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63pp. Short gift inscription. Small abrasion at spine edge of front cover

Brooklyn, NY: Ugly Duckling Presse, 2017. Book. Good. Card Wrappers. First Edition. 63pp. Short gift inscription. Small abrasion at spine edge of front cover.

91pp. French/English facing texts. Includes manuscript facsimiles & drawings. Short gift inscription.

Sur, revista bimestral de literatura. Número 275 correspondiente a Marzo y Abril de 1962. Contiene el poema "Texas" de Jorge Luis Borges, y poemas de Alberto Girri y Alejandra Pizarnik, todos inéditos hasta la aparición de esta publicación. 128 pp., muy buen estado.

105 p. ; 20x12 cms. Poesías argentinas ( D-03)

xiii, 39pp. Short gift inscription.

Brooklyn, NY: Ugly Duckling Presse, 2017. Book. Near Fine. Card Wrappers. First Edition. xiii, 39pp. Short gift inscription..

Ugly Duckling Presse, 2019. First Edition. Trade Paperback. New. New! Translated from the Spanish by Cole Heinowitz. A stated First Edition, first printing. 8 vo. - measuring 5 in. - 8 in. 159 pp.. // 'Over the last several years, the majority of Pizarnik's poetry has been translated into English, garnering enormous acclaim in the U.S. and abroad, yet her extraordinary critical writings-including commentaries on figures such as Artaud, Borges, Breton, Michaux, and Pessoa, as well as intimate accounts of her own working methods-remain almost entirely unknown outside the Spanish-speaking world. A Tradition of Rupture makes these writings available to English-speaking readers for the first time, offering indispensable insight into the range of Pizarnik's reading and the principle influences on her poetics.' ~ Publisher.

New! Translated from the Spanish by Cole Heinowitz. A stated First Edition, first printing. 8 vo. - measuring 5 in. - 8 in. 159 pp. // 'Over the last several years, the majority of Pizarnik's poetry has been translated into English, garnering enormous acclaim in the U.S. and abroad, yet her extraordinary critical writings-including commentaries on figures such as Artaud, Borges, Breton, Michaux, and Pessoa, as well as intimate accounts of her own working methods-remain almost entirely unknown outside the Spanish-speaking world. A Tradition of Rupture makes these writings available to English-speaking readers for the first time, offering indispensable insight into the range of Pizarnik's reading and the principle influences on her poetics.' ~ Publisher.

(xxxv), 296pp. Tiny name at head of first page.

New! Translated from the Spanish by Cole Heinowitz. A stated First Edition, first printing. 8 vo. -measuring 5 in. -8 in. 159 pp. // 'Over the last several years, the majority of Pizarnik's poetry has been translated into English, garnering enormous acclaim in the U.S. and abroad, yet her extraordinary critical writings-including commentaries on figures such as Artaud, Borges, Breton, Michaux, and Pessoa, as well as intimate accounts of her own working methods-remain almost entirely unknown outside the Spanish-speaking world. A Tradition of Rupture makes these writings available to English-speaking readers for the first time, offering indispensable insight into the range of Pizarnik's reading and the principle influences on her poetics. ' ~ Publisher.

Hove, Sussex: Waterloo Press, 2010. Book. Near Fine. Card Wrappers. First Edition. (xxxv), 296pp. Tiny name at head of first page..

Translator(s): Siegert, Yvette. Num Pages: 384 pages. BIC Classification: DCF. Category: (P) Professional & Vocational. Dimension: 229 x 152. Weight in Grams: 666. . 2016. 1st Edition. Paperback. . . . .

En español y francés. Venice, Collection Nadir, 1983. 1ra edición. 12 x 19 cm, 73 pp. Leve curvatura de la esquina superior. Tapas algo deslucidas. Interior en excelente estado. The Book Cellar & Henschel.

Special order item direct from the distributor

Translator(s): Siegert, Yvette. Num Pages: 384 pages. BIC Classification: DCF. Category: (P) Professional & Vocational. Dimension: 229 x 152. Weight in Grams: 666. 2016. 1st Edition. Paperback.....We ship daily from our Bookshop.

Translator(s): Siegert, Yvette. Num Pages: 384 pages. BIC Classification: DCF. Category: (P) Professional & Vocational. Dimension: 229 x 152. Weight in Grams: 666. 2016. 1st Edition. Paperback.....We ship daily from our Bookshop.

