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Sur, revista bimestral de literatura. Número 275 correspondiente a Marzo y Abril de 1962. Contiene el poema "Texas" de Jorge Luis Borges, y poemas de Alberto Girri y Alejandra Pizarnik, todos inéditos hasta la aparición de esta publicación. 128 pp., muy buen estado.

105 p. ; 20x12 cms. Poesías argentinas ( D-03)

En español y francés. Venice, Collection Nadir, 1983. 1ra edición. 12 x 19 cm, 73 pp. Leve curvatura de la esquina superior. Tapas algo deslucidas. Interior en excelente estado. The Book Cellar & Henschel.

Grand in-8° broché, 240 pages. Antonin Artaud, Cahiers de Rodez (p. 5-45), - Alejandra Pizarnik, Figures de l'absence (p. 46-75), - Jean-Claude Schneider, Matière du silence (p. 76-87), - [Raoul Ubac, Torses (p. 88-96)], - Vera Linhartova, Lieux errables (p. 97-105), - Antonio Ramos Rosa, Poèmes (p. 106-117), - Roger Giroux, Lieux-Je (p. 118-133), - Anne-Marie Albiach, Discours (p. 134-143), - [Lars Fredrikson, Dessins (p. 144-150)], - Roger Laporte, Cela ne s'atteint pas (p. 151-155), - Alain Veinstein, Là-dedans hors (p. 156-168), - Yuan Hongdao, Le sel de la vie (p. 169-183), - Matthieu Bénézet, Echollalies (p. 184-194), - Georg Büchner, Lettres (p. 195-218),- Claude Esteban, - Dieu transparent (p. 219-231), - Yves Bonnefoy, Seconde rue traversière (p. 232-235). - Trad. : Claude Esteban (A. Pizarnik), Roger Munier (A.R. Rosa), Jean-Claude Schneider (G. Büchner), Martine Vallette-Hémery (Y. Hongdao) - Ill. : Raoul Ubac, Lars Fredrikson. - - - - - - - La revue ARGILES a eu comme participants Valerio Adami, Anna Akhmatova, Anne-Marie Albiach, Pierre Alechinsky, Vicente Aleixandre, Max Alhau, Beda Allemann, Homero Aridjis, Antonin Artaud, Geneviève Asse, Paul Auster, Dominique Autié, Matthieu Bénézet, Lokenath Bhattachaya, William Blake, Yves Bonnefoy, Rudolf Borchardt, Georg Büchner, René Cazelles, Nicolas Cendo, Pierre Chappuis, René Char, François Cheng, Bernard Collin, Jean Daive, René Daumal, Alain Delahaye, Philippe Denis, John Donne, Chritian Dotremont, André du Bouchet, Jacques Dupin, Werner Dürrson, Odysseus Elytis, Claude Esteban, Lars Fredrikson, Jean Frémon, Lorand Gaspar, Michel Gauthier, Pere Gimferrer, Roger Giroux, Paul Godard, Luis de Gongora, Christian Guez Ricord, Jorge Guillén, Martin Heidegger, Georges Henein, Emmanuel Hocquard, Hugo von Hofmannsthal, Vladimir Holan, Friedrich Hölderlin, Max Hölzer, Yuan Hongdao, Philippe Jaccottet, John E. Jackson, Juan Ramón Jiménez, Gil Jouanard, Pierre Jean Jouve, Charles Juliet, Varga Kibédi, Philippe Lacoue-Labarthe, Philippe de La Genardière, Wielfredo Lam, Roger Laporte, Michel Leiris, Daniel Leuwers, Pierre Leyris, Vera Linhartova, Zongyuan Liu, Ossip Mandelstam, Ernst Meister, W.S. Merwin, Henri Michaux, Bernard Moninot, Eugenio Montale, Roger Munier, Jean-Luc Nancy, Friedrich Nietzsche, Bernard Noël, Joseph Noiret, George Oppen, Alain Paire, Pablo Palazuelo, Boris Pasternak, Walter Pater, Octavio Paz, Fernando Pessoa, Alejandra Pizarnik, Sylvia Plath, Delfina Provenzali, Salvatore Quasimodo, Francisco de Quevedo, Pascal Quignard, Charles Racine, Antonio Ramos Rosa, Alain Rémila, Jean-Christophe Restrat, Pierre Reverdy, Jean-Michel Reynard, Joachim Ritter, Claude-Royer Journoud, Jean-Luc Sarré, Antonio Saura, Jean-Claude Schneider, Arthur Silent, Jean Starobinski, Wallace Stevens, Alain Suied, Pierre-Alain Tâche, Dylan Thomas, Gérard Titus-Carmel, Pierre Torreilles, Jean Tortel, Alain Veinstein, César Vallejo, Rosmarie Waldrop, Robert Walser, Richard Weiner, William Butler Yeats, François Zénone, Louis Zukofsky. - - - - Trad. : Anne-Marie Albiach (L. Zukofsky) // France Bhattachaya (L. Bhattachaya), Yves Bonnefoy (W.B. Yeats) // Nicolas Chastelin (V. Holan) // Alain Delahaye (H. Aridjis, W.S. Merwin), Jean Demélier (W. Dürrson) // Philippe Denis (P. Auster, S. Plath) // Claude Esteban (V. Aleixandre, P. Gimferrer, J. Guillén, J. Ramón Jiménez, E. Montale, O. Paz, A. Pizarnik, D. Provenzali, F. de Quevedo, C. Vallejo), Claude Evrard (B. Allemann) // Jean Fressard (F. Pessoa) // Mario Fusco (E. Montale) // Roger Giroux (R. Waldrop) // Charles Grivel (V. Kibédi) // Jean-Claude Hémery (V. Linhartova, F. Nietzsche) // Carlos de Indart (O. Paz) // Philippe Jaccottet (L. de Gongora) // Claude-Royer Journoud (G. Oppen) // Etienne de La Force (F. Pessoa) // Françoise de Laroque (P. Auster) // Pierre Leyris (W. Blake, W. Pater, W.B. Yeats) // V?ra Linhartova (R. Weiner) // Bernard Lortholary (R. Borchardt) // François-Bernard M

