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Sewn binding. Cloth over boards. 272 p. Contains: Illustrations.

Princeton University Press, 2002-12-08. hardcover. Used: Good.

Size: 10x1x12; Near Fine, in VG DJ. Signed and inscribed by the author, Jack Wasserman on the FFEP. Tight binding, clean pages. Mild surface/edge wear to the DJ.

Sewn binding. Cloth over boards. 272 p. Contains: Illustrations.

Size: 10x1x12; Near Fine, in VG DJ. Signed and inscribed by the author, Jack Wasserman on the FFEP. Tight binding, clean pages. Mild surface/edge wear to the DJ.

hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book.

Princeton University Press 2002. Mint in publishers cloth in like dustjacket (still shrink wrapped). This is the most thorough and revealing study ever of one of Michelangelo's most beautiful, dramatic, and debated works of art: the Florence Pietˆ. The artist designed the monumental statue late in life for his own tomb, but after a decade of intermittent labor he badly damaged the work, which was later repaired by an assistant. Jack Wasserman, the book's editor and main author, enlists the expertise of scholars Timothy Verdon and Franca Trinchieri Camiz, sculptor Peter Rockwell, and three teams of scientists to understand a work of extraordinary emotional power. By examining all aspects of the statue's depiction of Christ and of his physical relationship to the other figures, especially the Virgin, this book brings to life Michelangelo's great struggle to give conclusive form to his own relationship to God--a relationship unmistakably reflected in the artist's representation of himself as the bearded man supporting Christ. ISBN 0691016216

Size: 9x6x1; New. In shrink wrap. Looks like an interesting title!

Princeton University Press, 2002-12-08. Hardcover. New. New. In shrink wrap. Looks like an interesting title!

Size: 9x6x1; New. In shrink wrap. Looks like an interesting title!

With contributions by Franca Trinchieri Camiz, Timothy Verdon, and Peter Rockwell. Technical studies by ENEA, Opificio della Pietre Dure, and IBM. New photography by Aurelio Amendola. Includes a CD-ROM by IBM with additional technical information. With 4 color plates, 51`duotones and 69 black-and-white illustrations. The dust jacket is protected by a Brodart mylar cover and is not clipped. Not an ex-library copy. No remainder marks. Most books shipped within 24 hours. All books mailed with Delivery Confirmation. Fine condition in fine dust jacket.; Color and black-and-white illustrations; Folio 13"-23" tall; 271 pages.

Princeton University Press, 2002-12-08. hardcover. Used:Good.

Sewn binding. Cloth over boards. 272 p. Contains: Illustrations.

With contributions by Franca Trinchieri Camiz, Timothy Verdon, and Peter Rockwell. Technical studies by ENEA, Opificio della Pietre Dure, and IBM. New photography by Aurelio Amendola. Includes a CD-ROM by IBM with additional technical information. With 4 color plates, 51`duotones and 69 black-and-white illustrations. The dust jacket is protected by a Brodart mylar cover and is not clipped. Not an ex-library copy. No remainder marks. Most books shipped within 24 hours. All books mailed with Delivery Confirmation. Fine condition in fine dust jacket.; Color and black-and-white illustrations; Folio 13"-23" tall; 271 pages.

Sewn binding. Cloth over boards. 272 p. Contains: Illustrations.

