Search results 177 Found

New York: Dodd, Mead And Company, 1911. 1st Edition Printing Unknown. Hardcover. Very Good. 279 Pp. Beige Cloth Stamped In Black And Blue. 1911 Date On Title And Copyright Pages, This Title 9Th In List Of 13 Patty Titles Before Title Page. Title Page Shows "Illustrations By Mayo Bunker" But No List Of Plates And No Plates Could Be Found.

Junior Books, DD Dean, Garden City. Hno DJ, beige cl, Good-, some wear, small- tears to cloth spine, 1941, stated 1st edition, interior pages of book VG, AS-IS.

Chicago: Frederick J Drake, 1909. 2nd Edition 1st Printing. No Binding. Poor. 231, Viii, (100) + Ads At Rear. Disbound, String Binding Intact But Lacking Covers, Informally Wrapped In Correspondence Paper Of The Wendt Studios, With Handwritten Title By Julia Bracken Wendt And Part Of The Wendt's Bookplate. Julia Bracken Wendt, (1870-1942) A Notable American Sculptor, Illinois. Unsupported At Home Following The Death Of Her Mother When She Was Nine Years Old, She Ran Away From Home At Thirteen. By Sixteen She Was Working As A Domestic Servant For A Woman Who Recognized Her Talent And Drive, And Paid To Enroll Her In The Art Institute Of Chicago. There She Studied With Lorado Taft And By 1887 She Had Advanced To Become His Studio And Teaching Assistant. In 1893, During The Columbian Exposition She Was One Of Several Women Sculptors Nicknamed The White Rabbits Who Helped Produce Some Of The Architectural Sculpture That Graced The Exposition Buildings. She Was Awarded A Commission To Produce Illinois Welcoming The Nations, A Sculpture For The Fair. The Work Was Later Cast In Bronze And Unveiled At The Illinois State Capitol.In 1906 She Married Painter William Wendt And Moved To Los Angeles, California Where She Continued Her Success. In California She Taught At The Otis Art Institute And, With Her Husband, Was Instrumental In The Founding Of The California Art Club In 1909, Which Was Developed On The Premise Of Allowing Women And Sculptors Into The Membership. Wendt Was A Member Of The National Sculpture Society And Exhibited And Was Featured In Both The 1923 And 1929 Exhibitions And The Resulting Catalogues. Her Work Can Be Found In: Los Angeles County Museum Of Art, Chicago Historical Society, The Civil War Monument, Missionary Ridge, Chattanooga, Tennessee, The Laguna Art Museum, Harvard University Portrait Collection,Old Los Angeles City Hall (Now Located In The Natural History Museum Of Los Angeles County), Lincoln Park, Los Angeles, California, As Well As In Numerous Private Collections. Exhibitions: World's Columbian Exposition, Chicago, 1893; Annual Exhibition, Palette Club, Aic, 1895; Annual Exhibition Of Works By Chicago Artists, Aic, 1899-1910 (9 Times); St Louis/Louisiana Purchase Exposition, 1904 ; Chicago Municipal League, 1905 ; Pan-California Expo, San Diego (Ca), 1915 ; California Art Club, 1918 ; Solo Exhibits With Husband, Aic, 1909-21 ; National Sculpture Society, 1929 National Sculpture Society, Los Angeles (Ca) Museum. Awards: Commission, "Illinois Welcoming The Nations" For Columbian Exposition, Chicago, 1892 ; Commission, Exposition Park, Los Angeles (Ca). Commission, Battle Monument, Missionary Ridge (Tn) ; Sculpture Prize, Chicago, 1898; Municipal Art League Prize, Chicago, 1905 ; Gold Medal, Pan-California Expo, San Diego (Ca), 1915; Harrison Prize, Los Angeles (Ca), 1918

New York: Star Dist, 1970. Paperback. 190p., illustrated with explicit drawings, very good first printing PBO in camp pictorial wraps. Gay pulp fiction. Rough Trade RT-433.

6 & 1/2' x 7 & 1/2'; no dustjacket. One of 230 trade copies of First Edition of 400, total including 100 (hor commerce: aka before trade) 50 signed & numbered and 20 signed with special drawing. This one is not signed or numbered but remains uncommon and collectible. Grey cloth with gold lettering on spine. Sunned spined. Darkened at margins of covers front and back. Dust staining textblock edges. Tonning to end pages front and back. Glue residue bottom of rear pastedown. Stray ink marking in what appears to be a child's hand on that same rear pastedown page. (78 pages. )

Macmillan NY, 1914. HB NODustJacket, April 1914, Printed a year after first edition , Interior Nice, tight Clean some rub, wear, lite wrinkling, dogears, & small water stains on corner blank Margins thruout, VG-/VG-, AS-IS, NODJ, 201 pgs + Ads, Beige & Orange & black Decorated Cloth cover light rub, wear ,soil & tiny Chips Extremities,. Hard Cover.

London: Chatto & Windus, 1908. 1st Edition 1st Printing. Hardcover. Very Good. Xvii, 180 Pp. Green Cloth, Gilt, With Embossed Gilt Angel On Front Cover. Top Edge Gilt, Deckled Edges. First Edition. Wear And Bumping And Fading To Cloth, But All Gilt Brilliant, No Fraying Or Stains. Bookstore Stamp On Front Pastedown, No Other Marks. Pages Clean, Slightly Aged, No Foxing.

Paul S. Eriksson, New York, 1968. HBDJ, 1st Edition, 1968, NF-/VG-, AS-IS, white Boards with Black Cloth Spine Title in Red light Wear, DJ light rub, wear Scuff tiny chips edges, 184 pgs, interior nice tight clean light FOX, Wear, Small mended Tear Back DJ, .It says everything that people don't want to know about themselves or their mates or their marriages.. Signed by Author. First Edition. Hard Cover.

MODERN LIBRARY, 1964. HBDJ,1964, First Modern Library Edition 1964 (Unstated). Back of Foxed DJ lists 7 Titles Short Stories of Chekhov Thru Poems, PLAYS OF PUSHKIN, Back Inner DJ flap Pre Zip Code Coupon VG+/GOOD+ . 4 7/8  x 7 1/4 IN. 423 pages. Bright blue cloth hardcover (Toledano binding # 11). DJ VERSO IS Blank, Tight, square binding, bright gilt, sharp corners. Light crimping spine ends, small former owner stamp top half-title page. The first issue dust jacket shows light perimeter edgewear, light rubbing along the folds, short creases bottom spine, and moderate rubbing & soiling front & back panels. The top front flap is neatly price-clipped & bears a small former owner name. CREASES TO BTM Spine DJ, Mylar protected jacket. . 1st Edition. Hardcover. Very Good/Good.

New York: E. P. Dutton & Co, Inc., 1944. First edition, title page marked 1944, also a Wartime Edition. Bright red cloth lettered in black, illustrated dustjacket. The book is in very good condition, good hinges, firm text block, clean pages, no names or other markings. The mylar protected dustjacket is not priceclipped [2.00] and is in good condition with minor age-darkening to the spine and some old insect damages that has resulted in tiny holes along the outer edges where they fold ot the inner flaps, very little paper loss. First Edition. Hard Cover. Very Good/Good. 12mo-over 6¾"-7¾" tall.