~ Rústica original = Brochura original ~ 527p+2f ~ 21x21x4cm. ~ Como nuevo = Como novo ~ LANGUAGE: Español & Português // We accept PayPal & EU bank transfer in EUROS //

Grand in-8° broché - Claude ESTEBAN, de père espagnol et de mère française, partagé entre deux idiomes, ,est le fondateur de la revue Argile aux éditions Maeght, il fut aussi l'auteur de nombreux écrits sur l'art et sur la poésie, ainsi qu'un des grands intercesseurs de la culture espagnole, il a fait connaitre notamment Jorge Guillén, Octavio Paz, Borges, García Lorca, Quevedo, parmi d'autres et a écrit des articles et préface de nombreux catalogues d'expositions d'artistes dont il se sentait proche, tels Morandi, Ubac, Szenes, Vieira da Silva, Aguayo, Josef Sima, Fernández, Assar, Braque, le Brocquy, Asse, Bazaine, Chagall, etc

Near Fine. 8vo, [vi]+202pp, printed wrappers. Uncommon fourth issue of this cultural magazine edited by Nathaniel Mackey. Includes writing by Clarence Major et al. Unmarked copy, light outer wear.

Primera edición, rústica, tapa blanda, como nuevo. Editado por el Centro Editor de América Latina en 1982. Rústica, tapa blanda. Son 105 páginas sobre unas dimensiones de 18 x 11 cm. Selección y prólogo por el profesor Alejandro Fontela.

Poesía. Colección Poesía.Páginas/Pages:470 p. Excelente estado de conservación (ver fotos), dedicatoria con bolígrafo que no es de la autora 21 x 14 cm

Primera edición, rústica, tapa blanda con solapas, editado por Corregidor, colección Letras al sur del Río Bravo. Son 157 páginas sobre unas dimensiones de 19.5 x 12.5 cm. Prólogo y selección de textos a cargo de Cristina Piña.

