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Paul S. Eriksson, New York, 1968. HBDJ, 1st Edition, 1968, NF-/VG-, AS-IS, white Boards with Black Cloth Spine Title in Red light Wear, DJ light rub, wear Scuff tiny chips edges, 184 pgs, interior nice tight clean light FOX, Wear, Small mended Tear Back DJ, .It says everything that people don't want to know about themselves or their mates or their marriages.. Signed by Author. First Edition. Hard Cover.

New York, Toronto, London, Sydney, and Auckland: Bantam Books. Near Fine in Near Fine dust jacket. 1996. First Edition; First Printing. 1/4 Cloth. 0553097105 . A sharp first edition/first printing in Near Fine condition in alike dust-jacket with small closed tear to lower front corner and minor edgewear; byThe story of Romeo and Juliet is one of love and tragedy. Romeo is in love with Juliet, but she is married to another man. Romeo convinces Juliet to elope with him, but they are caught and killed.; 8vo; FSA .

1913. NEW JERSEY TITLE GUARANTEE AND TRUST CO. ... The New Jersey Title Guarantee and Trust Company of Jersey City, N.J., on its Twenty-Fifth Birthday .... [N.p., 1913]. 78 p. Illus. Plates. Embossed wrappers. A very handsome production, illustrated with early views of Jersey City and Hudson County.

London: British Museum, 1962. hardcover. very good. 1224 pages, very thick 8vo, cloth, d.w. (d.w. worn at spine ends). London: Trustees of the British Museum, 1962. Very good.

New York: Targ Editions, 1980. Hardcover. 105p., in original boards and cloth spine, very good first edition in English, limited to 350 copies, signed by Himes at the colophon, in original unprinted tissue jacket, ragged at edges and protective mylar. Targ Editions, no. 7.

Ditchling, Sussex: Pepler & Sewell, St Dominic's Press, 1935. Limited Edition. Hardcover. Near fine. No. 140 of 300 copies, octavo size, [46] pp. The Saint Dominic's Press, founded by Harry (Hilary) Douglas Clarke Pepler, flourished at Ditchling, Sussex, from 1916 to 1936. The first home of the Press was "a disused stable", with a hundred-year-old Stanhope hand-press which supposedly had belonged to William Morris. Pepler endeavored to do everything possible by hand, believing that such would both produce the best results and also be a "more individual or 'humane'...product". He therefore "preferred the handpress to the machine, handmade to machine-made paper, and handset founder's type to the products of typesetting machines." Pepler met Edward Johnston and Eric Gill while living in Hammersmith; Pepler and his family would eventually move to Ditchling to join Gill, who was one of the most important artists to provide illustrations for the St. Dominic's Press. Other artists who provided illustrations included David Jones, Desmond Chute, Philip Hagreen, and Thomas Derrick, among others. Per the bibliography, "[The] Title page engraving has been attributed to Gill." ___DESCRIPTION: Bound in quarter-linen buff paper-covered boards, engraving on the title page of a chalice and wafer surrounded by a stylized sunburst; octavo size (8 1/4" x 5 1/2"), unpaginated with twenty-three printed leaves, errata slip tipped in at the back, limited edition of 300 copies, this is copy numbered 140, printed at St Dominic's Press, Ditchling Common, Hassocks, Sussex. ___CONDITION: Volume is near fine, with minimal rubbing, a strong, square text block and solid hinges, the interior is clean and bright, and entirely free of prior owner markings; slightly discolored boards and very slightly bumped corners, lacking the dust jacket. ___CITATION: Taylor & Sewell no. A246; note that the quotes and much of the introductory information from "Three Private Presses" by Brocard Sewell. ___POSTAGE: International customers, please note that additional postage may apply as the standard does not always cover costs; please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA, ILAB, and IOBA and we stand behind every book we sell. Please contact us with any questions you may have, we are here to help.

New York: Printed for Random House [by the Bremer Press], 1929. Hard Cover. Near Fine binding. Quarto; in marbled paper covered boards backed in parchment, with titling vertically at the spine in gilt, with the publisher's slipcase; this is number lxvi of 250 numbered copies for Random House [there were an additional 280 numbered copies of subscribers of the Bremer Press]; 86 pages followed by the colophon.~~There are no marks of any kind in the book; the slipcases has some minor discoloration. Near Fine binding.

