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190 g. Seiten gebräunt. deutsch 239 pages.

The Viking Press, 1946. Hardcover. Good/no dust cover. grey cloth cover vg, clean tight spine and pages, text unmarked, slight discolor to pages, 404 pages, tan to first and rear pastedowns.404 pages.small red dot on bottom off back cover corner indicates it is probably a Book Club editionListing Includes Books Image . Please email me if you need to see more pictures! The orders are processed promptly, carefully packaged and shipped within 1 day of purchase. PLEASE NOTE! if you need the book quickly, please Purchase Priority Shipping.Media will not show updates in mail confirmation till reaches continental U.S. FOR International orders under 5 lbs please use asendia for the cheapest rates worldwide!

Norton, 1960-01-01. Paperback. Good. in x in x in.

USED GOOD

Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

New York: The Viking Press, 1946. Hardcover. Good+/no dust cover. cloth cover with some fading of colors on edges and spine, Interior good+, clean tight, no marks, name in rear pastedownListing Includes Books Image . Please email me if you need to see more pictures! The orders are processed promptly, carefully packaged and shipped within 1 day of purchase. PLEASE NOTE! if you need the book quickly, please Purchase Priority Shipping.Media will not show updates in mail confirmation till reaches continental U.S. FOR International orders under 5 lbs please use asendia for the cheapest rates worldwide!

Paperback. Very Good.

Viking Press New York, 1946. Hardcover. Good. in x in x in. Ex-Lib Hardcover

Viking, 1946-01-01. Hardcover. Acceptable. 1.3400 in x 8.1900 in x 5.7500 in. Creased dust jacket. Some oages slightly torn.

New York: Viking Press, 1946 Minor wear and corner bumping. Board edges are toned. Previous owners name and date on the front page. Clean text and a very good reading copy.. Cloth. Good/No Jacket.

poche. 1991. Broché. 186 pages.

Paris: Librairie Générale Française, 1994. Broché. Bon état. in-12. 126 pp. Collection "Le Livre de Poche".

.- Colección Le Livre de Poche. Nº 9. París. 1991. Pierre Belfond. 8º menor. 381 pgs - 2 h. Rústica editorial . Muy buen estado. . . Filosofía / Idiomas / Francés

poche. 2001. broché. 126 pages.

Greifenverlag, 1984.. Hardcover/gebunden.

J'ai lu comme neuf

2008. 2008. Stefan Zweig - Le Voyage dans le passé / 2008 Bon état

NY: Viking Press Octavo, 404pp., Signature blacked out on e.p. V.Good in Good dust jacket. Top edge of front endpaper trimmed.. Book Club Ed.. Hardcover.

1935. spine faded/top edges of front/back covers. Darkish spot on back cover.otherwise VG-. Interior is tight, clean and VG+.. Hard Cover. Good+ to Very Good-. Size: Approx. 6 1/2" x 9 1/2". England.

Blue cloth boards are scuffed and well worn, spine is darkened and chipped. End pages very browned with notation. Title/Copyright page missing. Text is clean & unmarked.

Paris: Editions Stock, 1945. 169 pp. Paper aging, opens flat. Could be gently read. "Traduit de l'allemand par Alzir Hella et Olivier Bournac, préface de Romain Rolland." "Soudain, je me jetai sur la table, je sortis us paquet de papier a lettres et me mis a lui ecrire . . . a lui ecrire une lettre plaintive comme les lamentations d'un chien, dans lequelle j'implorais de me pardonner, lui disais etre un fou, un criminel . . .dans laquelle je la conjurais d'avoir confiance en moi. . . . Je lui faisais le serment de disparaitre aussitot apres de la ville, de la colonie, si elle le voulait, du monde. . . . Il fallait qu'elle m'accordat son pardon et son confiance, se laissat assister, maintenant qu'il etait temps, grand temps. . . J'ecrivis ainsi vingt pages fievreuses. Ce devant un lettre folle, incroyable, delirante...". Wraps. Fair. 12mo - over 6¾" - 7¾" tall.

Leipzig: Insel-Verlag. Druck der Spamerschen Buchdruckerei in Leipzig." n.d. 77 [3]p., original stiff printed boards (Insel-Bücherei, 165).

