Search results 13 Found

Yale University Press 2006. Fine in publishers cloth in like dustjacket (still shrink wrapped). Mexico witnessed an exciting revival of printmaking alongside its better-known public mural program in the decades after the 1910--20 revolution. Major artists such as Jose Clemente Orozco, Diego Rivera, David Alfaro Siqueiros, and Rufino Tamayo produced numbers of prints that furthered the social and political reforms of the revolution and helped develop a uniquely Mexican cultural identity. This groundbreaking book is the first to undertake an in-depth examination of these prints, the vital contributions Mexico's printmakers made to modern art, and their influence on coming generations of foreign artists. Along with a thorough discussion of the printmaking practices of Orozco, Rivera, Siqueiros, Tamayo, and others, the book features some 300 handsomely illustrated prints----many previously unpublished. Essays by distinguished scholars investigate the dynamic cultural exchange between Mexico and other countries at this time. They analyze the work of such Mexican artists as Emilio Amero and Jesus Escobedo, who traveled abroad, and such international artists as Elizabeth Catlett and Jean Charlot, who came to Mexico. They also discuss the important roles of the Taller de Grafica Popular, a flourishing print workshop founded in Mexico City in 1937, and the Weyhe Gallery in New York, which published and distributed prints by many of these artists during the 1920s and 1930s. Together, the prints and essays tell the fascinating history of Mexico's graphic-arts movement in the first half of the 20th century. ISBN 0300120044

First Edition. Fine / near fine. Approximately 300 prints are reproduced from the collections of the Philadelphia Museum of Art and the McNay Art Museum. Many of the prints have not been previously published. Following the 1910-1920 Mexican revolution graphic arts in Mexico exploded along with the public mural program. These 2 artistic developments helped establish the modern Mexican identity. Book is in fine, like new condition. The dust jacket has slight shelf wear and is listed as near fine. No tears, bumps or interior markings.

Philadelphia Museum of Art / McNay Art Museum / Yale University Press, 2006. 4to. 289 pp. Red cloth. Fine in Near Fine dust jacket. Slight shelfwear to jacket.. First Edition. Hardcover. Fine.

Yale, 2006. Hardcover. Fine/Very good. Some sticker residue on front of dust jacket.

Sewn binding. Cloth over boards. With dust jacket. 302 p. Contains: Illustrations.

Sewn binding. Cloth over boards. With dust jacket. 302 p. Contains: Illustrations.

*** FREE UPGRADE to Courier/Priority Shipping Upon Request ***-*** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT-Flawless copy, brand new, pristine, never opened--Text in English. 302 pp. With 310 ills. (129 col. ). 31 x 24 cm. --with a bonus offer--

*** FREE UPGRADE to Courier/Priority Shipping Upon Request ***-*** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT-Flawless copy, brand new, pristine, never opened--Text in English. 302 pp. With 310 ills. (129 col. ). 31 x 24 cm. --with a bonus offer--