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A Nice Reading Copy-First Edition, First Printing. Book Is In Very Good + Condition. Boards Are Clean, Not Bumped. Fore Edges Have A Small Amount Of Wear. Interior Is Clean And Legible. Not Remaindered. Dust Jacket Is In Very Good + Condition. Tiny Bit Of Shelf Wear/Rub. Tiniest Bit Of Wear Along The Edges. Not Price Clipped. Dust Jacket Is Covered By Mylar Wrapper. Thanks And Enjoy.

New York: Charles Scribner's Sons, 1994. HBDJ, 1994, 1st Edition, 2nd Printing, F/F-, Very Light Shelf Wear, Interior nice tight Clean,. Signed by Author. First Edition. Hard Cover.

Publications of the Bureau of Indian Affairs. United States Department Interior Haskell Press,, 1941. SOFTCOVER, 1941, 1st Edition, VG-/GOOD-, AS-IS, PAPERBACK, Beige Cover with Former Owner Name on Front in Ink. Cvr Titled in Black light wear Rub, 6 3/4 X 10 in. Light Scuff Rub Wear Back Cvr, 73 pgs. Ink Writing on Title pg notes, Some Underlining Here & There on some pgs & some marginnotes, Stapled booklet in tan printed wrappers. .FORMER Owner Name Address on Title pg & Half Title with Address & Ink Note, Douglas McKay, Secretary Department of the Interior, Glenn L. Emmons, Commissioner Bureau of Indian Affairs,& Hildegard Thompson, Chief of Branch of Education, with Original Price Intact of 50 cents on front Endpaper pg, Frontispiece, Bibliography & List of Illustrations .paper covers are beige with black lettering on the front, Stapled booklet in tan printed wrappers. In these pages, the Indians will be described as they were when the whites frist found them.. First Edition. Soft Cover.

Book in Mylar cover, Shelf wear noted on dust jacket. No remainder marks, no ink markings. NOT priced clipped. First edition, First Printing.

New York: Cameron & Kahn, 1954. 1st Edition . Soft cover. Very Good. 187 Pp. Green Covers, Softcover Issue. Inscribed By Author On Half-Title. Lightly Used Book, Very Good.

New York: Dodd, Mead And Company, 1911. 1st Edition Printing Unknown. Hardcover. Very Good. 279 Pp. Beige Cloth Stamped In Black And Blue. 1911 Date On Title And Copyright Pages, This Title 9Th In List Of 13 Patty Titles Before Title Page. Title Page Shows "Illustrations By Mayo Bunker" But No List Of Plates And No Plates Could Be Found.

St. Martins Press NY, , 1994. HBDJ, November 1994, stated 1st Edition, F/FINE, with #1 Intact in Number Line, Black Cloth Lettered Gold Gilt on Spine, . Signed by Author. First Edition. Hard Cover.

Chicago: Frederick J Drake, 1909. 2nd Edition 1st Printing. No Binding. Poor. 231, Viii, (100) + Ads At Rear. Disbound, String Binding Intact But Lacking Covers, Informally Wrapped In Correspondence Paper Of The Wendt Studios, With Handwritten Title By Julia Bracken Wendt And Part Of The Wendt's Bookplate. Julia Bracken Wendt, (1870-1942) A Notable American Sculptor, Illinois. Unsupported At Home Following The Death Of Her Mother When She Was Nine Years Old, She Ran Away From Home At Thirteen. By Sixteen She Was Working As A Domestic Servant For A Woman Who Recognized Her Talent And Drive, And Paid To Enroll Her In The Art Institute Of Chicago. There She Studied With Lorado Taft And By 1887 She Had Advanced To Become His Studio And Teaching Assistant. In 1893, During The Columbian Exposition She Was One Of Several Women Sculptors Nicknamed The White Rabbits Who Helped Produce Some Of The Architectural Sculpture That Graced The Exposition Buildings. She Was Awarded A Commission To Produce Illinois Welcoming The Nations, A Sculpture For The Fair. The Work Was Later Cast In Bronze And Unveiled At The Illinois State Capitol.In 1906 She Married Painter William Wendt And Moved To Los Angeles, California Where She Continued Her Success. In California She Taught At The Otis Art Institute And, With Her Husband, Was Instrumental In The Founding Of The California Art Club In 1909, Which Was Developed On The Premise Of Allowing Women And Sculptors Into The Membership. Wendt Was A Member Of The National Sculpture Society And Exhibited And Was Featured In Both The 1923 And 1929 Exhibitions And The Resulting Catalogues. Her Work Can Be Found In: Los Angeles County Museum Of Art, Chicago Historical Society, The Civil War Monument, Missionary Ridge, Chattanooga, Tennessee, The Laguna Art Museum, Harvard University Portrait Collection,Old Los Angeles City Hall (Now Located In The Natural History Museum Of Los Angeles County), Lincoln Park, Los Angeles, California, As Well As In Numerous Private Collections. Exhibitions: World's Columbian Exposition, Chicago, 1893; Annual Exhibition, Palette Club, Aic, 1895; Annual Exhibition Of Works By Chicago Artists, Aic, 1899-1910 (9 Times); St Louis/Louisiana Purchase Exposition, 1904 ; Chicago Municipal League, 1905 ; Pan-California Expo, San Diego (Ca), 1915 ; California Art Club, 1918 ; Solo Exhibits With Husband, Aic, 1909-21 ; National Sculpture Society, 1929 National Sculpture Society, Los Angeles (Ca) Museum. Awards: Commission, "Illinois Welcoming The Nations" For Columbian Exposition, Chicago, 1892 ; Commission, Exposition Park, Los Angeles (Ca). Commission, Battle Monument, Missionary Ridge (Tn) ; Sculpture Prize, Chicago, 1898; Municipal Art League Prize, Chicago, 1905 ; Gold Medal, Pan-California Expo, San Diego (Ca), 1915; Harrison Prize, Los Angeles (Ca), 1918

6 & 1/2' x 7 & 1/2'; no dustjacket. One of 230 trade copies of First Edition of 400, total including 100 (hor commerce: aka before trade) 50 signed & numbered and 20 signed with special drawing. This one is not signed or numbered but remains uncommon and collectible. Grey cloth with gold lettering on spine. Sunned spined. Darkened at margins of covers front and back. Dust staining textblock edges. Tonning to end pages front and back. Glue residue bottom of rear pastedown. Stray ink marking in what appears to be a child's hand on that same rear pastedown page. (78 pages. )

Paris: Librairie Gallimard, 1924. First Edition. Wraps. Near FIne. Early retrospective of avant garde artist. 16mo. 15.5 by 12 cm. 63 pp.