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8.75 inches by 10.50 inches. 36 pages. The type is hand set Meridien with Neuland for the display. The type was designed by two of the great 20th century type designers: Adrian Frutiger with Meridien in 1955; and Rudolph Koch with Neuland in 1923. The text is printed letterpress on a Vandercook Universal I flatbed proof press. The text paper is kitakata, handmade in Japan. Each faintly green text sheet is folded at the fore edge, then painted by hand with walnut ink. An ens (empty circle) inhabits each page and is printed in a second color. The ens is a brushed circular form common in Zen Buddhist art representing the ultimate Zen theme suggesting both emptiness and completion. The end sheets are kakishibu, a persimmon-washed, cinnamon-colored handmade Japanese paper. The persimmon wash acts as a tannin, rendering the paper both water-proof and insect-proof. The snow white cover is a double layer of kyoseishi which means "strengthened paper." This handmade paper from Japan is coated with konnyaku juice, a form of starch derived from the konjac plant, also known as devil's tongue, voodoo lily, or snake palm. Konnyaku juice gives added strength and impermeability to the paper. Strong, flexible and water-resistant, historically it has been used to make clothing as well as paper. The book is sewn using black silk thread exposed near the spine. A clear acrylic slipcase protects the book while revealing the cover, its sewing, and the foredge painting. The design, presswork, painting, and binding are by Carolee Campbell at Ninja Press. The edition is comprised of 75 signed and numbered copies with an additional 8 lettered hors commerce. All elements of this artist's book; the book, the covers, the contents, the acrylic slipcase, are in pristine condition.

oblong small 4to. Japanese paper sewn binding, acrylic slipcase. (36) pages. First edition printed in an edition of 75 signed and numbered copies. These previously unpublished prose poems resonate with unerring clarity and a streamlined diction honed over years spent enveloped in the misty redwood forest and streams of his home in the Santa Cruz Mountains of California. The type is hand set Meridien with Neuland for the display. The type was designed by two of the great 20th century type designers: Adrian Frutiger with Meridien in 1955; and Rudolph Koch with Neuland in 1923. The text is printed letterpress on a Vandercook Universal I flatbed proof press. The text paper is kitakata, handmade in Japan. Each faintly green text sheet is folded at the fore edge, then painted by hand with walnut ink. An enso (empty circle) inhabits each page and is printed in a second color. The enso is a brushed circular form common in Zen Buddhist art representing the ultimate Zen theme suggesting both emptiness and completion. The end sheets are kakishibu, a persimmon-washed, cinnamon-colored handmade Japanese paper. The persimmon wash acts as a tannin, rendering the paper both water-proof and insect-proof. The snow white cover is a doubllayer of kyoseishi which means "strengthened paper." This handmade paper from Japan is coated with konnyaku juice, a form of starch derived from the konjac plant, also known as devil's tongue, voodoo lily, or snake palm. Konnyaku juice gives added strength and impermeability to the paper. Strong, flexible and water-resistant, historically it has been used to make clothing as well as paper. The book is sewn using black silk thread exposed near the spine. A clear acrylic slipcase protects the book while revealing the cover, its sewing, and the foredge painting. The design, presswork, painting, and binding are by Carolee Campbell at Ninja Press. Japanese paper sewn binding, acrylic slipcase