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Rare work in this edition. missing the green softcover cover. Spine is reinforced with tape. Still readable. Email us for a photo. We ship fast.

1922. Etat correct

G.P collection Super, 1957. 1 volume relié(s) format In-8 bon.

372 Seiten 280 gr. Namens- und Nummereintrag auf Vorblatt, Schnitt leicht verfärbt, sonst sehr gut

263 pages en format -8 - ajoute en bas de dos

Les édition du Panthéon, 1945. Au format in 12 de 296 pages avec gravures en hors texte, exemplaire justifié n° 175, relié en basane, dos à nerfs, fleuron. En bon état.

Paris, Librairie Charpentier et Fasquelle, 1906 , in 8vo. Brossura editoriale, 262 pp. 843 - V. in ottavi Ottimo (Fine) Ottimo

370 p. -- Le livre de poche, 1267-1268

263 pages; Both inner hinges slightly cracked. Minor markings on prelims. No markings on text. Light rubbing and smudges to the covers. Top edges gilt.; -We offer free returns for any reason and respond promptly to all inquiries. Your order will be packaged with care and ship on the same or next business day. Buy with confidence.

Quarter Leather with marbled endpapers. Top Gilt. Pencilled writing on endpapers.

Many pages uncut. Elegant binding shows fleur de lis and theNapoleonic bee. fine, no dj, gold-stamped pictorial green cloth, bookplate 263 pgs.

New York and Paris: Brentano's, Charpentier, 1900. In French. Represente pour la premier fois au Theatre Sarah-Bernhardt, March 1900. Attractive copy in three quarter calf over marbled boards, uncut edges, 263 pages. Covers rubbed at the extremities, lower spine label chipped nearly away, tiny chips to spine head, good joints/hinges, sound text block, very clean pages free from names or other markings. Hard Cover. Good. 8vo-over 7¾"-9¾" tall.

Good condition. French. (drama, books in French) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

264 pp. Original dark green cloth covers w/ titles in gilt, and gilt decoration on front cover. Spine darkened; light fraying to ends. Top edge gilt. Leaves untrimmed. Neat inscription to previous owner on front blank endpaper. Rear inner hinge tender. Light scattered foxing. Text in French.

263 pages; Both inner hinges slightly cracked. Minor markings on prelims. No markings on text. Light rubbing and smudges to the covers. Top edges gilt.; -We offer free returns for any reason and respond promptly to all inquiries. Your order will be packaged with care and ship on the same or next business day. Buy with confidence.

12mo-over 6¾"-7¾" tall. Pp. 262, table of contents, about 19cm X 13cm. Superbly custom-bound in half-leather, patterned boards, with gilt spine decorations and titles, top-edge gilt. Neat owner's name of diplomat's spouse, dated 1923. A superb set with almost no sign of wear. We have matching bound volumes from the same period by Anatole France, de Maupassant, and several Maurois (Byron, Disraeli and Ariel). Please contact us for details. Photos available.

Spine faded, faint foxing, tiny stain on bottom page edge, and scarce jacket with light rubbing. French language.; Collection Super, 7; 8vo 8"-9" tall.

Quarter Leather with marbled endpapers. Top Gilt. Pencilled writing on endpapers.

Many pages uncut. Elegant binding shows fleur de lis and theNapoleonic bee. fine, no dj, gold-stamped pictorial green cloth, bookplate 263 pgs.

New York and Paris: Brentano's, Charpentier, 1900. In French. Represente pour la premier fois au Theatre Sarah-Bernhardt, March 1900. Attractive copy in three quarter calf over marbled boards, uncut edges, 263 pages. Covers rubbed at the extremities, lower spine label chipped nearly away, tiny chips to spine head, good joints/hinges, sound text block, very clean pages free from names or other markings. Hard Cover. Good. 8vo-over 7¾"-9¾" tall.

Good condition. French. (drama, books in French) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

264 pp. Original dark green cloth covers w/ titles in gilt, and gilt decoration on front cover. Spine darkened; light fraying to ends. Top edge gilt. Leaves untrimmed. Neat inscription to previous owner on front blank endpaper. Rear inner hinge tender. Light scattered foxing. Text in French.

1/4 leather, marbled endpapers, raised spine bands, gilt spine decoration. Leather worn at upper spine edges.

12mo-over 6¾"-7¾" tall. Pp. 262, table of contents, about 19cm X 13cm. Superbly custom-bound in half-leather, patterned boards, with gilt spine decorations and titles, top-edge gilt. Neat owner's name of diplomat's spouse, dated 1923. A superb set with almost no sign of wear. We have matching bound volumes from the same period by Anatole France, de Maupassant, and several Maurois (Byron, Disraeli and Ariel). Please contact us for details. Photos available.