*** FREE UPGRADE to Courier/Priority Shipping Upon Request ***-*** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT-271 pp--IMPORTANT: Interior text is clean, tight, and unmarked. Pages are intact and tight to the spine. --"This is the most thorough and revealing study ever of one of Michelangelo's most beautiful, dramatic, and debated works of art: the Florence Pietà. The artist designed the monumental statue late in life for his own tomb, but after a decade of intermittent labor he badly damaged the work, which was later repaired by an assistant. Jack Wasserman, the book's editor and main author, enlists the expertise of scholars Timothy Verdon and Franca Trinchieri Camiz, sculptor Peter Rockwell, and three teams of scientists to understand a work of extraordinary emotional power. By examining all aspects of the statue's depiction of Christ and of his physical relationship to the other figures, especially the Virgin, this book brings to life Michelangelo's great struggle to give conclusive form to his own relationship to God--a relationship unmistakably reflected in the artist's representation of himself as the bearded man supporting Christ. Through an unprecedented multidisciplinary approach that combines technical, historical, archival, and interpretive analysis, the book clarifies and revises the history of the Pietà from its inception to its reception through the centuries. For the first time ever, a computer-generated virtual model is used to study a major work of art by revealing previously unimaginable detail and perspectives, including the extent of the initial repairs and subsequent alterations made to the sculpture. Numerous illustrations reveal the Pietà in rich detail and an accompanying CD-ROM provides access to the digital imagery while expanding the book's technical and scientific content." Princeton University Press--with a bonus offer--; 4to-over 9¾"-12" tall.

Princeton, NJ, U.S.A.: Princeton University Press. New. 2002. Hardcover. 0691016216 .*** FREE UPGRADE to Courier/Priority Shipping Upon Request *** - *** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - 271 pp -- IMPORTANT: Interior text is clean, tight, and unmarked. Pages are intact and tight to the spine. -- "This is the most thorough and revealing study ever of one of Michelangelo's most beautiful, dramatic, and debated works of art: the Florence Pietà. The artist designed the monumental statue late in life for his own tomb, but after a decade of intermittent labor he badly damaged the work, which was later repaired by an assistant. Jack Wasserman, the book's editor and main author, enlists the expertise of scholars Timothy Verdon and Franca Trinchieri Camiz, sculptor Peter Rockwell, and three teams of scientists to understand a work of extraordinary emotional power. By examining all aspects of the statue's depiction of Christ and of his physical relationship to the other figures, especially the Virgin, this book brings to life Michelangelo's great struggle to give conclusive form to his own relationship to God--a relationship unmistakably reflected in the artist's representation of himself as the bearded man supporting Christ. Through an unprecedented multidisciplinary approach that combines technical, historical, archival, and interpretive analysis, the book clarifies and revises the history of the Pietà from its inception to its reception through the centuries. For the first time ever, a computer-generated virtual model is used to study a major work of art by revealing previously unimaginable detail and perspectives, including the extent of the initial repairs and subsequent alterations made to the sculpture. Numerous illustrations reveal the Pietà in rich detail and an accompanying CD-ROM provides access to the digital imagery while expanding the book's technical and scientific content." Princeton University Press -- with a bonus offer--; 4to - over 9¾" - 12" tall .

*** FREE UPGRADE to Courier/Priority Shipping Upon Request ***-*** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT-271 pp--IMPORTANT: Interior text is clean, tight, and unmarked. Pages are intact and tight to the spine. --"This is the most thorough and revealing study ever of one of Michelangelo's most beautiful, dramatic, and debated works of art: the Florence Pietà. The artist designed the monumental statue late in life for his own tomb, but after a decade of intermittent labor he badly damaged the work, which was later repaired by an assistant. Jack Wasserman, the book's editor and main author, enlists the expertise of scholars Timothy Verdon and Franca Trinchieri Camiz, sculptor Peter Rockwell, and three teams of scientists to understand a work of extraordinary emotional power. By examining all aspects of the statue's depiction of Christ and of his physical relationship to the other figures, especially the Virgin, this book brings to life Michelangelo's great struggle to give conclusive form to his own relationship to God--a relationship unmistakably reflected in the artist's representation of himself as the bearded man supporting Christ. Through an unprecedented multidisciplinary approach that combines technical, historical, archival, and interpretive analysis, the book clarifies and revises the history of the Pietà from its inception to its reception through the centuries. For the first time ever, a computer-generated virtual model is used to study a major work of art by revealing previously unimaginable detail and perspectives, including the extent of the initial repairs and subsequent alterations made to the sculpture. Numerous illustrations reveal the Pietà in rich detail and an accompanying CD-ROM provides access to the digital imagery while expanding the book's technical and scientific content." Princeton University Press--with a bonus offer--; 4to-over 9¾"-12" tall.