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HBDJ , 1960, 1st edition, 1st printing, VG+/VG- ,AS-IS, TAPE TO VERSO OF DJ & SMALL EDGE CHIPS WEAR RUB, UNPAGINATED, A slim, Oblong RED CLOTH picture book WITH WHITE TITLE, Red clothbound hardback in original jacket, with wear. MENDED TEAR TO BACK OF DJ ,but No 1 has so many Legs or such pretty feet as Silly, Frilly Ermintrude, surely the most charming Centipede, AN INSECT who ever Yearned to Adorn each lovely foot in a different kind of shoe. Yet she learned from all these 100 pretty Shoes she Leasrned 1 Simple truth Pretty is as Pretty Does

HBDJ, Stated 1st Published Oct. 1937, Dates Match on Title & Copyright pg,, 1ST EDITION, VG+/VG+ , 8vo . In pictorial jacket over matching YELLOW PICTORIAL boards OF RECLINING CAT WITH CLOTH SPINE CVR, 8vo, unpag. Signed by the Author on half-title page. (light toning to jacket extremities).

Bantam, New York DOUBLEDAY DELL, 1997. HBDJ, 1st edition, THIRD PRINTING, November 1997, Hard cover. Used - Fine/Like New Fine in NEAR FINE dust jacket SIGNED ,LIGHT Edgewear and scratches to dust jacket Book as new . Sewn binding. Cloth over boards. 116 pgs. Hardcover. Very Good/Very Good.

Printed at Newburyport, By Edmund M. Blunt, for Mathew Carey, Philadelphia,, 1797. HB NODustJacket, 1797 on title page. 1st edition, Later Printing, Brown full LEATHER contemporary sheepskin,with Much Rubbed Label on Spine, Cover rub, wear & tiny Chips Tears Extremities, Outer Hinges along spine Partially Separated & Rather Fragile, with small chips top & bottom Spine, VG-/VG-, AS-IS, NODJ, Delacate Condition, Interior relatively tight, Wear, FOXing some dogeared pgs, Last two pages show some Silverfish Damage, 239 pgs withLast Page Corner Margin Chip, 12mo (in 6s), gilt spine, morocco label; text fingered and soiled, top and base of spine chipped, corners worn, upper front joint cracked. . Full-Leather.

E. P. Dutton & Co. HBNODJ, 1928, 1st edition,Black cloth & decorated greyblue Paper Boards decorated Gold Gilt, Cover rub, Scuff & Wear Primarily Extremities, Small Tears top Spine, NF-/VG, NODJ, , Interior Nice, Tight Basically Clean with light edge stain some pgs & slightly darkened pgs & few small margin tears & tiny or small external pg chips, 124 pgs. Signed by Illustrator. Hard Cover.

Modern Library NY, 1935 300 titles mentioned on back of DJ & 95 cents & Pre Zipcode coupon, & 304 Titles mentioned on DJ Verso, HBDJ, 1st Edition , Early Issue, UNDATED, Around 1935, NF-/VG, AS-IS, 300 titles mentioned on back of DJ & 95 cents & Pre Zipcode coupon on left side Btm, & 304 Ttiles mentioned on DJ Verso, small chips DJ spine, RED TOPSTAIN, BLUE CLOTH WITH GOLD GILT TITLES IN RED BOX, Interior nice tight clean light Fox, Wear, DJ Spine small end chips , DJ protected clear Mylar. 1st Edition. Hardcover. Very Good/Very Good. Illus. by Vera Bock DJ Art .

Size: 9x6x1; 1st edition, 5th printing, 1964. Minimal wear to covers. Text clean and unmarked. The binding is tight and square. No dust jacket. Your satisfaction is guaranteed!