El infierno musical - Pizarnik, Alejandra / Siglo veintiuno - Buenos Aires, 1971 (76p) -- Buen estado, Literatura --Primera edicion

Vol. 1. Square octavo. 116pp. Illustrated with small portraits of the poets. Poems in both Spanish and English. Printed wrappers over stapled text block. Wrappers with moderate soiling and wear, staples oxidized, very good. Features poets from Argentina, Brazil, Chile, Costa Rica, Ecuador, El Salvador, Haiti, Mexico, Panama, and Uruguay. Each country has an introduction by a noted scholar, critic, or author (Chile introduced by José Donoso), and a brief biography is given for each poet. Over 50 poets are represented, including Octavio Paz, Alejandra Pizarnik, Nicanor Parra, and Enrique Lihn. *OCLC* seems to locate only two copies, one in the U.S. at the Organization of American States, formerly known as the Pan American Union, the publisher of this volume.

Pizarnik, Alejandra (1936-1972). "La Condesa Sangrienta". Buenos Aires, Aquarius Libros, 1971. 66 páginas. Encuadernación rústica. Primera edición (código 2700)

La condesa sangrienta - Pizarnik, Alejandra / Aquarius - Buenos Aires, 1971 (66p) -- Buen estado, Literatura --Primera edicion

Buenos Aires : Acuarius Libros, 1971. 1ª ed. Rústica. 10.5x18.5. Huellas de óxido en el interior de la cubierta. El exterior de las cubiertas, y el interior del libro muy limpios. Buen ejemplar

Buenos Aires: Editorial Sur, 1962.. FIRST EDITION. 8vo. (12 x 20 cm). pp.65. Original card wrappers printed in red and black. Mellowing to wrappers, small chip and tear to spine, generally a very good copy. The author's fourth collection of poems, which includes the poems "La última inocencia" (1956), "Las aventuras perdidas" (1958) and "Otros poemas" (1959) and a prologue by Octavio Paz. Alejandra Pizarnik, born Flora Alejandra Pizarnik (1936-1972), was Argentine poet whose poems are known for their stifling sense of exile and rootlessness. Pizarnik was born into a family of Jewish immigrants from eastern Europe. She attended the University of Buenos Aires, where she studied philosophy and literature. Later she ventured into painting, studying with the Catalan Argentine painter Juan Batlle Planas. In 1960 she moved to Paris, where she worked for French publishing houses and magazines. She wrote the present collection of poems when she was 26 and living in Paris.

Buenos Aires: Siglo veintiuno editores, 1971.. FIRST EDITION, PRESENTATION COPY. Small 4to. (18 x 15.5 cm). pp. 76. Original card wrappers printed in black and pink. With an inscription in purple ink by Pizarnik to prestigious literary critic Jorge Cruz to f.f.e.p. reading, "Jorge Cruz, en verdadera estima personal y literaria - Sasha Pizarnik" [Jorge Cruz, in true personal and literary esteem]. Light marginal toning, inner hinge a bit cracked, rubbing to spine. First edition, inscribed, of this book by Alejandra Pizarnik in which she makes an inquisition about language and its functions. It is dedicated to the prestigious literary critic Jorge Cruz, who developed a renowned career for more than four decades in the prestigious newspaper LA NACION, where he began as a theatre critic. In 1957 he joined the Literary Supplement. There he contributed to disseminate the work of prestigious writers and made new authors known. Alejandra Pizarnik, in full Flora Alejandra Pizarnik (1936-1972, Buenos Aires) was an Argentine poet whose poems are known for their stifling sense of exile and rootlessness. Pizarnik was born into a family of Jewish immigrants from eastern Europe. She attended the University of Buenos Aires, where she studied philosophy and literature. Later she ventured into painting, studying with the Catalan Argentine painter Juan Batlle Planas. In 1960 she moved to Paris, where she worked for French publishing houses and magazines, published poetry, and translated into Spanish works of such writers as Henri Michaux, Antonin Artaud, Marguerite Duras, and Yves Bonnefoy. In 1965 she returned to Buenos Aires and published three of her eight collections of poetry, Los trabajos y las noches (1965; "The Works and the Nights"), Extracción de la piedra de la locura (1968; "Extraction of the Stone of Madness [or Folly]"), and El infierno musical (1971; "The Musical Hell"), as well as her famous prose work La condesa sangrienta (1965; "The Bloody Countess"), about the Hungarian countess Elizabeth Báthory. Pizarnik s first editions with inscriptions are seldom found.