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Sur, revista bimestral de literatura. Número 275 correspondiente a Marzo y Abril de 1962. Contiene el poema "Texas" de Jorge Luis Borges, y poemas de Alberto Girri y Alejandra Pizarnik, todos inéditos hasta la aparición de esta publicación. 128 pp., muy buen estado.

105 p. ; 20x12 cms. Poesías argentinas ( D-03)

En español y francés. Venice, Collection Nadir, 1983. 1ra edición. 12 x 19 cm, 73 pp. Leve curvatura de la esquina superior. Tapas algo deslucidas. Interior en excelente estado. The Book Cellar & Henschel.

Collection Nadir, 1983. 1st Edition . Soft cover. Very Good/No Jacket. En español y francés. Venice, Collection Nadir, 1983. 1ra edición. 12 x 19 cm, 73 pp. Leve curvatura de la esquina superior. Tapas algo deslucidas. Interior en excelente estado. The Book Cellar & Henschel.

~ Rústica original = Brochura original ~ 527p+2f ~ 21x21x4cm. ~ Como nuevo = Como novo ~ LANGUAGE: Español & Português // We accept PayPal & EU bank transfer in EUROS //

Grand in-8° broché - Claude ESTEBAN, de père espagnol et de mère française, partagé entre deux idiomes, ,est le fondateur de la revue Argile aux éditions Maeght, il fut aussi l'auteur de nombreux écrits sur l'art et sur la poésie, ainsi qu'un des grands intercesseurs de la culture espagnole, il a fait connaitre notamment Jorge Guillén, Octavio Paz, Borges, García Lorca, Quevedo, parmi d'autres et a écrit des articles et préface de nombreux catalogues d'expositions d'artistes dont il se sentait proche, tels Morandi, Ubac, Szenes, Vieira da Silva, Aguayo, Josef Sima, Fernández, Assar, Braque, le Brocquy, Asse, Bazaine, Chagall, etc

Santa Cruz, CA: Hambone, 1984. 1st edition. Soft cover. Very Good/No Jacket (as issued). VG. 8vo, [vi]+202pp, printed wrappers. Uncommon fourth issue of this cultural magazine edited by Nathaniel Mackey. Includes writing by Clarence Major et al. Unmarked copy, light outer wear, toning to back cover.

Primera edición, rústica, tapa blanda, como nuevo. Editado por el Centro Editor de América Latina en 1982. Rústica, tapa blanda. Son 105 páginas sobre unas dimensiones de 18 x 11 cm. Selección y prólogo por el profesor Alejandro Fontela.

Pittsburgh: Latin American Literary Review Press, 1984. Softcover. Very Good. First edition. Edited by Mary Crow. Text in English and Spanish. Octavo. 168pp. Very good with stain on inside front wrap and flyleaf, wear at the spine and tiny splash mark on rear wrap. With bookplate noting this book comes from the library of poet David Ignatow. Inscribed by Crow: "To David, with much love & admiration, Mary." An anthology of poetry by contemporary Latin American women poets, including Crow, Alejandra Pizarnik, Renata Pallottini, Violeta Parra, Maria Mercedes Carranza, Rita Geada, Mari Sabina, et al.

First edition. Edited by Mary Crow. Text in English and Spanish. Octavo. 168pp. Very good with stain on inside front wrap and flyleaf, wear at the spine and tiny splash mark on rear wrap. With bookplate noting this book comes from the library of poet David Ignatow. Inscribed by Crow: "To David, with much love & admiration, Mary." An anthology of poetry by contemporary Latin American women poets, including Crow, Alejandra Pizarnik, Renata Pallottini, Violeta Parra, Maria Mercedes Carranza, Rita Geada, Mari Sabina, et al.

Poesía. Colección Poesía.Páginas/Pages:470 p. Excelente estado de conservación (ver fotos), dedicatoria con bolígrafo que no es de la autora 21 x 14 cm

Primera edición, rústica, tapa blanda con solapas, editado por Corregidor, colección Letras al sur del Río Bravo. Son 157 páginas sobre unas dimensiones de 19.5 x 12.5 cm. Prólogo y selección de textos a cargo de Cristina Piña.

