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IN-8 broché, 192 pages. Sommaire : Marcel Jouhandeau: Journaliers, Pages 785-798 --- Roger Caillois: J'ai extrait les textes qui suivent d'un recueil où ils sont dispersés parmi d'autres., Pages 799-799 --- Jorge Luis Borges: Reflets et Interpolations, Pages 800-814 --- Noël Devaulx: Le Centaure et la Vierge, Pages 815-825 --- Jacques Dupin: Poèmes, Pages 826-829 --- Jean Rousset: Une forme littéraire : le roman par lettres (I), Pages 830-841 --- Jacques Serguine: Mano l'Archange (I), Pages 842-871 --- André Pieyre de Mandiargues: À l'honneur de la chair, Pages 872-875 --- Michel Butor: Babel en creux (Fin), Pages 876-885 --- Michel Deguy: Vie et Roman, Pages 886-894 --- Claude Roy: Êtes-vous fous?, Pages 895-903 --- Jean Grosjean: Poèmes, de John Donne (Gallimard), Pages 904-906 --- Henry Amer: La Parole en archipel, par René Char (Gallimard), Pages 907-909 --- Jean Grosjean: Poèmes de la presqu'île, par Miche Deguy (Gallimard), Pages 909-910 --- Maurice Blanchot: Le Dieu des Suppliants, par Edmond Beaujon (Éditions de la Baconnière), Pages 910-913 --- Georges Anex: Les Métamorphoses du Cercle, par Georges Poulet (Plon), Pages 913-915 --- Robert Abirached: Les Opinions littéraires de Balzac, par Geneviève Delattre (P. U. F.), Pages 915-916 --- Robert Abirached: L'Intelligence de l'art chez Balzac, par Pierre Laubriet (Didier), Pages 915-916 --- Willy de Spens: Remarques, par Yvon Belaval (Gallimard), Pages 916-917 --- Robert André: Le Rire et la Poussière, par Michel de M'Uzan (Gallimard), Pages 918-919 --- Jacques Chessex: Les Chats, par Jean-Pierre Attal (Julliard), Pages 919-920 --- Claude Ollier: Cinéma : Eddie Sachs à Indianapolis - La main dans le piège - Les sept péchés capitaux, Pages 920-922 --- André Boucourechliev: Premières auditions, Pages 923-925 --- Jean-Jacques Lévêque: Arp (Musée d'Art moderne), Pages 926-926 --- Anonymes: Requichot (Galerie Daniel Cordier), Pages 926-927 --- Anonymes: Francis Gruber (Galerie du Passeur), Pages 927-927 --- Philippe Jaccottet: Vingt et un poèmes, d'Umberto Saba (Rencontre), Pages 927-928 --- Philippe Jaccottet: Mahafaliennes, par Robert Mallet (Gallimard), Pages 928-929 --- André Miguel: Trois crimes rituels, par Marcel Jouhandeau (Gallimard), Pages 929-929 --- Denis Périer: Le Bruit lointain du Temps, par Maurice Toesca (Albin Michel), Pages 930-930 --- Willy de Spens: Un autre été, par Jean Freustié (La Table Ronde), Pages 930-931 --- Denis Périer: Le roman de la Scorpionne, par Roger Gérard-Doscot (Gallimard), Pages 931-931 --- Jean Guérin: Vie et langage, Pages 931-933 --- Emmanuel Berl: Avatars de la bourgeoisie, Pages 933-935 --- Jean Guérin: Divers, Pages 935-935 --- Roger Judrin: L'Entonnoir, Pages 936-940 --- Marcel Lecomte: Étude, Pages 941-942 --- Alejandra Pizarnik: Les Tiroirs de l'hiver, Pages 943-947 --- Claude Michel Cluny: L'Heure immobile, Pages 948-951 --- Roger Judrin: D'une supercherie sincère, Pages 952-954 --- Édith Boissonnas: Avant, Pages 954-955 --- La Haye: Poèmes, Pages 955-956 --- Franz Hellens: Le caméléon, Pages 956-958 --- Willy de Spens: Clio chez Fabre-Luce, Pages 959-961 --- Jérôme Peignot: Journal d'Espagne (Fin), Pages 961-963 --- Élie-Charles Flamand: On ne sait rien de la vie de Charles-François Tiphaigne de La Roche sinon qu'il., Pages 964-965 --- Charles-François Tiphaigne de La Roche: Giphantie, Pages 965-975

1987 softcover. Covers, binding and pages good. Some pages have marks in pencil. No torn or missing pages. Fast, friendly service.

