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Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

1995. Paperback. Good.

Thames & Hudson. Used - Good. 1995. Paperback. Good. (Subject: Books).

1995. Paperback. Fine. Paperback. 2015. Originally published at $35. In publisher's shrinkwrap. New.

Thames & Hudson. New. 1995. Paperback. Fine. Paperback. 2015. Originally published at $35. In publisher's shrinkwrap. New.

Fine. Paperback. 2015. Originally published at $35.

1995. Paperback. Fine. Paperback. 2015. Originally published at $35. In publisher's shrinkwrap. New.

Thames & Hudson. Near Fine. 1995. Hard Cover in Dust Jacket. 0500237069 HARDCOVER IN DUST JACKET. 4to, 352 pp, near fine in gilt-stamped cloth in pictorial dust jacket. 417 illustrations, including 300 in color. Excellent, lavish overview of decorative and propaganda arts, mainly from Miami's Wolfsonian collection. .

UsedAcceptable. Used: Acceptable Condition.

UsedAcceptable. Used: Acceptable Condition.

UsedGood. Used Good:Minor shelf wear.

UsedGood. Used Good:Minor shelf wear.

UsedVeryGood. signs of little wear on the cover.

UsedVeryGood. Minor shelf wear

Thames & Hudson Ltd. Fine with no wear or markings in a used looking jacket. Fascinating reference and choice of items displayed in full-color with lots of information. Large format. This price includes the cost of safe extra shipping via USPS media rate. . Fine. Hardcover. 1st Edition. 1995.

UsedLikeNew. Remainder mark

UsedLikeNew. Remainder mark

New. .

New. .

Thames & Hudson, 1995-11-01. First Edition. Hardcover. Fine/Near Fine. First printing. Fine volume in an unclipped, sleeve protected, dust jacket which has some light spine end wear. This is an oversized volume. Priority and international mailings will require additional postage.

New York / Miami Beach, FL: Thames and Hudson / Wolfsonian Foundation, 1995. Softcover. VG-. May have slight damage to front cover along right edge. Bottom corners slightly bent. Clean contents.. Grey silverish wraps with color illustration. 352 pp. Numerous bw & color plates. Edited by Wendy Kaplan, this catalogue was prepared to accompany the inaugural exhibition of the Wolfsonian. Contents read as follows: Traditions transformed : romantic nationalism in design, 1890-1920 / Wendy Kaplan -- Germany design and national identity, 1890-1918 / Laurie A. Stein with contributions by Irmela Franzke -- The decorative arts in Amsterdam, 1890-1930 / Ellinoor Bergvelt -- The English compromise : modern design and national consciousness, 1870-1940 / Paul Greenhalgh -- Domesticating modernity : ambivalence and appropriation, 1920-1940 / Jeffrey L. Meikle -- Forging modern Italy : from wrought iron to aluminum / Irene de Guttry & Maria Paola Maino -- A "return to order" : issues of the vernacular and the classical in Italian inter-war design / Marianne Lamonaca -- Political things : design in fascist Italy / Dennis P. Doordan -- Design in inter-war Germany / John Heskett -- Emblems of production : workers in German, Italian, and American art during the 1930s / Bernard F. Reilly, Jr.

Grey silverish wraps with color illustration. 352 pp. Numerous bw & color plates. Edited by Wendy Kaplan, this catalogue was prepared to accompany the inaugural exhibition of the Wolfsonian. Contents read as follows: Traditions transformed: romantic nationalism in design, 1890-1920 / Wendy Kaplan--Germany design and national identity, 1890-1918 / Laurie A. Stein with contributions by Irmela Franzke--The decorative arts in Amsterdam, 1890-1930 / Ellinoor Bergvelt--The English compromise: modern design and national consciousness, 1870-1940 / Paul Greenhalgh--Domesticating modernity: ambivalence and appropriation, 1920-1940 / Jeffrey L. Meikle--Forging modern Italy: from wrought iron to aluminum / Irene de Guttry & Maria Paola Maino--A "return to order": issues of the vernacular and the classical in Italian inter-war design / Marianne Lamonaca--Political things: design in fascist Italy / Dennis P. Doordan--Design in inter-war Germany / John Heskett--Emblems of production: workers in German, Italian, and American art during the 1930s / Bernard F. Reilly, Jr.