Amstelodami (Amsterdam): Excudit Gerardus Borstius, 1696. Second edition. Hardcover. g+ to vg. Octavo (7 3/4 x 6"). [18], 492pp. Contemporary blind-stamped parchment, with handwritten title on spine. Additional engraved title by Joseph Mulder (1658-1742), a Dutch Golden Age printmaker, after an illustration by Jan Goeree. Engraved title vignette. Decorative headpieces, initials, and tailpiece. Originally published in 1683, Herman Witsius's "Aegyptiaca" compares the religious rites of the Jews and the Egyptians. In this work, the Dutch theologian and professor of divinity (at Franeker, Utrecht, and Leiden) argues against the theory put forth by Sir John Marsham and by John Spencer that Jewish traditions were derived from Egyptian practices. This second edition has been expanded from the first. [For more information, see Ibrahim-Hilmy, p. 339; Caillet 11462 - listing the 1683 and 1717 editions; Jouin - Bibl. occultiste 797; Brunet V, 1468 ]. Binding slightly darkened along edges. Previous owner's bookplate on inside of front cover. Text in Latin. Binding in overall good+, interior in very good condition.

[Berlin]: Vereinigung Berliner Architekten, 1905. First edition. Hardcover. g- to vg. Folio (13 1/2 x 10 1/4"). 58, [2]pp (Text and in-text illustrations), [56] leaves (Plates). Original blue cloth, with gold lettering to front cover. Decorative endpapers. Laid in, an original and unsigned watercolor on transparent paper, and the third issue of the Technische Hochschule Charlottenburg, dated February 27, 1920. Title page decorated by Adolf Hartung. This splendid photo-illustrated architectural monograph was published by the Union of Berlin Architects (Vereinigung Berliner Architekten) to commemorate the 25th anniversary of their founding. The founding members included distinguished historians as well as Martin Gropius, a celebrated architect and the uncle of Walter Gropius. By 1904, the association had over two hundred members. As seen in this book, the Union was an active participant in the architectural life of Berlin and curious about developments elsewhere. "Vereinigung Berliner Architekten MDCCCLXXIX-MDCCCCIV" features striking full-page b/w illustrated and photographic plates showing some of the best architectural examples produced between 1879 and 1904, such as: - The Berlin Dom (Cathedral), constructed from 1893 to 1905 by Julius Carl Raschdorff. - An architectural drawing of the Metz railway station, under construction at the time of the publication. The impressive Gothic-style station was built between 1905 and 1908 by German architect Jürgen Kröger assisted by the architects Jürgensen and Bachmann. - The Kaiserbrücke, a railway bridge on the Mainz rail bypass across the Rhine at the north end of Mainz. The bridge was built between 1901 and 1904 by Franz Heinrich Schwechten, one of the most famous architects of his time who contributed to the development of historicist architecture. The Kaiserbrücke was destroyed in 1945 by retreating German troops. - The New Town Hall (Leipzig), built between 1899 and 1905 by Hugo Licht. - The Lessing-Theater (Berlin), built between 1897 and 1898 by Hermann von der Hude and Julius Hennicke. The theater was destroyed during an allied air raid in April 1945. - The Bismarcksäule (Cologne), a prominent memorial statue dedicated to Prince and Chancellor Otto von Bismarck. The statue was built by A. Hartmann. - The Bismarck-Denkmal (Hamburg), is a memorial sculpture located in the St. Pauli quarter, dedicated to Otto von Bismarck. The monument was built by W. Müller. - The Charlottenburg U-Bahn station, built by Alfred Grenander. - The Almemor (raised platform also called bema, bimah or bima) of the synagogue in Lindenstrasse (Berlin). The synagogue was built in 1881 by Cremer & Wolffensteir. Some of the buildings featured in this work were built in the style of the Jugendstill (Art Nouveau). Minor abrasion to spine. Binding rubbed along edges. Text in German. Binding in overall good- to good, interior in very good condition.

Paris: Librairie Arthème Fayard, 1938. From the Bart Auerbach Collection. Near fine save some light darkening to the sheets. 8vo. Later buckram, original printed wrappers bound in, untrimmed. First edition. Inscribed by Bernstein on the half-title to the dedicatee's wife, the actress Patricia Patterson: "à la meilleure partenaire de Charles à la Marmanche Pat affecteuresment Henry Bernstein." Patricia Patterson (1910-1978) made more than 20 films, including Charlie Chan Goes to Egypt. It was a case of love at first sight when she was introduced to the actor Charles Boyer by Maurice Chevalier at a wrap party for the film in 1934. Charles Boyer (1899-1978) appeared in more than 80 films between 1920 and 1976, including his celebrated performance in Gaslight (1944). The playwright Henri Bernstein (1876-1953) was associated with Boulevard Theatre. Boyer had appeared in leading roles of several film adaptations of Bernstein's plays, including Orage (1938), the film adaptation of this play (in which Boyer is listed on the cast list). The printed dedication reads: "Au grand acteur qui fut, tant de soirs, sur la scène du Gymnase, à Charles Boyer son ami H. B." WITH: Another copy: untrimmed sheets, bound uniformly in buckram, printed wrappers bound in. One of 15 copies on Van Gelder Zonen (this is No. 3).