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First printing. Limited Edition of 750 of which this is no. 286. Signed by the author on the limitations page. Brick red cloth binding with beveled edges. Top page edges gilt. Very Good. Two small faint spots on front cover. Spine slightly darkened. Internally Fine. Lacks the slipcase.

Signed limited first and true first edition of Maugham's masterpiece, published prior to both the American and English trade edition. Octavo, original publisher's red buckram, black leather spine label lettered in gilt, top edge gilt. One of seven hundred fifty numbered copies signed by the author on the limitation page, this is number 501. In near fine condition. "Written after much painstaking research into Eastern philosophy and mysticism, The Razor's Edge is Maugham's 20th-century manifesto for human fulfillment. In it he mercilessly satirizes American and European materialism, and holds up the figure of the spiritual seeker as a model for those searching for meaning in existence" (Stringer). It was twice adapted into film, first in 1946 starring Tyrone Power and Gene Tierney, and Herbert Marshall as Maugham and Anne Baxter as Sophie, and then a 1984 adaptation starring Bill Murray.

First printing. Limited Edition of 750 of which this is no. 286. Signed by the author on the limitations page. Brick red cloth binding with beveled edges. Top page edges gilt. Very Good. Two small faint spots on front cover. Spine slightly darkened. Internally Fine. Lacks the slipcase.

The true First Edition published on 18 April 1944. The First American Trade Edition was published two days later, and the First English Edition was not published until July 1944. Number 158 of 750 numbered copies SIGNED on the limitation page by the author of this modern classic. Issued without a dustwrapper but with a slipcase, present here.

Signed limited first and true first edition of Maugham's masterpiece, published prior to both the American and English trade edition. Octavo, original publisher's red buckram, black leather spine label lettered in gilt, top edge gilt. One of seven hundred fifty numbered copies signed by the author on the limitation page, this is number 501. In near fine condition. "Written after much painstaking research into Eastern philosophy and mysticism, The Razor's Edge is Maugham's 20th-century manifesto for human fulfillment. In it he mercilessly satirizes American and European materialism, and holds up the figure of the spiritual seeker as a model for those searching for meaning in existence" (Stringer). It was twice adapted into film, first in 1946 starring Tyrone Power and Gene Tierney, and Herbert Marshall as Maugham and Anne Baxter as Sophie, and then a 1984 adaptation starring Bill Murray.

First trade edition, first printing after a limited edition of 750 copies. Signed by W. Somerset Maugham and inscribed to a former owner in the year of publication on the front free endpaper. Bound in publisher's black cloth with spine lettered in gilt. Very Good with wear and soiling to cloth, spine lettering rubbed and spine rolled. Remnants of a formerly adhered postcard to front pastedown, pages toned. In a Very Good unclipped dust jacket with a large chip at the head and some fraying the tail, thin stain visible from the blindside at tail. While copies of the signed limited edition on the market are more than abundant, inscribed first trade editions are rather uncommon.

The true First Edition published on 18 April 1944. The First American Trade Edition was published two days later, and the First English Edition was not published until July 1944. Number 89 of 750 numbered copies SIGNED on the limitation page by the author of this modern classic. Issued without a dustwrapper but with a slipcase, lacking here.

The true First Edition published on 18 April 1944. The First American Trade Edition was published two days later, and the First English Edition was not published until July 1944. Number 158 of 750 numbered copies SIGNED on the limitation page by the author of this modern classic. Issued without a dustwrapper but with a slipcase, present here.

Garden City, NY: Doubleday Doran & Company, 1944. Rare W. Somerset Maugham’s original ink sketch showing his dust jacket design concept for his greatest novel, The Razor’s Edge, executed on a blank Western Union telegram form, which was followed by the publisher pretty much to the letter. A striking piece of literary history demonstrating that the author’s intentions for the book were honored from the text to the jacket itself, including his signature Moroccan symbol, used on nearly all his books, including reprints; and an interesting example of a major author’s notion of self-representation. In his autobiographical book, The Summing Up, Maugham wrote of the symbol: “[My father] took it into his head to build a house to live in during the summer… He ordered a great quantity of glass on which he had engraved a sign against the Evil Eye which he had found in Morocco and which the reader may see on the cover of this book." In near fine condition. The entire piece measures 8.25 inches by 6 inches. An exceptional piece of literary history. "Written after much painstaking research into Eastern philosophy and mysticism, The Razor’s Edge is Maugham’s 20th-century manifesto for human fulfillment. In it he mercilessly satirizes American and European materialism, and holds up the figure of the spiritual seeker as a model for those searching for meaning in existence" (Stringer). It was twice adapted into film, first in 1946 starring Tyrone Power and Gene Tierney, and Herbert Marshall as Maugham and Anne Baxter as Sophie, and then a 1984 adaptation starring Bill Murray.

First trade edition, first printing after a limited edition of 750 copies. Signed by W. Somerset Maugham and inscribed to a former owner in the year of publication on the front free endpaper. Bound in publisher's black cloth with spine lettered in gilt. Very Good with wear and soiling to cloth, spine lettering rubbed and spine rolled. Remnants of a formerly adhered postcard to front pastedown, pages toned. In a Very Good unclipped dust jacket with a large chip at the head and some fraying the tail, thin stain visible from the blindside at tail. While copies of the signed limited edition on the market are more than abundant, inscribed first trade editions are rather uncommon.

The true First Edition published on 18 April 1944. The First American Trade Edition was published two days later, and the First English Edition was not published until July 1944. Number 89 of 750 numbered copies SIGNED on the limitation page by the author of this modern classic. Issued without a dustwrapper but with a slipcase, lacking here.