NY, VIKING PRESS, 1946, 1946. DUST JACKET (UNCLIPPED) BOOK CLUB EDITION VERY GOOD. Hardcover.

MARIA STUART, Herbert Reichner, 1935, first edition, light wear to the lower front corner tip and base of the spine, rear inner inge starting, else just about a vg copy. Illustrated. A biography of Mary Queen of Scots. Text in German.

Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Garden City, NY: Garden City Publishing Co, 1933. First published by Insel Verlag, Leipzig. Tanslated by Eden and Cedar Paul. VG. Another copy, cover somewhat worn, o/w VG. A biography of the French queen that emphasizes the intrigues at court and the course of the French Revolution.

This is an ex-library book and may have the usual library/used-book markings inside. This book has hardback covers. With usual stamps and markings, In fair condition, suitable as a study copy. No dust jacket. Re-bound by library. Library sticker on front cover. Please note the Image in this listing is a stock photo and may not match the covers of the actual item, 450grams, ISBN:

Stockholm:: Bermann-Fischer,. G+/Fair. 1946. Hardcover. Hardback bound in black cloth with light cover wear, scuffing. Hinges sound, uncracked; pages tight, clean. DJ very worn, with significant chipping, tears, soil. Text in German. Not library discard. ; .

Other: Other. Very Good. Hardcover. NY, 1935 (3rd printing) . 366 pages, clothbound, spine sunned, else very good condition. .

Frankfurt: S. Fischer, 1956. Hardcover. Very Good/very good. Pages are age toned. DJ with mylar protection.

Garden City Publishing Co., Inc., 1937. Very Good Hardcover, no dustjacket, 366pp. B&W frontispiece plate.. Hard Cover. Very Good/No Dust Jacket.

New York: Viking, 1946. Hardcover. Fine/Very Good. Book club. Fine in very good dustwrapper. Small tears and corners slightly frayed on dustwrapper. Please Note: This book has been transferred to Between the Covers from another database and might not be described to our usual standards. Please inquire for more detailed condition information.

New York: Viking, 1935. First Edition in English. Hardcover. Translated by Eden and Cedar Paul. NF w/ age darkened pages & very slight fade to spine in VG but worn DJ w/ chipping & rubbing to outer extremities; age darkened w/ light dust soil over all; crease runs along length of spine & chipping to head & heel of spine panel w/ irregular paper loss.

London: Cassell and Company Limited, 1950 Previous owner's inked name on ffep and light pencil underlining on about 20 pages, else textblock and binding is clean and tight overall. lightly rubbed and edge-worn, unclipped dust jacket. 468pp.; including index . Hallam Edition. Cloth. Very Good/Very Good (in mylar). Illus. by Plates. 12mo - over 6¾" - 7¾" tall. Hard Cover.

New York: Viking, 1935. Hardcover. Good. Good hardcover. Pages brown, clean text. Illustrated. Corners bent. Spine and edges of blue cloth cover fading. Fraying to top edge of spine. Please Note: This book has been transferred to Between the Covers from another database and might not be described to our usual standards. Please inquire for more detailed condition information.

First edition first printing of this collection of short crime stories. Some of the collected are: That Evenin' Sun Do Down by William Faulkner, The Chink and the Child by Thomas Burke, The Kreutzer Sonata by Leo Tolstoy, The Guilty Party by O. Henry. 21 stories in total. There is a 2 inch semi closed tear to the dustjacket's rear panel bottom edge. Price clipped otherwise in very good / good condition.

New York: The Viking Press, 1946. Hardcover. Very Good. First edition. Translated by William and Dorothy Rose. Owner's decorative bookplate and penned name on front pastedown, spine lightly sunned, corners lightly bumped, very good lacking the dustwrapper.

New York: Viking, 1935. Very Good. First am. Very good minus. Book plate on front nside panel, faded cloth spine with gold stamping, cloth corners rubbed and soiled, text edges browned. Please Note: This book has been transferred to Between the Covers from another database and might not be described to our usual standards. Please inquire for more detailed condition information.

New York: Hastings House, 1954. First Edition. Cloth. Very Good/No Jacket. 8vo. vi, 344 pp. Translated and Edited by Henry G. Alsberg with the assistance of Erna MacArthur. Some bruising to bottom edges of covers, minor edgewear, two small tape marks on ffep.

