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Yale University Press, 2006-11-01. hardcover. Very Good/Very Good. 10x1x12.

Used book in good and clean conditions. Pages and cover are intact. Limited notes marks and highlighting may be present. May show signs of normal shelf wear and bends on edges. Item may be missing CDs or access codes. May include library marks. Fast Shipping.

Yale. Used - Very Good. Cloth, dj. Minor shelf wear. Else a bright, clean copy. Very Good.

Cloth, dj. Minor shelf wear. Else a bright, clean copy. Very Good.

Yale University Press, 2006-10-31. hardcover. Good. Text is Very Good, minor ding to right edge of rear cover and dust jacket. DJ has some light shelf rubbing and sunning to spine. Most items shipped via US Mail. Please provide a US Mail delivery address at checkout. Biblio's shipping charge based on a 2 lb weight. Oversize and heavy books will require an additional shipping charge.

Yale, 2006. Hardcover. Good/Good. The jacket is shelf worn and rubbed with the bottom edge of having a few small tears. The cover is slightly scratched, particularly from the back cover. Spine is slightly shaken, but binding is secure. Pages are clean and unmarked.

Yale University Press, 2006. 1st Edition 1st Printing. Hardcover. Fine/Fine. 287 Pp. Blue Cloth Lettered In Blind. First Printing Indicated. Fine In Fine Dust Jacket.

New Haven: Yale University Press, 2006. Hardcover. VG/VG (light shelf-wear boards. rubbing to corners. bump & crease to lower corner. pg edges-toned. dustjacket lower corner creased; back cover scuffed). Blue cloth boards, color-illustrated dust jacket with black lettering. 287 pp. 175 color and 135 BW illustrations. Best known for his barbed art for the New Yorker, Saul Steinberg did much more. This work looks at Steinberg's extraordinary contribution to twentieth-century art, which was that of a modern-day illuminator. It raises questions about the historiography of modernism and the status of 'the middlebrow avant-garde' in an age of museum-bound art. -WorldCat Published on the occasion of an exhibition, organized by the Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, N.Y. and held the Morgan Library, N.Y., Dec. 1, 2006-Feb. 28, 2007 and other locations.

Blue cloth boards, color-illustrated dust jacket with black lettering. 287 pp. 175 color and 135 BW illustrations. Best known for his barbed art for the New Yorker, Saul Steinberg did much more. This work looks at Steinberg's extraordinary contribution to twentieth-century art, which was that of a modern-day illuminator. It raises questions about the historiography of modernism and the status of 'the middlebrow avant-garde' in an age of museum-bound art. -WorldCat Published on the occasion of an exhibition, organized by the Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, N.Y. and held the Morgan Library, N.Y., Dec. 1, 2006-Feb. 28, 2007 and other locations.

Yale University Press, 2006-11-01. hardcover. Very Good. 10x1x12. Maybe read once. Hardcover and dust jacket show only light cover wear. Text is unmarked and binding tight. Ships FAST!

Hardbound in dust jacket.1st edition. Minor wear to dust jacket, otherwise very good [ Heavy. Contact for overseas shipping quote. ]

Yale University Press, 2006. First edition. Hardcover. fine/near fine. Quarto. 12 1/4" x 10 1/4". 287pp. A fine copy in dust jacket. SAul Steeinberg is known for his art for The New Yorker.

New Haven CT: Yale University Press;, 2006. 1st. Hardcover. Very Good/Very Good. Hardcover, 288 pages. Saul Steinberg (1914-99) described himself as a "writer who draws," thus inspiring curator Smith to characterize Steinberg's brilliantly satiric drawings as "illuminations," thus linking his work to illuminated manuscripts and, given Steinberg's love of literature, to a particular favorite, Arthur Rimbaud's Illuminations. Smith also explores Steinberg's mission to illuminate the overlooked and the absurd. In the biographical sections of his beautifully crafted critique, Smith affectingly recounts Steinberg's life as a Jew in anti-Semitic Romania and an architecture student in Fascist Milan whose distinctive cartoons served as his ticket out of Nazi Europe and onto the pages of the New Yorker. Both Smith and renowned poet Charles Simic associate Steinberg's fascination with documents with his harrowing refugee experiences, while Simic, a fellow immigrant from the Balkans and a friend of Steinberg's, offers striking insights into the artist's comic sensibility. Both commentators reflect on the great change in Steinberg's work after 1960, as his images turned hallucinatory and nightmarish, his protest against tyranny more intense. As instantly recognizable as Steinberg's kinetic, punning, and slyly skewering art is, there hasn't been a comprehensive Steinberg book in years, making this outstanding volume invaluable in its reclamation of Steinberg's agile, philosophic, and category-defying art. Record # 362459

Used book in good and clean conditions. Pages and cover are intact. Limited notes marks and highlighting may be present. May show signs of normal shelf wear and bends on edges. Item may be missing CDs or access codes. May include library marks. Fast Shipping.

Cloth, dj. Minor shelf wear. Else a bright, clean copy. Very Good.

UsedLikeNew. Text block, boards and binding are pristine. Dust wrapper in fine, like new condition. Well packaged and promptly shipped from California. Partnered with Friends of the Library since 2010.

Blue cloth boards, color-illustrated dust jacket with black lettering. 287 pp. 175 color and 135 BW illustrations. Best known for his barbed art for the New Yorker, Saul Steinberg did much more. This work looks at Steinberg's extraordinary contribution to twentieth-century art, which was that of a modern-day illuminator. It raises questions about the historiography of modernism and the status of 'the middlebrow avant-garde' in an age of museum-bound art. -WorldCat Published on the occasion of an exhibition, organized by the Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, N.Y. and held the Morgan Library, N.Y., Dec. 1, 2006-Feb. 28, 2007 and other locations.

New Haven: Yale University Press, 2006. Cloth/dust jacket Quarto. Hardcover. Very good/very good. blue cloth, blindstamped lettering, dust jacket, 287 pp Standard shipping (no tracking) / Priority (with tracking) / Custom quote for large or heavy orders.

Size: 10x1x12; Maybe read once. Hardcover and dust jacket show only light cover wear. Text is unmarked and binding tight. Ships FAST!

Yale University Press, New Haven, 2006. Book. Near Fine. Cloth. 288 pages with 310 illustrations 175 in color. Minor rubbing and wear to the covers and edges. Spine is slightly cocked. Introduction by Charles Simic. Published on the occasion of the exhibition from The Morgan Library & Museum, New York NY November 30, 2006-March 4, 2007 and the Smithsonian American Art Museum, Washington DC April 6-June 24, 2007. Chronology..

Hardbound in dust jacket.1st edition. Minor wear to dust jacket, otherwise very good [ Heavy. Contact for overseas shipping quote. ]

CT: Yale University Press, 2006. first edition. Hardcover. Fine/near fine. 10 x 13 in. Blue cloth boards. Condition is FINE ; like new on all points. Text spotless. DJ is NEAR FINE ; like near new, no wear. Extra shipping may apply. Art. RGR.

Size: 10x1x12; New. In shrink wrap. Looks like an interesting title!