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Rome: Fondazione Memmo, 2011. 2nd Edition 1st Printing. Hardcover. Fine. Photographs Throughout. Very Light Grey Cloth, Paste On Label On Front Cover, Black Endpapers. Second Edition, One Of 3000 Copies, To Accompany The Exhibition In Rome In 2011. Fine.

Philadelphia and London: J. B. Lippincott Company, 1932. First Edition 1st Printing. Hardcover. Good/No Jacket. 7 7/8" Tall. 367 Pp. Original Blue Cloth, Gilt, Endpapers With Illustration By Carlos Merida.Light Wear, No Fraying, Spine Gilt Partly Rubbed Away, Hinges Cracked, Small Bookstore Symbol Stamped On Front Endpaper. With A Loose Photograph With Text In White "From The Bookroom Of Nada And Carl", With Photo Of Home Library Shelving, Wood Office Chair And Desk, Probably Circa 1932. Per Wikipedia, Carleton Beals (1893 - 1979) Was An American Journalist, Writer, Historian, And Political Activist With A Special Interest In Latin America. A Major Journalistic Coup For Him Was His Interview With The Nicaraguan Rebel Augusto Sandino In February 1928. In The 1920S He Was Part Of The Cosmopolitan Group Of Intellectuals, Artists, And Journalists In Mexico City. He Remained An Active, Prolific, And Politically Engaged Leftist Journalist And Is The Subject Of A Scholarly Biography. In 1918, He Spent A Brief Period Of Time In Jail As A World War I Draft Evader. Upon Release, He Decided To Go See The World, And With What Little Money He Had, Beals And His Wife Lillian Drove To Mexico.[11] There, He Founded The English Preparatory Institute In 1919, Taught At The American High School During 1919 To 1920, And Was On The Personal Staff Of President Carranza (1920). They Left Mexico In 1921 For Europe Where Beals Studied At The University Of Madrid, And Then The University Of Rome. Back In Mexico, He Became A Correspondent For The Nation, Separated From His Wife, And Became Romantically Involved With Photographer Tina Modotti's Sister, Mercedes. In February 1928, Oswald Garrison Villard, Editor Of The Nation, Sent Beals To Nicaragua To Write A Series Of Articles. He Became Notable As The Only Foreign Journalist Who Interviewed General Augusto Sandino During Nicaragua's 1927-33 War Against Us Military Occupation. In All, Beals Wrote Over 200 Magazine Articles For Publications Such As The New Republic And Harper's Magazine. Beals Also Wrote More Than 45 Books, Including On History, Geography, And Travel. Some Of His Books Are Written For A Juvenile Audience. His Autobiography, Glass Houses, Was Published By J.B. Lippincott Company In 1938. In 1931, Beals Was Awarded The John Simon Guggenheim Memorial Foundation Fellowship For Biographies.] His Biography Subjects Included Porfirio Díaz, Huey P. Long, Roberto De La Selva, Stephen F. Austin, John Eliot, Carrie Nation [His Father Was Her Step-Son], And Leon Trotsky. During His Career, Beals Witnessed Mexican Revolutions, Lectured On Shakespeare, And Was Held Incommunicado By A Mexican General.[10] His Travels Took Him To French Morocco, Tunisia, Algiers, Greece, Turkey, The Soviet Union, Germany, And The Caribbean. He Was A Ford Hall Forum Speaker In 1936, And A Member Of The American Committee For The Defense Of Leon Trotsky In 1937. The Following Year, Time Magazine Called Beals, "The Best Informed And The Most Awkward Living Writer On Latin America." During The 1960S, He Supported The Fair Play For Cuba Committee. Beals Was A Hero To The Young People Of Cuba.

A scarce signed first edition of this wonderful study of the photography of Mario Testino, examining the juxtaposition of his clothed and nude images of women. A scarce first edition of this work, of which only five-thousand copies were produced. Inscribed by Testino to the title page: 'To Dear Malcolm, with best wishes, Mario'. Published to coincide with a touring exhibition of Testino's work, 'Todo o Nada' presents fifty-four colour and monochrome portraits, of celebrities and models including Nicole Kidman, Kate Moss, and Shalom Harlow. Also present is an interview with Testino, with text provided in both English and Spanish. Â A wonderful example of the work of a man identified as 'the John Singer Sargent of our times' by the photography curator of London's National Portrait Gallery. In the publisher's original cloth binding. Externally, fine, with just a touch of fading to the head of the front board. Internally, firmly bound. Flat signed to the title page. Pages exceptionally clean and bright. Fine.