Germany: Insel, 1931. Hardcover. Good. Good hardcover. In German. Pages yellow. Clean text. Corners lightly rubbed. Spine yellowed. Edges of spine slightly rubbed. Please Note: This book has been transferred to Between the Covers from another database and might not be described to our usual standards. Please inquire for more detailed condition information.

NY: Dutton/Obelish. (1983). First thus. Slight foxing, light crease and wear to spine; near fine in wrappers. Unless otherwise noted, our first editions are first printings. First Edition. Softcover. Near Fine.

Paris: Librairie Stock, 1932. Softcover. Very Good. Later edition. In French. General wear and a tanned spine thus very good in wrappers.

Santiago, Chile: Undo Rukser and Albert Theile, Publishers, 1944. Wraps. Good. Printed wraps 40 pp. ALL TEXT IN GERMAN. A single issue of this World War II era German exile periodical, featuring articles on various political, literary and social topics of that era, including a critical piece on Hitler and the ruin of Germany through his rule. With an excerpt reprinted from Stefan Zweig's Episode am Genfer See. According to Ralph Vander Heide, the Deutsche Blatter 'ranks highest among the numerous exile periodicals (...) between the years 1933-1945,' with Robert Cazden stating that it 'represented the best of all German cultural achievement during emigration,' (see Heide: German Leaves, p. 17 for both quotes). GOOD condition. Some writing/ink notes to the upper front cover. Moderate browning, somewhat heavier along the extremities. Minor soiling, scuffing and edgewear. Light toning to the paper.

London:: Cassell and Company Limited,. Very Good. 1949. Hardcover. Translated from the German by Eden and Cedar Paul. First Hallam edition. A bit faded along the spine and fore edge of the rear board, else very good or better in a decorated cloth binding with gilt lettering. No dust jacket. .

Leipzig: Im Insel-Verlag, 1920. Hardcover. Very Good. Hardcover. Biography of French poet and actress Marceline Desbordes-Valmore (1786 - 1859). First Edition. Very good in cream paper covered boards with black title to spine and front cover. Chipping to spine ends and hinges, browning to spine, and minor wear to edges of boards. Minor browning to margins of pages, else clean. Frontispiece illustration. 349 pages. In German. GER210171.

New York: Hastings House, 1954. Hardcover. Very Good/Good. First edition. Translated and edited by Henry G. Alsberg with the assistance of Erna MacArthur. A few pages and text block faintly stained at the bottom, covers with light edgewear, very good in a slightly spine-tanned good only dust jacket with two large tears on the front panel, a 1" chip on the rear panel, faint stains and several small chips and tears.

Garden City Ny: Garden City Publishing, 1947. 1st Edition 1st Printing. Hardcover. Near Fine/Very Good. Ix, 337 Pp. Red Cloth, Gilt. First Edition Stated. Book Near Fine, Gilt Brilliant, Former Owner's Inscription Dated In 1947. Dust Jacket With Light Usage, Price Inked Out, A Few Minute Losses At Edges, Slight Browning To Spine Panel. [No Comparably Lurid Volume Of "Horrid Economic Crimes" Because , Well, Almost Everyone In Commerce And Government And Academia Would Find That Objectionable.]

Leipzig: Insel Verlag, 1931. First Edition. First printing. Octavo. Publishers black-and-yellow cloth boards (hardcover); 445pp. Mild external aging and soil; internally clean, tight and unmarked; Very Good. With the Bauhaus-style bookplate of psychologists Richard & Editha Sterba, graduates of the first class of the Vienna Psychoanalytic Society.

New York: The Viking Press, 1934. Hardcover. Very Good/Very Good. First edition. 247pp. Illustrated with black and white plates. Slightly cocked spine, foxing on the page edges, and spotting thus very good in a very good price-clipped dust jacket with toning, short tears, and spotting.

N.p.: N.p., 1960. Treatment script for an unproduced film. Based on the 1922 novella by the same author, of the same title. The protagonist, a doctor who has moved to India from Germany to practice medicine is overcome by an obsession which eventually leads to his committing suicide. "Amok" is an Indonesian word of Malay origin, referring to people caught up in a blind rage who try to kill their enemy and do not care about whoever else gets killed in their way. From this novella and the word's meaning originates the term "running amok." Set in India. Yellow untitled wrappers. Title page present, with credits for Stefan Zweig. 65 leaves, with last leaf of text number 65. Carbon typescript. Pages Near Fine, wrapper Near Fine bound internally with three gold brads.