London, Thames and Hudson, 1995. Hardcover. Good.

Thames & Hudson Ltd.. Very Good. 0500237069. with dustjacket, bright clean copy . 1995. Hardcover.

London: Thames and Hudson., 1995. 352pp, index, 417 ills (300 col). Or gray cloth in jacket. As new. Published to coincide with a travelling exhibition from the Wolfsonian, a Miami institution devoted to examining the social, political and aesthetic significance of objects produced between 1885 & 1945. The book looks at the ways that political, industrial and cultural leaders have employed design in their programs of reform and their efforts to shape public opinion. Shows how design has been a vital tool in acclimatizing people to life in the modern world and helping to form a sense of national identity, particularly in European countries, through local crafts and vernacular buildings.. First Edition. Hard Cover. Fine/Fine. 4to.

Fine. Paperback. 2015. Originally published at $35.

United Kingdom: Thames & Hudson, 1995. Large hardback in fine condition with fine dust jacket.. Hardcover. Fine/Fine.

1995. Paperback. Fine. Paperback. 2015. Originally published at $35. In publisher's shrinkwrap. New.

New York: Thames & Hudson, 1995. First edition. Hardcover. Published in conjunction with a traveling exhibition that ran November 11, 1995 through April 28, 1996 at The Wolfsonian in Miami and then went on to three other locations for additional dates. Preface by Peggy Loar. Essays by Wendy Kaplan, Laurie A. Stein with contributions by Immela Franzke, Elinoor Bergvelt, Paul Greenhaigh, Jeffrey L. Meikle, Irene de Guttry & Maria Paola Maino, Marianne Lamonaca, Dennis P. Doordan, John Heskett, and Bernard F. Reilly, Jr. Includes 400 illustations with 300 in color. An about good copy with some rolling to the pages from being improperly stored in a near fine dust jacket. A good reference copy. This is a heavy and oversized book and will require extra shipping.

New York: Thames & Hudson, 1995. First edition. Softcover. 352 pages. Published in conjunction with a traveling exhibition that ran November 11, 1995 through April 28, 1996 at The Wolfsonian in Miami and then went on to three other locations for additional dates. Preface by Peggy Loar. Essays by Wendy Kaplan, Laurie A. Stein with contributions by Immela Franzke, Elinoor Bergvelt, Paul Greenhaigh, Jeffrey L. Meikle, Irene de Guttry & Maria Paola Maino, Marianne Lamonaca, Dennis P. Doordan, John Heskett, and Bernard F. Reilly, Jr. Includes 400 illustations with 300 in color. A near fine copy in wrappers with some minor wear. Signed and warmly inscribed by Wendy Kaplan on the front free endpaper to an author and curator. Uncommon signed.

Thames and Hudson, 1995. Hardcover. Fine/Fine.

One of the critical formative influences of the 20th century has been the response to modernity. In the struggle between modern and anti-modern forces, between progressiveness and reaction, design has been a key element in the service of reform movements and as an agent of propaganda. Written by leading social and art historians, this book is published to accompany a travelling exhibition organized by the Wolfsonian, a Miami institution dedicated to examining the social, political and aesthetic significance of objects produced between 1885 and 1945. With hundreds of photographs of the Wolfsonian's collection of objects-posters, books, furniture and ceramics-it shows how design has been a vital tool in acclimatizing people to life in the modern world, examining the different ways that political, industrial and cultural leaders throughout Europe and America have used design in their programmes of reform, in their efforts to shape public opinion and the forge a sense of national identity. Very nice clean, tight copy free of any marks.

Thames & Hudson, 1995. Book. Fine. Hardcover. First Ed. First ed. Fine/Fine condition..

Large hardback in fine condition with fine dust jacket.

United Kingdom: Thames & Hudson, 1995 hardback book in near fine condition,dust jacket is very good to near fine,crease on front flap. 1st Edition. Hardcover. Near Fine/Very Good.

0500237069. with dustjacket, bright clean copy.

