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Book in Mylar cover, Shelf wear noted on dust jacket. No remainder marks, no ink markings. NOT priced clipped. First edition, First Printing.

Houghton Mifflin Riverside Press, 1948. HB NO DJ, green cloth, minor rub & fox, 1st edition, 1948, VG-, NODJ, parts of DJ taped to front & back Endpapers, light scuff Extremities Cover,. First Edition. Hard Cover.

New York: Dodd, Mead And Company, 1911. 1st Edition Printing Unknown. Hardcover. Very Good. 279 Pp. Beige Cloth Stamped In Black And Blue. 1911 Date On Title And Copyright Pages, This Title 9Th In List Of 13 Patty Titles Before Title Page. Title Page Shows "Illustrations By Mayo Bunker" But No List Of Plates And No Plates Could Be Found.

New York: Cameron & Kahn, 1954. 1st Edition . Soft cover. Very Good. 187 Pp. Green Covers, Softcover Issue. Inscribed By Author On Half-Title. Lightly Used Book, Very Good.

St. Martins Press NY, , 1994. HBDJ, November 1994, stated 1st Edition, F/FINE, with #1 Intact in Number Line, Black Cloth Lettered Gold Gilt on Spine, . Signed by Author. First Edition. Hard Cover.

Hardcover in dust jacket. First printing of first edition. Book and protected unclipped dust jacket are in fine--As New condition, crisp and fresh, tight binding and clean pages. 135 pp. Including index. Free of any markings, not ex-library.; 8vo 8"-9" tall.

New York: Star Dist, 1970. Paperback. 190p., illustrated with explicit drawings, very good first printing PBO in camp pictorial wraps. Gay pulp fiction. Rough Trade RT-433.

Whitman Publ, Wisc., 1962. HARDBACK NODJ Issued, 1962, 1st Edition, VG+/VG, NO JACKET, AS-IS, Interior Nice Tight Clean light Wear FOX, 210 Pgs + ADS. First Edition. Hard Cover.

Chicago: Frederick J Drake, 1909. 2nd Edition 1st Printing. No Binding. Poor. 231, Viii, (100) + Ads At Rear. Disbound, String Binding Intact But Lacking Covers, Informally Wrapped In Correspondence Paper Of The Wendt Studios, With Handwritten Title By Julia Bracken Wendt And Part Of The Wendt's Bookplate. Julia Bracken Wendt, (1870-1942) A Notable American Sculptor, Illinois. Unsupported At Home Following The Death Of Her Mother When She Was Nine Years Old, She Ran Away From Home At Thirteen. By Sixteen She Was Working As A Domestic Servant For A Woman Who Recognized Her Talent And Drive, And Paid To Enroll Her In The Art Institute Of Chicago. There She Studied With Lorado Taft And By 1887 She Had Advanced To Become His Studio And Teaching Assistant. In 1893, During The Columbian Exposition She Was One Of Several Women Sculptors Nicknamed The White Rabbits Who Helped Produce Some Of The Architectural Sculpture That Graced The Exposition Buildings. She Was Awarded A Commission To Produce Illinois Welcoming The Nations, A Sculpture For The Fair. The Work Was Later Cast In Bronze And Unveiled At The Illinois State Capitol.In 1906 She Married Painter William Wendt And Moved To Los Angeles, California Where She Continued Her Success. In California She Taught At The Otis Art Institute And, With Her Husband, Was Instrumental In The Founding Of The California Art Club In 1909, Which Was Developed On The Premise Of Allowing Women And Sculptors Into The Membership. Wendt Was A Member Of The National Sculpture Society And Exhibited And Was Featured In Both The 1923 And 1929 Exhibitions And The Resulting Catalogues. Her Work Can Be Found In: Los Angeles County Museum Of Art, Chicago Historical Society, The Civil War Monument, Missionary Ridge, Chattanooga, Tennessee, The Laguna Art Museum, Harvard University Portrait Collection,Old Los Angeles City Hall (Now Located In The Natural History Museum Of Los Angeles County), Lincoln Park, Los Angeles, California, As Well As In Numerous Private Collections. Exhibitions: World's Columbian Exposition, Chicago, 1893; Annual Exhibition, Palette Club, Aic, 1895; Annual Exhibition Of Works By Chicago Artists, Aic, 1899-1910 (9 Times); St Louis/Louisiana Purchase Exposition, 1904 ; Chicago Municipal League, 1905 ; Pan-California Expo, San Diego (Ca), 1915 ; California Art Club, 1918 ; Solo Exhibits With Husband, Aic, 1909-21 ; National Sculpture Society, 1929 National Sculpture Society, Los Angeles (Ca) Museum. Awards: Commission, "Illinois Welcoming The Nations" For Columbian Exposition, Chicago, 1892 ; Commission, Exposition Park, Los Angeles (Ca). Commission, Battle Monument, Missionary Ridge (Tn) ; Sculpture Prize, Chicago, 1898; Municipal Art League Prize, Chicago, 1905 ; Gold Medal, Pan-California Expo, San Diego (Ca), 1915; Harrison Prize, Los Angeles (Ca), 1918

Cincinnati, OH: The Little Man Press, 1941. Limited. Cloth . Very Good/No Jacket. 6 & 1/2' x 7 & 1/2'; no dustjacket. One of 230 trade copies of First Edition of 400, total including 100 (hor commerce: aka before trade) 50 signed & numbered and 20 signed with special drawing. This one is not signed or numbered but remains uncommon and collectible. Grey cloth with gold lettering on spine. Sunned spined. Darkened at margins of covers front and back. Dust staining textblock edges. Tonning to end pages front and back. Glue residue bottom of rear pastedown. Stray ink marking in what appears to be a child's hand on that same rear pastedown page. (78 pages.)