Search results 90 Found

Morris Plains, NJ: Unicorn Publishing, , 1992. Hard Cover. No Jacket.1992. 1st Edition Thus/ 1st Printing. with #1 Intact in Number Line, 4to - over 934" - 12" tall.Glossy color illustrated board with purple cloth spine Gold Gilt decoration & title slightly rubbed,Interior Nice, tight Clean, VG-/F-,NO DJ AS Issued.. First Edition. Hard Cover.

Whitman publ, Wisc, 1964. HB NODJ issued,1964, 1st edition,Glazed pictorial Cloth has some rub & Wear, 212 pgs, VG+/VG-, AS-IS, NODJ. First Edition. Hard Cover.

Clarkson Potter. HBDJ, Beige boards lettered on spine, PC , F-/F-, stated 1st edition, 1994, with #1 Intact in Number Line , index, 144 pgs, Conversion chart. First Edition. Hard Cover.

SALE Near Very Good. Original Limited First Edition Wrappers. New York: At-Swim Press, 1981. First Limited Edition. 8v. A wonderful collection of Irish American poetry by the founder and owner of 'Facsimile Books', Kevin T. McEneaney a great New York City Irish bookstore that like my store, "Three Geese In Flight Celtic Books", and "Rivendell" and "Keshkerigan" were part of the "Golden Age" of Celtic Bookstores in New York specialized in Irish and Celtic Books. Few bookstores survive against the beast. I am perhaps the last survivor of the Alamo. Here at least Kevin's fine Irish American poetry has survived in this limited edition to 300 copies. This has a attractive Celtic calligraphy on the card cover. Full page Celtic design page as well. Except for cover soiling and fading in good shape and internally clean and bright. Here inscribed and signed by McEneaney himself. See our Three Geese in Flight Book Scans.

Chicago: Frederick J Drake, 1909. 2nd Edition 1st Printing. No Binding. Poor. 231, Viii, (100) + Ads At Rear. Disbound, String Binding Intact But Lacking Covers, Informally Wrapped In Correspondence Paper Of The Wendt Studios, With Handwritten Title By Julia Bracken Wendt And Part Of The Wendt's Bookplate. Julia Bracken Wendt, (1870-1942) A Notable American Sculptor, Illinois. Unsupported At Home Following The Death Of Her Mother When She Was Nine Years Old, She Ran Away From Home At Thirteen. By Sixteen She Was Working As A Domestic Servant For A Woman Who Recognized Her Talent And Drive, And Paid To Enroll Her In The Art Institute Of Chicago. There She Studied With Lorado Taft And By 1887 She Had Advanced To Become His Studio And Teaching Assistant. In 1893, During The Columbian Exposition She Was One Of Several Women Sculptors Nicknamed The White Rabbits Who Helped Produce Some Of The Architectural Sculpture That Graced The Exposition Buildings. She Was Awarded A Commission To Produce Illinois Welcoming The Nations, A Sculpture For The Fair. The Work Was Later Cast In Bronze And Unveiled At The Illinois State Capitol.In 1906 She Married Painter William Wendt And Moved To Los Angeles, California Where She Continued Her Success. In California She Taught At The Otis Art Institute And, With Her Husband, Was Instrumental In The Founding Of The California Art Club In 1909, Which Was Developed On The Premise Of Allowing Women And Sculptors Into The Membership. Wendt Was A Member Of The National Sculpture Society And Exhibited And Was Featured In Both The 1923 And 1929 Exhibitions And The Resulting Catalogues. Her Work Can Be Found In: Los Angeles County Museum Of Art, Chicago Historical Society, The Civil War Monument, Missionary Ridge, Chattanooga, Tennessee, The Laguna Art Museum, Harvard University Portrait Collection,Old Los Angeles City Hall (Now Located In The Natural History Museum Of Los Angeles County), Lincoln Park, Los Angeles, California, As Well As In Numerous Private Collections. Exhibitions: World's Columbian Exposition, Chicago, 1893; Annual Exhibition, Palette Club, Aic, 1895; Annual Exhibition Of Works By Chicago Artists, Aic, 1899-1910 (9 Times); St Louis/Louisiana Purchase Exposition, 1904 ; Chicago Municipal League, 1905 ; Pan-California Expo, San Diego (Ca), 1915 ; California Art Club, 1918 ; Solo Exhibits With Husband, Aic, 1909-21 ; National Sculpture Society, 1929 National Sculpture Society, Los Angeles (Ca) Museum. Awards: Commission, "Illinois Welcoming The Nations" For Columbian Exposition, Chicago, 1892 ; Commission, Exposition Park, Los Angeles (Ca). Commission, Battle Monument, Missionary Ridge (Tn) ; Sculpture Prize, Chicago, 1898; Municipal Art League Prize, Chicago, 1905 ; Gold Medal, Pan-California Expo, San Diego (Ca), 1915; Harrison Prize, Los Angeles (Ca), 1918

Publications of the Bureau of Indian Affairs. United States Department Interior Haskell Press,, 1941. SOFTCOVER, 1941, 1st Edition, VG-/GOOD-, AS-IS, PAPERBACK, Beige Cover with Former Owner Name on Front in Ink. Cvr Titled in Black light wear Rub, 6 3/4 X 10 in. Light Scuff Rub Wear Back Cvr, 73 pgs. Ink Writing on Title pg notes, Some Underlining Here & There on some pgs & some marginnotes, Stapled booklet in tan printed wrappers. .FORMER Owner Name Address on Title pg & Half Title with Address & Ink Note, Douglas McKay, Secretary Department of the Interior, Glenn L. Emmons, Commissioner Bureau of Indian Affairs,& Hildegard Thompson, Chief of Branch of Education, with Original Price Intact of 50 cents on front Endpaper pg, Frontispiece, Bibliography & List of Illustrations .paper covers are beige with black lettering on the front, Stapled booklet in tan printed wrappers. In these pages, the Indians will be described as they were when the whites frist found them.. First Edition. Soft Cover.

Houghton Mifflin Riverside Press, 1948. HB NO DJ, green cloth, minor rub & fox, 1st edition, 1948, VG-, NODJ, parts of DJ taped to front & back Endpapers, light scuff Extremities Cover,. First Edition. Hard Cover.

New York, NY, U.S.A.: Tom Doherty Associates, , 1993. HBDJ, June 1993, stated 1st edition, with #1 Intact in Number Line, F/F, 319 pages. Signed by Author. First Edition. Hard Cover. Fine/Fine.

Times-Mirror Printing & Binding House, 1930. Paperback, Small Phamphlet Like Booklet approx 7 X 4 inches, 1930, 1st edition,Minor Wear, 47 pgs, Index, VG+/VG, SOFTCOVER. First Edition. Soft Cover.

Paris: Librairie Gallimard, 1924. First Edition. Wraps. Near FIne. Early retrospective of avant garde artist. 16mo. 15.5 by 12 cm. 63 pp.