New York: Thames and Hudson, 1995. Cloth, 352 pages, illustrations (some colour); 29 cm. Published to accompany the inaugural touring exhibition of the Wolfsonian, Palm Beach, Fla., November 11, 1995 to May 18, 1997. Firm binding, clean inside copy. Dust jacket protected in a mylar cover. OVERSIZE! No priority/international, except by arrangement. Richly illustrated with colour plates. *** CONTENTS: Confronting modernity: traditions transformed - romantic nationalism in design, 1890-1920; German design and national identity, 1890-1918; the decorative arts in Amsterdam, 1890-1930; the English compromise - modern design and national consciousness, 1870-1940. Celebrating modernity: domesticating modernity - ambivalence and appropriation, 1920-1940; forging modern Italy; a "return to order" - issues of the vernacular and the classical in Italian inter-war design. Manipulating modernity - political persuasion: political things - design in Fascist Italy; design in inter-war Germany; emblems of production - workers in German, Italian and American art during the 1930's... 1st. Hardcover. Fine/Fine. 4to. Collectible.

One of the critical formative influences of the 20th century has been the response to modernity. In the struggle between modern and anti-modern forces, between progressiveness and reaction, design has been a key element in the service of reform movements and as an agent of propaganda. Written by leading social and art historians, this book is published to accompany a travelling exhibition organized by the Wolfsonian, a Miami institution dedicated to examining the social, political and aesthetic significance of objects produced between 1885 and 1945. With hundreds of photographs of the Wolfsonian's collection of objects-posters, books, furniture and ceramics-it shows how design has been a vital tool in acclimatizing people to life in the modern world, examining the different ways that political, industrial and cultural leaders throughout Europe and America have used design in their programmes of reform, in their efforts to shape public opinion and the forge a sense of national identity. Paperback has very minor shelfwear. Interior is ilke new.

New York: Thames and Hudson, 1995. Hardcover. VG- (Slight foxing inside dj; book block is slightly bent; pages are clean.). Gray stamped cloth, gray & illus. dust jacket, 352 pp., 300 color illus., 117 BW illus. Issued in conjunction with the inaugural exhibition (1995-1996) of the Wolfsonian. "Looks at the different ways that political, industrial, and cultural leaders have employed design in their programs of reform and their effort to shape public opinion. It shows how design has been a vital tool in acclimatizing people to life in the modern world and has helped to formulate a sense of national identity, especially in European countries, through local crafts and vernacular buildings." (dj).

0500237069. with dustjacket, bright clean copy.

352pp, index, 417 ills (300 col). Or gray cloth in jacket. As new. Published to coincide with a travelling exhibition from the Wolfsonian, a Miami institution devoted to examining the social, political and aesthetic significance of objects produced between 1885 & 1945. The book looks at the ways that political, industrial and cultural leaders have employed design in their programs of reform and their efforts to shape public opinion. Shows how design has been a vital tool in acclimatizing people to life in the modern world and helping to form a sense of national identity, particularly in European countries, through local crafts and vernacular buildings.

Gray stamped cloth, gray & illus. dust jacket, 352 pp., 300 color illus., 117 BW illus. Issued in conjunction with the inaugural exhibition (1995-1996) of the Wolfsonian. "Looks at the different ways that political, industrial, and cultural leaders have employed design in their programs of reform and their effort to shape public opinion. It shows how design has been a vital tool in acclimatizing people to life in the modern world and has helped to formulate a sense of national identity, especially in European countries, through local crafts and vernacular buildings." (dj).

Thames & Hudson, London, 1995. 1st Edition. HARDCOVER. Thick, very heavy 4to in grey faux cloth, silver lettering to spine. 352pp on stiff art paper colour plates, numerous illustrations in text, index etc __CONDITION : An extremely well preserved almost AS NEW copy (one leaf is creased from poor handling and has an associated, but very neatly repaired, short closed tear to the outer margin) in a very slightly edge-creased almost AS NEW Dust Jacket. __NOTE Due to size and/or weight, shipping will cost more than price shown above. Orders made by card will be completed only after you have approved any such extra cost... __To see more of our books on Design type DbbDESIGN in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS

0500237069 HARDCOVER IN DUST JACKET. 4to, 352 pp, near fine in gilt-stamped cloth in pictorial dust jacket. 417 illustrations, including 300 in color. Excellent, lavish overview of decorative and propaganda arts, mainly from Miami's Wolfsonian collection.

Fine with no wear or markings in a used looking jacket. Fascinating reference and choice of items displayed in full-color with lots of information. Large format. This price includes the cost of safe extra shipping via USPS media rate.