Spine faded, faint foxing, tiny stain on bottom page edge, and scarce jacket with light rubbing. French language.; Collection Super, 7; 8vo 8"-9" tall.

Reprint. Octavo. 262, [2]pp. Text in French. Bound in contemporary quarter green morocco gilt and marbled paper over boards with red morocco spine label gilt. Gift inscription, small chip on the spine label, spine faded to a warm brown, pages a bit age-toned, very good or better.

A lovely copy of Edmond Rostand's magnus opus, his six act drama 'L'Aiglon'. Edmond Eugène Alexis Rostand was a French poet and dramatist renowned for his associated with the neo-romantic movement. 'L'Aiglon' is a play in six acts based on the life of Napoleon II, who was the son of Emperor Napoleon I and his second wife, Empress Marie Louise. The title of the play comes from a nickname for Napoleon II, the French word for "eaglet" (a young eagle). 'L'Aiglon' was produced by the notable French stage actress Sarah Bernhardt at her own theatre, with her playing the primary protagonist, the Duke of Reichstadt. Indeed Rostand had specifically written the play for Bernhardt, and it became one of her signature roles. Featuring a booksellers label tipped to the front pastedown, 'Librairie Payot'. In a quarter crushed morocco binding, with imitation leather cloth boards. Externally excellent. Slight bumping to extremities. Very slightly rubbed to head and tail of spine, and raised bands to spine. Slight sunning to upper extremity of boards. Booksellers label tipped to front pastedown. Front hinge strained before half title page. Internally firmly bound. Pages age toned but clean throughout, with very light scattered spotting to first and last few pages. Tipped in fragment of tissue guard to title page, with ink inscription 'M. Payot/ 24'. Very Good Indeed.

1/4 leather, marbled endpapers, raised spine bands, gilt spine decoration. Leather worn at upper spine edges.

A lovely copy of Edmond Rostand's magnus opus, his six act drama 'L'Aiglon'. Edmond Eugène Alexis Rostand was a French poet and dramatist renowned for his associated with the neo-romantic movement. 'L'Aiglon' is a play in six acts based on the life of Napoleon II, who was the son of Emperor Napoleon I and his second wife, Empress Marie Louise. The title of the play comes from a nickname for Napoleon II, the French word for "eaglet" (a young eagle). 'L'Aiglon' was produced by the notable French stage actress Sarah Bernhardt at her own theatre, with her playing the primary protagonist, the Duke of Reichstadt. Indeed Rostand had specifically written the play for Bernhardt, and it became one of her signature roles. Featuring a booksellers label tipped to the front pastedown, 'Librairie Payot'. In a quarter crushed morocco binding, with imitation leather cloth boards. Externally excellent. Slight bumping to extremities. Very slightly rubbed to head and tail of spine, and raised bands to spine. Slight sunning to upper extremity of boards. Booksellers label tipped to front pastedown. Front hinge strained before half title page. Internally firmly bound. Pages age toned but clean throughout, with very light scattered spotting to first and last few pages. Tipped in fragment of tissue guard to title page, with ink inscription 'M. Payot/ 24'. Very Good Indeed.

Reprint. Octavo. 262, [2]pp. Text in French. Bound in contemporary quarter green morocco gilt and marbled paper over boards with red morocco spine label gilt. Gift inscription, small chip on the spine label, spine faded to a warm brown, pages a bit age-toned, very good or better.

8vo, original printed wrappers, lacking the spine. Paris: Charpentier et Fasquelle, 1900. First Edition. TOGETHER WITH the first American Edition, translated by Louis Parker, in blue cloth decoratively stamped in gold. N.Y. : R.H. Russell, 1900. Fine copy. 2 volumes, each with a cloth dust wrapper, in a double 1/2 morocco slipcase. The French edition bears a presentation from Rostand, with an initialed postscript, and an initialed ink drawing of a figure in uniform with a sword. The American edition has three presentations to the same indefatigable collector: a 6 line inscription from Louis Parker, the translator, dated 1901, Rostand, who compliments the translator, in 1902, and Maude Adams, who was in the cast of the New York production, in 1904. A unique set.

8vo, original printed wrappers, lacking the spine. Paris: Charpentier et Fasquelle, 1900. First Edition. TOGETHER WITH the first American Edition, translated by Louis Parker, in blue cloth decoratively stamped in gold. N.Y. : R.H. Russell, 1900. Fine copy. 2 volumes, each with a cloth dust wrapper, in a double 1/2 morocco slipcase. The French edition bears a presentation from Rostand, with an initialed postscript, and an initialed ink drawing of a figure in uniform with a sword. The American edition has three presentations to the same indefatigable collector: a 6 line inscription from Louis Parker, the translator, dated 1901, Rostand, who compliments the translator, in 1902, and Maude Adams, who was in the cast of the New York production, in 1904. A unique set.