Diarios. Alejandra Pizarnik. Anna Becciu (ed.) Lumen Memorias y Biografías. Editorial Lumen, 2003, Barcelona. Rústica con solapas, cubierta iustrada. «Una constante de los diarios de escritores es que otros se encarguen de publicarlos póstumamente. Estas publicaciones podrían dar la impresión de ser una violación de la intimidad del diarista, pero no cabe duda de que, al conservarlos, el escritor está indicándonos que es consciente del valor intrínseco que tienen. Eso es aún más evidente en el caso de Alejandra Pizarnik, ya que conservó sus cuadernos hasta el último momento», comenta Ana Becciu en la nota que acompaña esta nueva edición, corregida y ampliada, con muchos fragmentos reveladores que hasta ahora nunca habían visto la luz, de los diarios de una mujer que convirtió su angustia en un destilado de palabras duras y hermosas. Su obsesión por escribir, sus dudas, y sus ganas de comer, fumar y amar con voracidad hasta que el cansancio la derrumbaba. todo quedó apuntado en cuadernos y papeles sueltos que por fin han encontrado su lugar. Aun hoy, cuando ya se han cumplido cuarenta años desde de su muerte, la voz de Pizarnik acompaña al lector en un viaje donde la literatura importa y la vida duele.

New! Translated from the Spanish by Cole Heinowitz. A stated First Edition, first printing. 8 vo. -measuring 5 in. -8 in. 159 pp. // 'Over the last several years, the majority of Pizarnik's poetry has been translated into English, garnering enormous acclaim in the U.S. and abroad, yet her extraordinary critical writings-including commentaries on figures such as Artaud, Borges, Breton, Michaux, and Pessoa, as well as intimate accounts of her own working methods-remain almost entirely unknown outside the Spanish-speaking world. A Tradition of Rupture makes these writings available to English-speaking readers for the first time, offering indispensable insight into the range of Pizarnik's reading and the principle influences on her poetics. ' ~ Publisher.

~ Rústica original = Brochura original ~ 527p+2f ~ 21x21x4cm. ~ Como nuevo = Como novo ~ LANGUAGE: Español & Português // We accept PayPal & EU bank transfer in EUROS //

Grand in-8° broché - Claude ESTEBAN, de père espagnol et de mère française, partagé entre deux idiomes, ,est le fondateur de la revue Argile aux éditions Maeght, il fut aussi l'auteur de nombreux écrits sur l'art et sur la poésie, ainsi qu'un des grands intercesseurs de la culture espagnole, il a fait connaitre notamment Jorge Guillén, Octavio Paz, Borges, García Lorca, Quevedo, parmi d'autres et a écrit des articles et préface de nombreux catalogues d'expositions d'artistes dont il se sentait proche, tels Morandi, Ubac, Szenes, Vieira da Silva, Aguayo, Josef Sima, Fernández, Assar, Braque, le Brocquy, Asse, Bazaine, Chagall, etc