New York: Thames and Hudson, 1995. 352 pages; 417 illustrations, including 300 in color. Essays from eleven contributors. One small closed tear on the jacket's back panel at the foot, otherwise fine.. 1st U.S Edition. Printed Paper Boards. Fine/Very Good. Square 4to.

Grey silverish wraps with color illustration. 352 pp. Numerous bw & color plates. Edited by Wendy Kaplan, this catalogue was prepared to accompany the inaugural exhibition of the Wolfsonian. Contents read as follows: Traditions transformed: romantic nationalism in design, 1890-1920 / Wendy Kaplan--Germany design and national identity, 1890-1918 / Laurie A. Stein with contributions by Irmela Franzke--The decorative arts in Amsterdam, 1890-1930 / Ellinoor Bergvelt--The English compromise: modern design and national consciousness, 1870-1940 / Paul Greenhalgh--Domesticating modernity: ambivalence and appropriation, 1920-1940 / Jeffrey L. Meikle--Forging modern Italy: from wrought iron to aluminum / Irene de Guttry & Maria Paola Maino--A "return to order": issues of the vernacular and the classical in Italian inter-war design / Marianne Lamonaca--Political things: design in fascist Italy / Dennis P. Doordan--Design in inter-war Germany / John Heskett--Emblems of production: workers in German, Italian, and American art during the 1930s / Bernard F. Reilly, Jr.

352pp, index, 417 ills (300 col). Or gray cloth in jacket. As new. Published to coincide with a travelling exhibition from the Wolfsonian, a Miami institution devoted to examining the social, political and aesthetic significance of objects produced between 1885 & 1945. The book looks at the ways that political, industrial and cultural leaders have employed design in their programs of reform and their efforts to shape public opinion. Shows how design has been a vital tool in acclimatizing people to life in the modern world and helping to form a sense of national identity, particularly in European countries, through local crafts and vernacular buildings.

One of the critical formative influences of the 20th century has been the response to modernity. In the struggle between modern and anti-modern forces, between progressiveness and reaction, design has been a key element in the service of reform movements and as an agent of propaganda. Written by leading social and art historians, this book is published to accompany a travelling exhibition organized by the Wolfsonian, a Miami institution dedicated to examining the social, political and aesthetic significance of objects produced between 1885 and 1945. With hundreds of photographs of the Wolfsonian's collection of objects-posters, books, furniture and ceramics-it shows how design has been a vital tool in acclimatizing people to life in the modern world, examining the different ways that political, industrial and cultural leaders throughout Europe and America have used design in their programmes of reform, in their efforts to shape public opinion and the forge a sense of national identity. Very nice clean, tight copy free of any marks.

First ed. Fine/Fine condition.

Large hardback in fine condition with fine dust jacket.

New York: Thames & Hudson, 1995. 1st. Hardcover. New/New. 11.3x10.3x1.3in. With 417 illustrations, 300 in color. 352pp 5.03lb 11.3x10.3x1.3in

Hardback book in near fine condition, dust jacket is very good to near fine, crease on front flap.

One of the critical formative influences of the 20th century has been the response to modernity. In the struggle between modern and anti-modern forces, between progressiveness and reaction, design has been a key element in the service of reform movements and as an agent of propaganda. Written by leading social and art historians, this book is published to accompany a travelling exhibition organized by the Wolfsonian, a Miami institution dedicated to examining the social, political and aesthetic significance of objects produced between 1885 and 1945. With hundreds of photographs of the Wolfsonian's collection of objects-posters, books, furniture and ceramics-it shows how design has been a vital tool in acclimatizing people to life in the modern world, examining the different ways that political, industrial and cultural leaders throughout Europe and America have used design in their programmes of reform, in their efforts to shape public opinion and the forge a sense of national identity. Paperback has very minor shelfwear. Interior is ilke new.

Gray stamped cloth, gray & illus. dust jacket, 352 pp., 300 color illus., 117 BW illus. Issued in conjunction with the inaugural exhibition (1995-1996) of the Wolfsonian. "Looks at the different ways that political, industrial, and cultural leaders have employed design in their programs of reform and their effort to shape public opinion. It shows how design has been a vital tool in acclimatizing people to life in the modern world and has helped to formulate a sense of national identity, especially in European countries, through local crafts and vernacular buildings." (dj).

