorff. - An architectural drawing of the Metz railway station, under construction at the time of the publication. The impressive Gothic-style station was built between 1905 and 1908 by German architect Jürgen Kröger assisted by the architects Jürgensen and Bachmann. - The Kaiserbrücke, a railway bridge on the Mainz rail bypass across the Rhine at the north end of Mainz. The bridge was built between 1901 and 1904 by Franz Heinrich Schwechten, one of the most famous architects of his time who contributed to the development of historicist architecture. The Kaiserbrücke was destroyed in 1945 by retreating German troops. - The New Town Hall (Leipzig), built between 1899 and 1905 by Hugo Licht. - The Lessing-Theater (Berlin), built between 1897 and 1898 by Hermann von der Hude and Julius Hennicke. The theater was destroyed during an allied air raid in April 1945. - The Bismarcksäule (Cologne), a prominent memorial statue dedicated to Prince and Chancellor Otto von Bismarck. The statue was built by A. Hartmann. - The Bismarck-Denkmal (Hamburg), is a memorial sculpture located in the St. Pauli quarter, dedicated to Otto von Bismarck. The monument was built by W. Müller. - The Charlottenburg U-Bahn station, built by Alfred Grenander. - The Almemor (raised platform also called bema, bimah or bima) of the synagogue in Lindenstrasse (Berlin). The synagogue was built in 1881 by Cremer & Wolffensteir. Some of the buildings featured in this work were built in the style of the Jugendstill (Art Nouveau). Minor abrasion to spine. Binding rubbed along edges. Text in German. Binding in overall good- to good, interior in very good condition.

Munich: Marees Gesellschaft, R. Piper & Co. Verlag, 1918. First Limited Edition Thus. Full Pigskin (Full Leather), with custom slipcase. Near Fine. No. 162 of 200, with one of 150 on hand-made paper of Wiggins, Teape & Co. 240 copies in all were made, including unnumbered copies (212 were numbered in one of two ways). 4to. (27 by 20 cm.) 282, [5] pp. The outstanding aspects of this edition and copy in which Ovid's verse is rendered in both Latin and German translation are magnificent decorative pigskin binding, the flowing type, and the elegant page decoration, which includes a huge variety of cameo images. These images are never repeated exactly, it should also be noted. Resulting is a book of extraordinary beauty, both exterior and interior-wise. Aesthetically the book production is true to the classical in its lines and sensibility while being securely of its own time when a sinuous Art Nouveau or Jugendstil was ripening into a modernist economy, or Art Deco. There are sensuous Rococo details, such as the gilt lines etched into the spine, while one can not but be impressed with the lack of clutter on each and every page! While the type is not a plain Roman or the like, the gentle curvature of the cursive invites and soothes the eye, and every word should be crisply clear to the modern reader. Light soiling and darkening on the spine. Clean and tight within. The slipcase has some wear.