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The colours of catastrophe Rediscovered autochrome photography of the First World War The devastating events of the First World War were captured in myriad photographs on all sides of the front. Since then, thousands of books of black-and-white photographs of the war have been published as all nations endeavour to comprehend the scale and the carnage of the 'greatest catastrophe of the 20th century.' Far less familiar are the rare colour images of the First World War, taken at the time by a small group of photographers pioneering recently developed autochrome technology. To mark the centenary of the outbreak of war, this groundbreaking volume brings together all of these remarkable, fully hued pictures of the 'war to end war.' Assembled from archives in Europe, the United States and Australia, more than 320 colour photos provide unprecedented access to the most important developments of the period - from the mobilization of 1914 to the victory celebrations in Paris, London and New York in 1919. The volume represents the work of each of the major autochrome pioneers of the period, including Paul Castelnau, Fernand Cuville, Jules Gervais-Courtellemont, Leon Gimpel, Hans Hildenbrand, Frank Hurley, Jean-Baptiste Tournassoud and Charles C. Zoller. Since the autochrome process required a relatively long exposure time, almost all of the photos depict carefully composed scenes, behind the rapid front-line action. We see poignant group portraits, soldiers preparing for battle, cities ravaged by military bombardment - daily human existence and the devastating consequences on the front. A century on, this unprecedented publication brings a startling human reality to one of the most momentous upheavals in history. Nice clean copy, no markings, tight binding, jacket protected with Brodart cover

Saving space: Big ideas for small buildings Over the years, talented architects have occasionally indulged themselves with the challenge of designing small but perfectly formed buildings. Today, with reduced budgets, many architects have turned in a more focused way to creating works that may be diminutive in their dimensions, but are definitely big when it comes to trendsetting ideas. Whether in Japanese cities, where large sites are hard to come by, or at the frontier between art and architecture, small buildings present many advantages, and push their designers to do more with less.A dollhouse for Calvin Klein in New York, a playhouse for children in Trondheim, pop-up stores for fashion stars, vacation cabins, and housing for victims of natural disasters are all part of the new rush to develop the great small architecture of the moment. The 2013 Pritzker Prize winner Toyo Ito is here, but so are emergent architects from Portugal, Chile, England, and New Zealand. Alvaro Siza and Kazuyo Sejima (SANAA) display their eye for tiny detail alongside artists Doug Aitken and Olafur Eliasson. From world-famous names to the freshest new talent, come discover architectural invention on a whole new, small scale. Text in English, French, and German

Sewn binding. Paper over boards. With dust jacket. 416 p. Contains: Halftones, color.

The colours of catastrophe Rediscovered autochrome photography of the First World War The devastating events of the First World War were captured in myriad photographs on all sides of the front. Since then, thousands of books of black-and-white photographs of the war have been published as all nations endeavour to comprehend the scale and the carnage of the 'greatest catastrophe of the 20th century. ' Far less familiar are the rare colour images of the First World War, taken at the time by a small group of photographers pioneering recently developed autochrome technology. To mark the centenary of the outbreak of war, this groundbreaking volume brings together all of these remarkable, fully hued pictures of the 'war to end war. ' Assembled from archives in Europe, the United States and Australia, more than 320 colour photos provide unprecedented access to the most important developments of the period-from the mobilization of 1914 to the victory celebrations in Paris, London and New York in 1919. The volume represents the work of each of the major autochrome pioneers of the period, including Paul Castelnau, Fernand Cuville, Jules Gervais-Courtellemont, Leon Gimpel, Hans Hildenbrand, Frank Hurley, Jean-Baptiste Tournassoud and Charles C. Zoller. Since the autochrome process required a relatively long exposure time, almost all of the photos depict carefully composed scenes, behind the rapid front-line action. We see poignant group portraits, soldiers preparing for battle, cities ravaged by military bombardment-daily human existence and the devastating consequences on the front. A century on, this unprecedented publication brings a startling human reality to one of the most momentous upheavals in history. Nice clean copy, no markings, tight binding, jacket protected with Brodart cover.

Sewn binding. Paper over boards. With dust jacket. 416 p. Contains: Halftones, color.

Sewn binding. Paper over boards. With dust jacket. 416 p. Contains: Halftones, color.