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New York: Star Dist, 1970. Paperback. 190p., illustrated with explicit drawings, very good first printing PBO in camp pictorial wraps. Gay pulp fiction. Rough Trade RT-433.

Judy Publishing Chicago, 1950 HBDJ, Clear TAPED Mending TO Extremities & Spine DJ which light Soiling Wear, 1950, 3rd edition, Limited 5,000 COPIES, GOOD-/VG-, AS-IS, Salmon Orange Illustrated Cover with Boston on Front lettered in Black, Interior relatively nice Clean light FoX, Wear, few pencil marks BUT THERES Cutout from Title page at btm of 1 in X 3 1/2 in. & from next page 6 there small cutout of a picture 1 1/4 X 1 1/4 in. , 160 pgs. Hardcover. Good/Very Good.

San Diego, CA: Surrey House, 1973. Paperback. 186p. + ads, price sticker on cover, else a very good first printing PBO in original camp pictorial wraps. Gay pulp fiction. HIS6973. Uranian content.

Macmillan NY, 1914. HB NODustJacket, April 1914, Printed a year after first edition , Interior Nice, tight Clean some rub, wear, lite wrinkling, dogears, & small water stains on corner blank Margins thruout, VG-/VG-, AS-IS, NODJ, 201 pgs + Ads, Beige & Orange & black Decorated Cloth cover light rub, wear ,soil & tiny Chips Extremities,. Hard Cover.

Bantam Books, New York NY,, 1991. HBDJ, July 1991, 1st Edition, 2nd Printing, NF+/F-, Half-Cloth With Black Boards with Gold Gilt Title Spine, Light Wear, Interior Nice tight Clean, 371 pgs, The dust wrapper is protected with a clear plastic cover. Signed by Author. First Edition. Hard Cover.

New York, Toronto, London, Sydney, and Auckland: Bantam Books. Near Fine in Near Fine dust jacket. 1996. First Edition; First Printing. 1/4 Cloth. 0553097105 . A sharp first edition/first printing in Near Fine condition in alike dust-jacket with small closed tear to lower front corner and minor edgewear; byThe story of Romeo and Juliet is one of love and tragedy. Romeo is in love with Juliet, but she is married to another man. Romeo convinces Juliet to elope with him, but they are caught and killed.; 8vo; FSA .

London: British Museum, 1962. hardcover. very good. 1224 pages, very thick 8vo, cloth, d.w. (d.w. worn at spine ends). London: Trustees of the British Museum, 1962. Very good.

New York: Targ Editions, 1980. Hardcover. 105p., in original boards and cloth spine, very good first edition in English, limited to 350 copies, signed by Himes at the colophon, in original unprinted tissue jacket, ragged at edges and protective mylar. Targ Editions, no. 7.

Ditchling, Sussex: Pepler & Sewell, St Dominic's Press, 1935. Limited Edition. Hardcover. Near fine. No. 140 of 300 copies, octavo size, [46] pp. The Saint Dominic's Press, founded by Harry (Hilary) Douglas Clarke Pepler, flourished at Ditchling, Sussex, from 1916 to 1936. The first home of the Press was "a disused stable", with a hundred-year-old Stanhope hand-press which supposedly had belonged to William Morris. Pepler endeavored to do everything possible by hand, believing that such would both produce the best results and also be a "more individual or 'humane'...product". He therefore "preferred the handpress to the machine, handmade to machine-made paper, and handset founder's type to the products of typesetting machines." Pepler met Edward Johnston and Eric Gill while living in Hammersmith; Pepler and his family would eventually move to Ditchling to join Gill, who was one of the most important artists to provide illustrations for the St. Dominic's Press. Other artists who provided illustrations included David Jones, Desmond Chute, Philip Hagreen, and Thomas Derrick, among others. Per the bibliography, "[The] Title page engraving has been attributed to Gill." ___DESCRIPTION: Bound in quarter-linen buff paper-covered boards, engraving on the title page of a chalice and wafer surrounded by a stylized sunburst; octavo size (8 1/4" x 5 1/2"), unpaginated with twenty-three printed leaves, errata slip tipped in at the back, limited edition of 300 copies, this is copy numbered 140, printed at St Dominic's Press, Ditchling Common, Hassocks, Sussex. ___CONDITION: Volume is near fine, with minimal rubbing, a strong, square text block and solid hinges, the interior is clean and bright, and entirely free of prior owner markings; slightly discolored boards and very slightly bumped corners, lacking the dust jacket. ___CITATION: Taylor & Sewell no. A246; note that the quotes and much of the introductory information from "Three Private Presses" by Brocard Sewell. ___POSTAGE: International customers, please note that additional postage may apply as the standard does not always cover costs; please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA, ILAB, and IOBA and we stand behind every book we sell. Please contact us with any questions you may have, we are here to help.

Boston, MA: John W. Luce & Company, 1916. First American Edition, First Printing. Hardcover. Octavo, 177 pages. In Good condition. Black leather spine with gilted lettering. Boards have moderate shelving wear, stains throughout, mild wear along the extremities, and mild age-toning throughout. Textblock has splitting to gutter from pages 67-98 and 25-52, stains on the end-pages and pastedowns, ink inscriptions from two previous owners on the front end-page, pencil marks on the front pastedown, mild wear along the edges, moderate age-toning along the edges, and stains on the edges. Contains a monochrome frontispiece and several monochrome illustration plates throughout. Shelved Room C. 1388730. Special Collections.