Grand in-8° broché, 240 pages. Antonin Artaud, Cahiers de Rodez (p. 5-45), - Alejandra Pizarnik, Figures de l'absence (p. 46-75), - Jean-Claude Schneider, Matière du silence (p. 76-87), - [Raoul Ubac, Torses (p. 88-96)], - Vera Linhartova, Lieux errables (p. 97-105), - Antonio Ramos Rosa, Poèmes (p. 106-117), - Roger Giroux, Lieux-Je (p. 118-133), - Anne-Marie Albiach, Discours (p. 134-143), - [Lars Fredrikson, Dessins (p. 144-150)], - Roger Laporte, Cela ne s'atteint pas (p. 151-155), - Alain Veinstein, Là-dedans hors (p. 156-168), - Yuan Hongdao, Le sel de la vie (p. 169-183), - Matthieu Bénézet, Echollalies (p. 184-194), - Georg Büchner, Lettres (p. 195-218),- Claude Esteban, - Dieu transparent (p. 219-231), - Yves Bonnefoy, Seconde rue traversière (p. 232-235). - Trad. : Claude Esteban (A. Pizarnik), Roger Munier (A.R. Rosa), Jean-Claude Schneider (G. Büchner), Martine Vallette-Hémery (Y. Hongdao) - Ill. : Raoul Ubac, Lars Fredrikson. - - - - - - - La revue ARGILES a eu comme participants Valerio Adami, Anna Akhmatova, Anne-Marie Albiach, Pierre Alechinsky, Vicente Aleixandre, Max Alhau, Beda Allemann, Homero Aridjis, Antonin Artaud, Geneviève Asse, Paul Auster, Dominique Autié, Matthieu Bénézet, Lokenath Bhattachaya, William Blake, Yves Bonnefoy, Rudolf Borchardt, Georg Büchner, René Cazelles, Nicolas Cendo, Pierre Chappuis, René Char, François Cheng, Bernard Collin, Jean Daive, René Daumal, Alain Delahaye, Philippe Denis, John Donne, Chritian Dotremont, André du Bouchet, Jacques Dupin, Werner Dürrson, Odysseus Elytis, Claude Esteban, Lars Fredrikson, Jean Frémon, Lorand Gaspar, Michel Gauthier, Pere Gimferrer, Roger Giroux, Paul Godard, Luis de Gongora, Christian Guez Ricord, Jorge Guillén, Martin Heidegger, Georges Henein, Emmanuel Hocquard, Hugo von Hofmannsthal, Vladimir Holan, Friedrich Hölderlin, Max Hölzer, Yuan Hongdao, Philippe Jaccottet, John E. Jackson, Juan Ramón Jiménez, Gil Jouanard, Pierre Jean Jouve, Charles Juliet, Varga Kibédi, Philippe Lacoue-Labarthe, Philippe de La Genardière, Wielfredo Lam, Roger Laporte, Michel Leiris, Daniel Leuwers, Pierre Leyris, Vera Linhartova, Zongyuan Liu, Ossip Mandelstam, Ernst Meister, W.S. Merwin, Henri Michaux, Bernard Moninot, Eugenio Montale, Roger Munier, Jean-Luc Nancy, Friedrich Nietzsche, Bernard Noël, Joseph Noiret, George Oppen, Alain Paire, Pablo Palazuelo, Boris Pasternak, Walter Pater, Octavio Paz, Fernando Pessoa, Alejandra Pizarnik, Sylvia Plath, Delfina Provenzali, Salvatore Quasimodo, Francisco de Quevedo, Pascal Quignard, Charles Racine, Antonio Ramos Rosa, Alain Rémila, Jean-Christophe Restrat, Pierre Reverdy, Jean-Michel Reynard, Joachim Ritter, Claude-Royer Journoud, Jean-Luc Sarré, Antonio Saura, Jean-Claude Schneider, Arthur Silent, Jean Starobinski, Wallace Stevens, Alain Suied, Pierre-Alain Tâche, Dylan Thomas, Gérard Titus-Carmel, Pierre Torreilles, Jean Tortel, Alain Veinstein, César Vallejo, Rosmarie Waldrop, Robert Walser, Richard Weiner, William Butler Yeats, François Zénone, Louis Zukofsky. - - - - Trad. : Anne-Marie Albiach (L. Zukofsky) // France Bhattachaya (L. Bhattachaya), Yves Bonnefoy (W.B. Yeats) // Nicolas Chastelin (V. Holan) // Alain Delahaye (H. Aridjis, W.S. Merwin), Jean Demélier (W. Dürrson) // Philippe Denis (P. Auster, S. Plath) // Claude Esteban (V. Aleixandre, P. Gimferrer, J. Guillén, J. Ramón Jiménez, E. Montale, O. Paz, A. Pizarnik, D. Provenzali, F. de Quevedo, C. Vallejo), Claude Evrard (B. Allemann) // Jean Fressard (F. Pessoa) // Mario Fusco (E. Montale) // Roger Giroux (R. Waldrop) // Charles Grivel (V. Kibédi) // Jean-Claude Hémery (V. Linhartova, F. Nietzsche) // Carlos de Indart (O. Paz) // Philippe Jaccottet (L. de Gongora) // Claude-Royer Journoud (G. Oppen) // Etienne de La Force (F. Pessoa) // Françoise de Laroque (P. Auster) // Pierre Leyris (W. Blake, W. Pater, W.B. Yeats) // V?ra Linhartova (R. Weiner) // Bernard Lortholary (R. Borchardt) // François-Bernard M

Santa Cruz, CA: Hambone, 1984. 1st edition. Soft cover. Fine/No Jacket (as issued). Near Fine. 8vo, [vi]+202pp, printed wrappers. Uncommon fourth issue of this cultural magazine edited by Nathaniel Mackey. Includes writing by Clarence Major et al. Unmarked copy, light outer wear.

Primera edición, rústica, tapa blanda, como nuevo. Editado por el Centro Editor de América Latina en 1982. Rústica, tapa blanda. Son 105 páginas sobre unas dimensiones de 18 x 11 cm. Selección y prólogo por el profesor Alejandro Fontela.

Poesía. Colección Poesía.Páginas/Pages:470 p. Excelente estado de conservación (ver fotos), dedicatoria con bolígrafo que no es de la autora 21 x 14 cm

2012. Erstausgabe, Roma, Aracne, 2012, gr.8°, 184 S., Text: italienisch, illustr. original Kartonage (Paperback), sehr schönes, sauberes Exemplar. Should your order's weight exceed 1kg, we shall need to message you, to recalculate the shipping cost. (= Sollte Ihre Bestellung mehr als 1k wiegen, müssten die Portokosten angepasst werden, Sie bekämen vorab eine Anfrage per Email.)

Erstausgabe, gr.8°, 184 S., Text: italienisch, illustr. original Kartonage (Paperback), sehr schönes, sauberes Exemplar. Sprache: Italienisch.

Primera edición, rústica, tapa blanda con solapas, editado por Corregidor, colección Letras al sur del Río Bravo. Son 157 páginas sobre unas dimensiones de 19.5 x 12.5 cm. Prólogo y selección de textos a cargo de Cristina Piña.

1936 und 1972, begrenzen das kurze Leben von Alejandra Pizarnik, und zwei Städte, Buenos Aires und Paris, waren die geographischen Koordinaten ihres Daseins, das hell aufleuchtete und grell verglühte. 411 Seiten, 15.5. x 23.5 cm