One of the critical formative influences of the 20th century has been the response to modernity. In the struggle between modern and anti-modern forces, between progressiveness and reaction, design has been a key element in the service of reform movements and as an agent of propaganda. Written by leading social and art historians, this book is published to accompany a travelling exhibition organized by the Wolfsonian, a Miami institution dedicated to examining the social, political and aesthetic significance of objects produced between 1885 and 1945. With hundreds of photographs of the Wolfsonian's collection of objects-posters, books, furniture and ceramics-it shows how design has been a vital tool in acclimatizing people to life in the modern world, examining the different ways that political, industrial and cultural leaders throughout Europe and America have used design in their programmes of reform, in their efforts to shape public opinion and the forge a sense of national identity.

London: Thames & Hudson, 1995. First edition. Hardcover. Preface by Peggy Loar. Essays by Wendy Kaplan, Laurie A. Stein with contributions by Immela Franzke, Elinoor Bergvelt, Paul Greenhaigh, Jeffrey L. Meikle, Irene de Guttry & Maria Paola Maino, Marianne Lamonaca, Dennis P. Doordan, John Heskett, and Bernard F. Reilly, Jr. Beautiful monograph with 417 illustrations including 300 in color. A fine copy in a very near fine dust jacket. This is a heavy and oversized book and will require extra shipping.

Size: 9x6x0; New. In shrink wrap. Looks like an interesting title!

Thames & Hudson, 1995-11-01. Hardcover. New. New. In shrink wrap. Looks like an interesting title!

New York, N.Y. : Thames and Hudson : The Wolfsonian, 1995. First Edition. Hardcover. Near fine copy in illustrated boards, in a very good, slightly edge-nicked and dust-dulled dust-wrapper, now mylar-sleeved. Remains particularly and surprisingly well-preserved overall; tight, bright, clean and strong. Physical description : 352 p. : ill. (some col.) ; 29 cm. Subjects : Wolfsonian Foundation Catalogs. Decorative arts History 19th century Exhibitions. Decorative arts History 20th century Exhibitions. Design History 19th century Exhibitions. Design History 20th century Exhibitions.

One of the critical formative influences of the 20th century has been the response to modernity. In the struggle between modern and anti-modern forces, between progressiveness and reaction, design has been a key element in the service of reform movements and as an agent of propaganda. Written by leading social and art historians, this book is published to accompany a travelling exhibition organized by the Wolfsonian, a Miami institution dedicated to examining the social, political and aesthetic significance of objects produced between 1885 and 1945. With hundreds of photographs of the Wolfsonian's collection of objects-posters, books, furniture and ceramics-it shows how design has been a vital tool in acclimatizing people to life in the modern world, examining the different ways that political, industrial and cultural leaders throughout Europe and America have used design in their programmes of reform, in their efforts to shape public opinion and the forge a sense of national identity.

Size: 9x6x0; New. In shrink wrap. Looks like an interesting title!

London:: Thames & Hudson,, 1995.. First Printing of the First UK Edition. A Near Fine copy in a Near Fine unclipped dust jacket. This exhibition catalogue contains over 400 illustrations (300 in color) examining the social, political and aesthetic significance of objects produced between 1885 and 1945. Documented here are the ideas and designs that trace the course of Western civilization and the contributions of design to the monumentous changes that have changed our lives. Topics explored include Romantic Nationalism in Design, Decorative Arts in Amsterdam, Forging Modern Italy, Design in Fascist Italy and Design in Inter-War Germany.

*** FREE UPGRADE to Courier/Priority Shipping Upon Request ***-*** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT-Flawless copy, brand new, pristine, never opened--352 pp. With 418 ills. (298 col. ). 29 x 26 cm. --with a bonus offer--; 0.4 x 9.4 x 6.8 Inches.

Thames & Hudson. New. 1995. Hardcover. 0500237069 .*** FREE UPGRADE to Courier/Priority Shipping Upon Request *** - *** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy, brand new, pristine, never opened -- 352 pp. With 418 ills. (298 col. ). 29 x 26 cm. -- with a bonus offer--; 0.4 x 9.4 x 6.8 Inches .

*** FREE UPGRADE to Courier/Priority Shipping Upon Request ***-*** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT-Flawless copy, brand new, pristine, never opened--352 pp. With 418 ills. (298 col. ). 29 x 26 cm. --with a bonus offer--; 0.4 x 9.4 x 6.8 Inches.