First edition. Edited by Mary Crow. Text in English and Spanish. Octavo. 168pp. Very good with stain on inside front wrap and flyleaf, wear at the spine and tiny splash mark on rear wrap. With bookplate noting this book comes from the library of poet David Ignatow. Inscribed by Crow: "To David, with much love & admiration, Mary." An anthology of poetry by contemporary Latin American women poets, including Crow, Alejandra Pizarnik, Renata Pallottini, Violeta Parra, Maria Mercedes Carranza, Rita Geada, Mari Sabina, et al.

El infierno musical - Pizarnik, Alejandra / Siglo veintiuno - Buenos Aires, 1971 (76p) -- Buen estado, Literatura --Primera edicion

Washington, D.C.: Pan American Union, 1967. Softcover. Very Good. Vol. 1. Square octavo. 116pp. Illustrated with small portraits of the poets. Poems in both Spanish and English. Printed wrappers over stapled text block. Wrappers with moderate soiling and wear, staples oxidized, very good. Features poets from Argentina, Brazil, Chile, Costa Rica, Ecuador, El Salvador, Haiti, Mexico, Panama, and Uruguay. Each country has an introduction by a noted scholar, critic, or author (Chile introduced by José Donoso), and a brief biography is given for each poet. Over 50 poets are represented, including Octavio Paz, Alejandra Pizarnik, Nicanor Parra, and Enrique Lihn. *OCLC* seems to locate only two copies, one in the U.S. at the Organization of American States, formerly known as the Pan American Union, the publisher of this volume.

Pizarnik, Alejandra (1936-1972). "La Condesa Sangrienta". Buenos Aires, Aquarius Libros, 1971. 66 páginas. Encuadernación rústica. Primera edición (código 2700)

La condesa sangrienta - Pizarnik, Alejandra / Aquarius - Buenos Aires, 1971 (66p) -- Buen estado, Literatura --Primera edicion

Buenos Aires. Editorial Aquarius. 1971. 66p. 3h. Rústica. Primera edición. Buen estado.

Buenos Aires : Acuarius Libros, 1971. 1ª ed. Rústica. 10.5x18.5. Huellas de óxido en el interior de la cubierta. El exterior de las cubiertas, y el interior del libro muy limpios. Buen ejemplar

Buenos Aires : Acuarius Libros, 1971. 1ª ed. Rústica. 10.5x18.5. Huellas de óxido en el interior de la cubierta. El exterior de las cubiertas, y el interior del libro muy limpios. Buen ejemplar

10.5x18.5. 66pp. 3h. Rústica. Español Huellas de óxido en el interior de la cubierta. El exterior de las cubiertas, y el interior del libro muy limpios. Buen ejemplar.

Librería Aves Del Paraíso Descripción del libro: -Título: El Infierno Musical -Autor: Alejandra Pizarnik -Editorial: Siglo Veintiuno Editores -Lugar y Año: Bs. As. 1971 -Encuadernación: Rustica -Páginas: 76 -Estado General: Muy Bueno -Traducción: Ninguna -Medidas: 18x15cm -Peso: 115grs -Idioma: Español -Detalles: Mínimas marcas con lápiz en los márgenes. Todos nuestros artículos son revisados antes de ser publicados. LAS IMÁGENES DE NUESTRAS PUBLICACIONES SON ORIGINALES DE NUESTROS ARTÍCULOS.

Pizarnik, Alejandra: EL INFIERNO MUSICAL. Buenos Aires, Siglo XXI, 1971. Primera edición. In 8º, 76 p., rústica original. Excelente ejemplar. Solicitar imágenes por consulta.

Sudamericana, Buenos Aires, 1968. 16x13 cm. 72 págs. Rústica a dos tintas. Pequeña falta en parte superior del lomo. Buen ejemplar. // Primera edición // Sexto poemario de la autora, tras "La tierra más ajena" (1955), "La última inocencia" (1956), "Las aventuras perdidas" (1958), "Árbol de Diana" (1962) y "Los trabajos y las noches" (1965) // Alejandra Pizarnik (Buenos Aires, 1936-1972) //

Buenos Aires: Editorial Sur, 1962.. FIRST EDITION. 8vo. (12 x 20 cm). pp.65. Original card wrappers printed in red and black. Mellowing to wrappers, small chip and tear to spine, generally a very good copy. The author's fourth collection of poems, which includes the poems "La última inocencia" (1956), "Las aventuras perdidas" (1958) and "Otros poemas" (1959) and a prologue by Octavio Paz. Alejandra Pizarnik, born Flora Alejandra Pizarnik (1936-1972), was Argentine poet whose poems are known for their stifling sense of exile and rootlessness. Pizarnik was born into a family of Jewish immigrants from eastern Europe. She attended the University of Buenos Aires, where she studied philosophy and literature. Later she ventured into painting, studying with the Catalan Argentine painter Juan Batlle Planas. In 1960 she moved to Paris, where she worked for French publishing houses and magazines. She wrote the present collection of poems when she was 26 and living in Paris.