[Berlin]: Vereinigung Berliner Architekten, 1905. First edition. Hardcover. g- to vg. Folio (13 1/2 x 10 1/4"). 58, [2]pp (Text and in-text illustrations), [56] leaves (Plates). Original blue cloth, with gold lettering to front cover. Decorative endpapers. Laid in, an original and unsigned watercolor on transparent paper, and the third issue of the Technische Hochschule Charlottenburg, dated February 27, 1920. Title page decorated by Adolf Hartung. This splendid photo-illustrated architectural monograph was published by the Union of Berlin Architects (Vereinigung Berliner Architekten) to commemorate the 25th anniversary of their founding. The founding members included distinguished historians as well as Martin Gropius, a celebrated architect and the uncle of Walter Gropius. By 1904, the association had over two hundred members. As seen in this book, the Union was an active participant in the architectural life of Berlin and curious about developments elsewhere. "Vereinigung Berliner Architekten MDCCCLXXIX-MDCCCCIV" features striking full-page b/w illustrated and photographic plates showing some of the best architectural examples produced between 1879 and 1904, such as: - The Berlin Dom (Cathedral), constructed from 1893 to 1905 by Julius Carl Raschdorff. - An architectural drawing of the Metz railway station, under construction at the time of the publication. The impressive Gothic-style station was built between 1905 and 1908 by German architect Jürgen Kröger assisted by the architects Jürgensen and Bachmann. - The Kaiserbrücke, a railway bridge on the Mainz rail bypass across the Rhine at the north end of Mainz. The bridge was built between 1901 and 1904 by Franz Heinrich Schwechten, one of the most famous architects of his time who contributed to the development of historicist architecture. The Kaiserbrücke was destroyed in 1945 by retreating German troops. - The New Town Hall (Leipzig), built between 1899 and 1905 by Hugo Licht. - The Lessing-Theater (Berlin), built between 1897 and 1898 by Hermann von der Hude and Julius Hennicke. The theater was destroyed during an allied air raid in April 1945. - The Bismarcksäule (Cologne), a prominent memorial statue dedicated to Prince and Chancellor Otto von Bismarck. The statue was built by A. Hartmann. - The Bismarck-Denkmal (Hamburg), is a memorial sculpture located in the St. Pauli quarter, dedicated to Otto von Bismarck. The monument was built by W. Müller. - The Charlottenburg U-Bahn station, built by Alfred Grenander. - The Almemor (raised platform also called bema, bimah or bima) of the synagogue in Lindenstrasse (Berlin). The synagogue was built in 1881 by Cremer & Wolffensteir. Some of the buildings featured in this work were built in the style of the Jugendstill (Art Nouveau). Minor abrasion to spine. Binding rubbed along edges. Text in German. Binding in overall good- to good, interior in very good condition.

Paris: Arts et Métiers Graphiques, 1938. First edition. Softcover. g+ to vg. Folio (12 1/4 x 10"). [10]pp (Text), 90pp (Plates), 4pp (Text), [8] leaves (Color plates); [105-132]pp (Text and advertisement). Original spiral bound decorative soft cloth by Pierre Boucher. "Photographie" was an annual special issue of the magazine "Arts et Métiers Graphiques" entirely dedicated to modern photography, and which published the work of the leading photographers and photographic agencies of the period. This 1939 edition contains 8 color plates as well as 90 striking photographs reproduced in heliogravure, and taken by the following photographers: Ylla; Stephen Deutch; Pierre Boucher; Edward Weston; Brassai; Hein Gorny; Willy Maywald; Hisao Okamoto; Marie & Borel; George Hurrell; Marcel Bovis; Herbert List; Bill Brandt; Nora Dumas; Heinrich Heidersberger; Bob Leavitt; George Platt Lynes; Laure Albin-Guillot; Erwin Blumenfeld; Clarence John Laughlin; Ruth Bernhard; Louise Dahl-Wolfe; Berenice Abbott, and many others. Moderate rubbing along edges of soft cloth covers. Text and captions in French. Wrappers in overall good+, interior in very good condition.

Munich: Marees Gesellschaft, R. Piper & Co. Verlag, 1918. First Limited Edition Thus. Full Pigskin (Full Leather), with custom slipcase. Near Fine. No. 162 of 200, with one of 150 on hand-made paper of Wiggins, Teape & Co. 240 copies in all were made, including unnumbered copies (212 were numbered in one of two ways). 4to. (27 by 20 cm.) 282, [5] pp. The outstanding aspects of this edition and copy in which Ovid's verse is rendered in both Latin and German translation are magnificent decorative pigskin binding, the flowing type, and the elegant page decoration, which includes a huge variety of cameo images. These images are never repeated exactly, it should also be noted. Resulting is a book of extraordinary beauty, both exterior and interior-wise. Aesthetically the book production is true to the classical in its lines and sensibility while being securely of its own time when a sinuous Art Nouveau or Jugendstil was ripening into a modernist economy, or Art Deco. There are sensuous Rococo details, such as the gilt lines etched into the spine, while one can not but be impressed with the lack of clutter on each and every page! While the type is not a plain Roman or the like, the gentle curvature of the cursive invites and soothes the eye, and every word should be crisply clear to the modern reader. Light soiling and darkening on the spine. Clean and tight within. The slipcase has some wear.