Maastricht: Halcyon-Presse, 1933. Very Good in Wraps. A charming small book of this short story by well-known Austrian writer Stefan Zweig. According to the colophon, this story first appeared in print in the Insel-Almanach auf das Jahre 1927. It was published in February 1933 in Philobiblon and reprinted here by the Halcyon-Presse. There were thirty numbered copies printed on BarchamGreen laid paer and signed by the writer. This is an unsigned copy. It is printed in a simple format consisting of three signatures, unsewn and laid into a paper wrapper. The wrapper has a light pink pattern on white paper, with the author, title and press device on the front cover. Browning to spine and light creasing along top edge of front. Text pages are also in very good condition. With the bookplate of Carel Johannes Jacob Gualtherus Vosmaer (1907 - 1986) affixed to inside of front cover. Carel JJG Vosmaer, a son of Professor Gualtherus Vosmaer, who died in 1916, traded under the name St. Lucas Society in “old and new” books and prints and had an “archive for genealogical documents." Measures 5.5 x 4.25 inches. 44 +[1] pages. GERLANG/071823.

New York: Avon Books, 1949. First Edition. No. 44. First Edition. An anthology featuring stories by W. Somerset Maugham, Robert Payne, Stefan Zweig, John D. MacDonald, and Robert Norman Hubner. Very Good in wrappers, with moderate creasing on the edges, and wrappers lightly rubbed.

Dresden: Verlag Der Kunst, 1959. First German language edition. Hardcover. Very good minus. 324pp. Quarto [27 cm] White cloth over boards with a black ink stamped title on the spine, and a black ink stamped woodblock vignette on the front cover. With a tipped-in frontispiece portrait of Masereel. The spine is a bit darkened, and there are multiple areas of light soiling on the boards. The front hinge is a bit weak, and the pages are age-toned. Richly illustrated with woodcuts by this Flemish artist, including some in full color.

Dresden: Verlag Der Kunst, 1959. First edition. Hardcover. Orig. decorated white cloth. Very good in ragged dust wrapper. Masereel, Frans. 324 pages. 27 x 21 cm. Profusely illustrated in black and white. German text. FREITAG 6121.

Dresden: Verlag Der Kunst, 1961. Second German language edition. Hardcover. Very good +. 351pp. Quarto [27 cm] White cloth over thin boards with a black ink stamped title on the spine, and a black ink stamped woodblock vignette on the front cover. With a tipped-in frontispiece portrait of Masereel. The spine is subtly darkened, and the free endsheets are partially toned. Richly illustrated with woodcuts by this Flemish artist, including some in full color.

Berlin: Axel Juncker Verlag, 1923. First edition, not numbered, not signed. Hardcover. Good +. 177pp. Large octavo [25 cm] Green cloth over boards with gilt lettering on the backstrip and front board. With tipped-in photographic representation of Masereel on the verso of the title page. The spine and the edges of the covers are faded, the front hinge is weak, and the text block is just starting to crack at the beginning. The pages are darkened. Ritter, p. 525. Graphiker Unserer Zeit, Band I.

New York: The Viking Press, 1928. First Edition, Third Printing. Hardcover. 10vo, 187 pages; VG/VG-; dust jacket is in a mylar covering, has price uncut '$2.00', has minor wear along the top and bottom edges, with several small closed tears, has mild chipping at the top and bottom of the spine and on the fore edge corners, has discoloration and blotching along the spine; binding has minimal wear along the top and bottom edges; pages have dust build up along the top edge; illustrated endpapers; shelved under Front Counter. 1313474. Shelved Dupont Bookstore.

New York: Alfred A. Knopf, 1928. Very Good/Good. New York: Alfred A. Knopf, 1928. First American Edition. Octavo; xiv, 289pp. Printed blue dust jacket with $2.50 price intact; book in green cloth with dark green lettering. Jacket shallowly tattered along edges with numerous chips and small tears, with a larger chip at head of spine and splitting down much of back flap fold. Boards rubbed and faded along edges, with nudging and some fraying to spine ends and some general scuffs and smudges to surface. Spine a bit cocked. Rear hinge cracked with mesh exposed. Back board and book in general opens easily between gatherings, but binding is sound. Pages unmarked. Fictionalized account of the relationship between Tycho Brahe and Johannes Kepler. Brod was a longtime friend of Franz Kafka, to whom the book is dedicated, and as the literary executor of his estate famously refused to burn Kafka's works in keeping with the more famous author's last wishes.