Buenos Aires: Editorial Sur, 1962.. FIRST EDITION. 8vo. (12 x 20 cm). pp.65. Original card wrappers printed in red and black. Mellowing to wrappers, small chip and tear to spine, generally a very good copy. The author's fourth collection of poems, which includes the poems "La última inocencia" (1956), "Las aventuras perdidas" (1958) and "Otros poemas" (1959) and a prologue by Octavio Paz. Alejandra Pizarnik, born Flora Alejandra Pizarnik (1936-1972), was Argentine poet whose poems are known for their stifling sense of exile and rootlessness. Pizarnik was born into a family of Jewish immigrants from eastern Europe. She attended the University of Buenos Aires, where she studied philosophy and literature. Later she ventured into painting, studying with the Catalan Argentine painter Juan Batlle Planas. In 1960 she moved to Paris, where she worked for French publishing houses and magazines. She wrote the present collection of poems when she was 26 and living in Paris.

FIRST EDITION. 8vo. (12 x 20 cm). pp.65. Original card wrappers printed in red and black. Mellowing to wrappers, small chip and tear to spine, generally a very good copy. The author's fourth collection of poems, which includes the poems "La última inocencia" (1956), "Las aventuras perdidas" (1958) and "Otros poemas" (1959) and a prologue by Octavio Paz. Alejandra Pizarnik, born Flora Alejandra Pizarnik (1936-1972), was Argentine poet whose poems are known for their stifling sense of exile and rootlessness. Pizarnik was born into a family of Jewish immigrants from eastern Europe. She attended the University of Buenos Aires, where she studied philosophy and literature. Later she ventured into painting, studying with the Catalan Argentine painter Juan Batlle Planas. In 1960 she moved to Paris, where she worked for French publishing houses and magazines. She wrote the present collection of poems when she was 26 and living in Paris.

Buenos Aires, 1956. 2do libro de la autora.

Buenos Aires: Siglo veintiuno editores, 1971.. FIRST EDITION, PRESENTATION COPY. Small 4to. (18 x 15.5 cm). pp. 76. Original card wrappers printed in black and pink. With an inscription in purple ink by Pizarnik to prestigious literary critic Jorge Cruz to f.f.e.p. reading, "Jorge Cruz, en verdadera estima personal y literaria - Sasha Pizarnik" [Jorge Cruz, in true personal and literary esteem]. Light marginal toning, inner hinge a bit cracked, rubbing to spine. First edition, inscribed, of this book by Alejandra Pizarnik in which she makes an inquisition about language and its functions. It is dedicated to the prestigious literary critic Jorge Cruz, who developed a renowned career for more than four decades in the prestigious newspaper LA NACION, where he began as a theatre critic. In 1957 he joined the Literary Supplement. There he contributed to disseminate the work of prestigious writers and made new authors known. Alejandra Pizarnik, in full Flora Alejandra Pizarnik (1936-1972, Buenos Aires) was an Argentine poet whose poems are known for their stifling sense of exile and rootlessness. Pizarnik was born into a family of Jewish immigrants from eastern Europe. She attended the University of Buenos Aires, where she studied philosophy and literature. Later she ventured into painting, studying with the Catalan Argentine painter Juan Batlle Planas. In 1960 she moved to Paris, where she worked for French publishing houses and magazines, published poetry, and translated into Spanish works of such writers as Henri Michaux, Antonin Artaud, Marguerite Duras, and Yves Bonnefoy. In 1965 she returned to Buenos Aires and published three of her eight collections of poetry, Los trabajos y las noches (1965; "The Works and the Nights"), Extracción de la piedra de la locura (1968; "Extraction of the Stone of Madness [or Folly]"), and El infierno musical (1971; "The Musical Hell"), as well as her famous prose work La condesa sangrienta (1965; "The Bloody Countess"), about the Hungarian countess Elizabeth Báthory. Pizarnik s first editions with inscriptions are seldom found.

