UNSIGNED copy, still in shrinkwrap. The book is perfect in every way, square, solid, and unread. Introduction by Richard Lupoff, Afterword by John Pelan. All of the by-now-expected Centipede bells and whistles in terms of binding, materials, etc, in other words--a feast for both the eyes, hands, and nose. When you receive this book, you'll feel as though you've received a rare gift from one of Scheherazade's fabled djinn! You MAY even cartwheel with glee!
UNSIGNED copy, still in shrinkwrap. The book is perfect in every way, square, solid, and unread. Introduction by Richard Lupoff, Afterword by John Pelan. All of the by-now-expected Centipede bells and whistles in terms of binding, materials, etc, in other words--a feast for both the eyes, hands, and nose. When you receive this book, you'll feel as though you've received a rare gift from one of Scheherazade's fabled djinn! You MAY even cartwheel with glee!
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Letter line: A letter line is a convention occasionally used by publishers to denote the printing of a particular book. It is generally located on the copyright page and consists of a sequence of letters, the lowest alphabetically of which generally indicates the number of the printing (for example, "A" indicates a 1st printing, "B" a second printing, "C" a third printing, etc.).
Below is a letter line from Harvill Press, in this case indicating a first printing:
For more information on similar conventions used to identify printings, see also number lines.