New York: Viking Press, 1928. First Thus. 12mo (17.75cm.); publisher's cloth in light tan decorative dust jacket printed in brown and orange; [6],187pp.; frontispiece and decorations throughout. Jacket extremities gently rubbed, small chip at spine crown, spine a bit toned, else Near Fine in Very Good or better jacket. "A New York Theatre Guild Production" - upper jacket panel. A modern adaptation of Jonson's 17th-c. comedy; this version was later adapted for George Antheil's 1953 opera.

Pasadena: The Clinker Press. Fine. 2010. Limited Edition. Hardcover. Taupe cloth with illustrated paper cover label; paper spine label. Printed at The Clinker Press by Andre Chaves; set in 10 point Palatino designed by Hermann Zapf and printed on Revere paper in an edition of 140 copies. ; Small 4to 9" - 11" tall; 28 pages .

New York: Viking Press, 1931. First American Edition. First printing. 12mo. Yellow cloth, titled in maroon on spine with color pictorial vignette to front cover; dark green topstain; 121pp. Light soiling to cloth, else a straight, tight, Near Fine copy. In the original pictorial dustwrapper, unclipped (priced $1.50 on front flap), lightly soiled but generally bright and unfaded, Very Good+. Zweig's controversial novella, originally published in the Viennese newspaper Neue Freie Presse in 1922. The story, filled with Freudian references, deals with the romantic obsession of an abortionist with one of his patients, leading finally to her death and his suicide – almost needless to say, this was hardly the drink of choice for Americans in the Great Depression; the print run must have been small and sales smaller still, as today the book is unexpectedly scarce in commerce, and rarely found in nice condition.

Istanbul: Marmara Gazetesi Matbaasi, 1970. 1st Edition . Soft cover. Fine. 8vo - over 7¾ - 9¾" tall. Paperback. Cr. 8vo. (20 x 14 cm). In Armenian. 320 p. Pages partly uncut. Chatrav khaghats'voghy. [= Schachnovelle]. Translated to Armenian by R. Chattechian. The Royal Game (also known as Chess Story; in the original German Schachnovelle, "Chess Novella") is a novella by the Austrian author Stefan Zweig written in 1941, the year before the author's death by suicide. First Armenian Edition of 'Schachnovelle' by Stefan Zweig. Armenian title means 'how to play'. Published by Istanbul Armenians. Not in OCLC.

2007. GOLDYNE, Joseph. The Invisible Collection. By Stefan Zweig. Illustrated with an original etching by Joseph Goldyne. 8vo, 230 x 140 mm., bound in original black morocco-backed sepia-coloured paper over boards. New York: Ursus Books, 2007. A handsome new edition of this classic fable about collecting. Zweig's story, set in Germany in the aftermath of the First World War, is timeless. It eloquently evokes the magic of collecting, the excitement of dealing and the pleasures and complexities of ownership. Joseph Goldyne, the distinguished California artist who is himself a renowned collector, has thoughtfully produced an illustration which successfully solves the problem of how to illustrate a book, which on first reading would seem to defy the concept of illustration. Peter Koch has designed and printed as elegant a version of Zweig's story as one could hope for. One of an edition of only 50 copies elegantly printed by Peter Koch in San Francisco, and containing a signed etching by Joseph Goldyne. The colophon is signed by both Peter Koch and Joseph Goldyne. As new. Bringhurst, Robert. JOSEPH GOLDYNE: Catalogue Raisonné of Books, Portfolios, and Calligraphic Sheets, 008.

Los Angeles: Universal-International Pictures, 1948. Vintage reference photograph of director Max Ophüls talking with actress Joan Fontaine on the set of the 1948 film. Printed mimeo snipe affixed to the verso. Based on the 1922 novella by Stefan Zweig, about a pianist in 1900s Vienna who receives an important letter from a woman from his past, and must figure out how to escape a duel he is due to fight the next morning. The first film produced by Rampart Productions, an independent company formed by Fontaine and her husband William Dozier. 10 x 8 inches. Near Fine. National Film Registry.