Buenos Aires: Siglo veintiuno editores, 1971.. FIRST EDITION, PRESENTATION COPY. Small 4to. (18 x 15.5 cm). pp. 76. Original card wrappers printed in black and pink. With an inscription in purple ink by Pizarnik to prestigious literary critic Jorge Cruz to f.f.e.p. reading, "Jorge Cruz, en verdadera estima personal y literaria - Sasha Pizarnik" [Jorge Cruz, in true personal and literary esteem]. Light marginal toning, inner hinge a bit cracked, rubbing to spine. First edition, inscribed, of this book by Alejandra Pizarnik in which she makes an inquisition about language and its functions. It is dedicated to the prestigious literary critic Jorge Cruz, who developed a renowned career for more than four decades in the prestigious newspaper LA NACION, where he began as a theatre critic. In 1957 he joined the Literary Supplement. There he contributed to disseminate the work of prestigious writers and made new authors known. Alejandra Pizarnik, in full Flora Alejandra Pizarnik (1936-1972, Buenos Aires) was an Argentine poet whose poems are known for their stifling sense of exile and rootlessness. Pizarnik was born into a family of Jewish immigrants from eastern Europe. She attended the University of Buenos Aires, where she studied philosophy and literature. Later she ventured into painting, studying with the Catalan Argentine painter Juan Batlle Planas. In 1960 she moved to Paris, where she worked for French publishing houses and magazines, published poetry, and translated into Spanish works of such writers as Henri Michaux, Antonin Artaud, Marguerite Duras, and Yves Bonnefoy. In 1965 she returned to Buenos Aires and published three of her eight collections of poetry, Los trabajos y las noches (1965; "The Works and the Nights"), Extracción de la piedra de la locura (1968; "Extraction of the Stone of Madness [or Folly]"), and El infierno musical (1971; "The Musical Hell"), as well as her famous prose work La condesa sangrienta (1965; "The Bloody Countess"), about the Hungarian countess Elizabeth Báthory. Pizarnik s first editions with inscriptions are seldom found.

FIRST EDITION, PRESENTATION COPY. Small 4to. (18 x 15.5 cm). pp. 76. Original card wrappers printed in black and pink. With an inscription in purple ink by Pizarnik to prestigious literary critic Jorge Cruz to f.f.e.p. reading, "Jorge Cruz, en verdadera estima personal y literaria - Sasha Pizarnik" [Jorge Cruz, in true personal and literary esteem]. Light marginal toning, inner hinge a bit cracked, rubbing to spine. First edition, inscribed, of this book by Alejandra Pizarnik in which she makes an inquisition about language and its functions. It is dedicated to the prestigious literary critic Jorge Cruz, who developed a renowned career for more than four decades in the prestigious newspaper LA NACION, where he began as a theatre critic. In 1957 he joined the Literary Supplement. There he contributed to disseminate the work of prestigious writers and made new authors known. Alejandra Pizarnik, in full Flora Alejandra Pizarnik (1936-1972, Buenos Aires) was an Argentine poet whose poems are known for their stifling sense of exile and rootlessness. Pizarnik was born into a family of Jewish immigrants from eastern Europe. She attended the University of Buenos Aires, where she studied philosophy and literature. Later she ventured into painting, studying with the Catalan Argentine painter Juan Batlle Planas. In 1960 she moved to Paris, where she worked for French publishing houses and magazines, published poetry, and translated into Spanish works of such writers as Henri Michaux, Antonin Artaud, Marguerite Duras, and Yves Bonnefoy. In 1965 she returned to Buenos Aires and published three of her eight collections of poetry, Los trabajos y las noches (1965; "The Works and the Nights"), Extracción de la piedra de la locura (1968; "Extraction of the Stone of Madness [or Folly]"), and El infierno musical (1971; "The Musical Hell"), as well as her famous prose work La condesa sangrienta (1965; "The Bloody Countess"), about the Hungarian countess Elizabeth Báthory. Pizarnik s first editions with inscriptions are seldom found.

Primera edición, First edtion, dedicado y autografiado. Signed and inscribed by the author. Excelente estado. Do not hesitate to ask more photos. No dude en pedir más fotos.