1975. 1975. Très bon état

Vol. 1. Square octavo. 116pp. Illustrated with small portraits of the poets. Poems in both Spanish and English. Printed wrappers over stapled text block. Wrappers with moderate soiling and wear, staples oxidized, very good. Features poets from Argentina, Brazil, Chile, Costa Rica, Ecuador, El Salvador, Haiti, Mexico, Panama, and Uruguay. Each country has an introduction by a noted scholar, critic, or author (Chile introduced by José Donoso), and a brief biography is given for each poet. Over 50 poets are represented, including Octavio Paz, Alejandra Pizarnik, Nicanor Parra, and Enrique Lihn. *OCLC* seems to locate only two copies, one in the U.S. at the Organization of American States, formerly known as the Pan American Union, the publisher of this volume.

Vol. 1. Square octavo. 116pp. Illustrated with small portraits of the poets. Poems in both Spanish and English. Printed wrappers over stapled text block. Wrappers with moderate soiling and wear, staples oxidized, very good. Features poets from Argentina, Brazil, Chile, Costa Rica, Ecuador, El Salvador, Haiti, Mexico, Panama, and Uruguay. Each country has an introduction by a noted scholar, critic, or author (Chile introduced by José Donoso), and a brief biography is given for each poet. Over 50 poets are represented, including Octavio Paz, Alejandra Pizarnik, Nicanor Parra, and Enrique Lihn. *OCLC* seems to locate only two copies, one in the U.S. at the Organization of American States, formerly known as the Pan American Union, the publisher of this volume.

Buenos Aires: Siglo veintiuno editores, 1971.. FIRST EDITION, PRESENTATION COPY. Small 4to. (18 x 15.5 cm). pp. 76. Original card wrappers printed in black and pink. With an inscription in purple ink by Pizarnik to prestigious literary critic Jorge Cruz to f.f.e.p. reading, "Jorge Cruz, en verdadera estima personal y literaria - Sasha Pizarnik" [Jorge Cruz, in true personal and literary esteem]. Light marginal toning, inner hinge a bit cracked, rubbing to spine. First edition, inscribed, of this book by Alejandra Pizarnik in which she makes an inquisition about language and its functions. It is dedicated to the prestigious literary critic Jorge Cruz, who developed a renowned career for more than four decades in the prestigious newspaper LA NACION, where he began as a theatre critic. In 1957 he joined the Literary Supplement. There he contributed to disseminate the work of prestigious writers and made new authors known. Alejandra Pizarnik, in full Flora Alejandra Pizarnik (1936-1972, Buenos Aires) was an Argentine poet whose poems are known for their stifling sense of exile and rootlessness. Pizarnik was born into a family of Jewish immigrants from eastern Europe. She attended the University of Buenos Aires, where she studied philosophy and literature. Later she ventured into painting, studying with the Catalan Argentine painter Juan Batlle Planas. In 1960 she moved to Paris, where she worked for French publishing houses and magazines, published poetry, and translated into Spanish works of such writers as Henri Michaux, Antonin Artaud, Marguerite Duras, and Yves Bonnefoy. In 1965 she returned to Buenos Aires and published three of her eight collections of poetry, Los trabajos y las noches (1965; "The Works and the Nights"), Extracción de la piedra de la locura (1968; "Extraction of the Stone of Madness [or Folly]"), and El infierno musical (1971; "The Musical Hell"), as well as her famous prose work La condesa sangrienta (1965; "The Bloody Countess"), about the Hungarian countess Elizabeth Báthory. Pizarnik s first editions with inscriptions are seldom found.