N.p.: N.p., 1960. Bound carbon typescript of Stefan Zweig's 1927 novella, made for the purpose of use by German actress Lil Dagover for her reading of same for the 1963 German LP, "Lil Dagover spricht Stefan Zweig." Dagover's name is in blue manuscript ink on the front board, then again with her German address on the front endpaper, then only her name once again on the title page. With Dagover's manuscript corrections to the text on virtually every recto, and, when a rewrite of a passage was required, on the verso to the of a given typescript passage on the recto. Typescript is accompanied by the resulting recording by Dagover, the original German issue by Deustsche Grammophon, released in 1963. One of the most famous works by Zweig, an Austrian Jew who was a passionate collector of autograph manuscripts, maintained close friendships with the likes of Sigmund Freud and Richard Strauss, and whose prose took on the dual concerns of daily life and the impact of politics on everyday people. This novella is an outwardly simple drama of a single day in a woman's life, an English widow who becomes uncontrollably attracted to a gambling diplomat during an evening in Monte Carlo. She is quickly reeled into his very troubled life, and realizes her error too late. The novella was adapted to film in 1931, 1944, 1952, and 1968, and most recently in 2002, with the most notable among these adaptations is Max Ophuls' first American film, "Letter from an Unknown Woman" (1948), starring Joan Fontaine and Louis Jourdan. Pages Near Fine, binding three quarter leather and decorated paper covered boards, with no titling, Very Good plus.

New York: The Viking Press, 1939. First Edition. Hardcover. Good. First American edition, translated from the German by Phyllis and Trevor Blewitt. 8vo. 498 pp. Blue cloth, with gilt lettering to the front board and spine, corners rubbed, spine dulled with faint spots around the bottom, spine foot bumped and rubbed, head worn, with a 2cm tear in the cloth. Without the dust jacket. Bookplate of Liliore Green Palmer to front paste-down. Signed by Zweig in purple to the first blank. Clean throughout and the binding tight and square. Good candidate for a rebind, or quite alright as it sits without the dj.

Berlin: Axel Juncker Verlag, 1923. First edition. Leather bound. Very good. 177pp. Large octavo [26 cm] Bound in full red Morocco with raised bands and the title gilt on the backstrip, boards embossed in blind. Top edge gilt. Marbled endsheets and pastedowns. Moderate rubbing to raised bands of spine. Small bookplate on the front free endsheet. Signed by Masereel on the page bearing his self-portrait p. [31] (though he’s docketed “32” to the colophon). Includes 42 woodcut illustrations and a pasted-in photograph of Masereel on verso of title. This edition was limited to 150 numbered copies on handmade paper, this is copy 88.

Evanston, IL: Northwestern University / The Charles Deering Library, 1938. Second Printing. Hardcover. Near Fine. Second printing. Signed by Stefan Zweig in purple ink on the front free end paper. Publisher's patterned red paper covered boards with title labels on spine and upper board. Near Fine with light toning and shelf wear to covers. Signed by the Austrian writer whose work inspired the 2014 Wes Anderson film, The Grand Budapest Hotel.

Leipzig: Insel-Verlag, 1925. New German Edition. Near Fine. New edition, reprint (33-45 thousand), originally published in 1922. Signed by Stefan Zweig in purple ink on the front free end paper. Publisher's orange cloth with spine decorated in gilt and black and front cover lettered in gilt, lacking the dust jacket. Near Fine, with faint fading to the spine, and an owner bookplate to the half-title page. A lovely copy, signed by the author. Text in German language.

New York: The Viking Press, 1939. First Edition. Very Good. First American edition, first printing. Signed by Stefan Zweig on the front free endpaper. Bound in publisher's royal blue cloth with gilt lettering; lacking dust jacket. Very Good with shelf wear at extremities; slight lean to binding, spine faded and mottled, lettering is quite rubbed. Offsetting to end sheets with remnants of small bookseller ticket to rear; contents lightly tanned. Scarce historical novel that was later adapted into film by Maurice Elvey in 1946. Wes Anderson loosely based The Grand Budapest Hotel off this work.