First US edition, first prnt. Originally published in Spain as Cuetos de Eva Luna. Translated by Margaret Peden Sayers. Signed by Allende with her flower graphic on the front free endpage. Small nick on front board bottom edge; otherwise, a Fine copy in a Fine dustjacket with an archival cover. Allende's first story collection. Image of actual book; not a stock photo.
New York: Atheneum, 1991 First printing of the first American edition. Inscribed to Danna and signed by Isabel Allende, along with her trade mark drawing of a flower. Light shelf wear to edge of boards, else book in fine condition; dust jacket with light wear to corners and spine ends and mild age-toning to cover margins and inside flaps, else fine.
New York: Atheneum, 1991. Near fine in near fine jacket.. Doubly inscribed review copy of this short story collection by the renowned Chilean-American author â with inscriptions by Allende and translator Margaret Sayers Peden, who refers to this book as one of her favorite translations. 9.25'' x 6''. Original quarter black cloth, mustard yellow paper boards, lettered in red to front board and in gilt to spine. In original ($18.95) color pictorial jacket designed by Wendy Bass. Inscribed by Allende in blue ink to half-title page: "Para ______ con un gran abrazo/ Isabel Allende" with flower drawing; inscribed by Peden on leaf following front flyleaf: "For ______ / One of my very favorite translations, / with gratitude, /Petch Peden / March 1994". Two copies of original printed publisher's announcement laid in. [12], 338 pages. Jacket with trace edgewear, faint toning to flaps. Boards with gentle bumping to top corners. Interior crisp.
New York: Atheneum. Fine in Fine dust jacket. 1991. First Printing. Hardcover. 0689121024 . A handsome first printing of the first Atheneum in unread Fine condition in Fine dust-jacket. Signed by author Isabel Allende directly on the dedication page. Translated from the Spanish by Margaret Sayers Peden; Chilean-American novelist Allende's Eva Luna is an exotic dance that beguiles and entices. The enchanted and enchanting account of a contemporary Scheherazade, a wide-eyed American teller-of-tales who triumphs over harsh reality through the creative power of her own imagination; 8vo; Signed by Author .
ATHENEUM. NY 1991. Near Fine in Fine dust jacket. 1991. First Edition; First Printing. Hardcover. 0689121024 . First American edition. SIGNED by Isabel Allende on half-title page. About fine in fine dust jacket. (A few tiny specks of foxing at edges. ) .
Advance Review Copy of the American edition. Translated from the Spanish by Margaret Sayers Peden. Fine in a fine dustwrapper. Publisher's promotional materials laid in. A chapbook under the same title and by the same translator was published in 1990, including the story "Phantom Palace"
1990. Uncorrected Advance Proof. New York, Atheneum, 1990. 13.5 x 21cm. 335 pages. Original softcover in protective sleeve. Excellent condition, as new. Signed by Isabel Allende with a drawing of a lower by Allende beside it. The eponymous heroine of Eva Luna returns as the narrator of 23 tales, sumptuous marriages of Chilean writer Allende's earthy characters and her celestial version of magical realism. Although other figures from that novel also reappear (for example, Eva Luna spins her stories at the request of her lover Rolf Carle), this collection is in no sense a sequel: indeed, each piece here can stand alone. Allende's people are warm-blooded, original, memorable. A simple lyricism evokes European emigres to South America; social climbers; outlaws; schoolteachers; Indians; a nearly indefatigable imagination explores the critical moments in these figures' lives. Many of the stories build on the intricate attachments of unlikely lovers, such as a dictator and the foreign woman he abducts or a criminal and a judge's wife. Allende's inventiveness justifies her own comparisons of her literary creation to Scheherazade, and throughout all these short works whispers the mysticism of Eva Luna herself--her well-placed faith in a world of spirits and in the immortality of human love. [From Publishers Weekly]
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